Art & Architecture / Drawings, Prints & Watercolours

[ALMANAC]. Eeuwigduurende almanach 1815[-1823].
[The Netherlands, 1814?]. Oblong 4to (19 x 24 cm). Engraved perpetual almanac (engraved image 17.8 x 22.0 cm) with three engraved roundel scenes with windows cut out of them to view engraved dials mounted behind them that can be set to show the year (ranging from 1815 to 1823), the month (also the zodiac sign, the hour of sunrise and sunset, and the length of the day and night) and the days of the week (showing 7 days of the month simultaneously, each with the day of the week and one of the five planets or the sun or moon). The main engraving and the three dials mounted on millboard, each dial turning on a brass pin secured in a small iron plate, and the main engraving partly coloured in red, blue, green and black. In a contemporary wooden frame (21 x 26 cm), with 3 holes cut in the backing board for setting the dials. Full description

[AMSTERDAM - THEATRE DECORS]. [Collection of engravings of theatre decors of the Amsterdam city theatre:] "Het gothisch paleis", "De ouderwetse burgerkamer", "De legertenten", "De Romeinsche hofzaal", "De kerker".
[Amsterdam, Jan Willem Smit, 1787-1794]. Collection of 5 engravings (impression: 33 x 41.5 cm, image: 20 x 24 cm) by Cornelis Brouwer (fl. 1773-1802), Pieter Hendrik Jonxis (1757-1843) and Izaak Jansz. de Wit (fl. 1759-1809) after drawings by Jan Bulthuis (1750-1901) and Daniël Kerkhoff (1766-1821), after the original paintings by Jan Gerard Waldorp (fl. 1758-1808), Pieter Barbiers (1717-1780), Jurriaan Andriessen (1742-1819) and Hermanus Numan (1744-1820). Full description

BAKHUIZEN (BACKHUYSEN), Ludolf. d'Y Stroom, en zeegezichten.
Amsterdam, "1701" [= ca.  1751]. Foolscap oblong 1mo (33 x 42 cm). Engraved calligraphic title-page (16.5 x 23.8 cm), mezzotint portrait of Bakhuizen (18.5 x 14.4 cm), probably by Jacob Gole, with a 4-line Latin verse by Joan van Broekhuizen printed from a separate plate, and 10 etched plates, the first with a 6-line Dutch verse by Bakhuizen printed from a separate plate. The first plate measures 19.7 x 25.9 cm, the others ca. 17.5 x 23.5 cm. Loose sheets inserted in modern portfolio. Full description

BARBET, Jean. Livre d'architecture d'autels, et de cheminees.
"Paris", sold by Cornelis Danckerts in Amsterdam, 1641. Series of 20 numbered engravings, including the title-print, Barbet's dedication to Cardinal Richelieu, a note to the reader and 17 finely designed and engraved altars and chimney pieces.
With:
(2) MITELLI, Agostino. [Model cartouches.] All[e]r[!] Ill[ustrissi]mo. Sig[no]r: Fran[ces]co: Maria Zambeccari.
[Paris?], Rousel, "1636" [ca. 1641/42?]. Series of 16 numbered engravings, including the title-print (with no title) and 15 large ornamental, cartouches, many with grotesque masks.
(3) RABEL, Daniel. Cartouches de diferentes inventions, tres utilles a plussieurs sortes de personnes.
Paris, Francois l'Anglois dit Ch(i)artres, [ca. 1645?]. 2 series of engravings, each with an engraved title-print with an elaborately decorated cartouche plus 12 numbered cartouches with scenes. Plate 1 in each series is signed by [Daniel] Rabel (ca. 1578-1637) in Paris as artist and engraver. The title-prints name the publisher Ch(i)artres. 4 works in volume. Folio (32 x 20 cm). Contemporary vellum. Full description

[BELLASIS, George Hutchins, after]. [Jamestown, Saint Helena, seen from the sea in 1805].
[Place of production unknown, ca. 1815? after an 1806 print]. Oil painting on a thin brass plate (11.5 x 15.5 cm) showing the town of Jamestown on the island Saint Helena in the South Atlantic Ocean, with 2 ships and a smaller sailboat in the bay before the town, the fortress on the promontory to the left, the houses, governor's residence and church in the centre with the valley and mountains behind. In an ebonized wooden frame and gilt inner frame (24 x 27.5 cm). Full description

[BERG, Albert]. Bei Point de Galle.
Ceylon, 1860. Watercolour on paper (25.5 x 36 cm), inscribed and dated in pencil (lower left) "Bei Point de Galle. Ceilon [18]60"; signed "AB" and numbered "334" on the back. Mounted in a passe-partout. Full description

BERGE, Pieter van den. Amstelaedamum omnium recentissimè et accuratissime expressum à Petro van den Berghe, Moschus, Arabs[,] Persae, Maurus, Judaeus, uterque[.] Quod ferat huc, rursusque auferat, Indus habet. Hanc dum mundus adit mundumque haec ipsa perrat[!], non urbs fixa loco, sed vagus orbis erit.
Amsterdam, Gerard van Keulen, [ca. 1720]. Etched view (50.5 x 81 cm) on two sheets. In a modern wooden frame. Full description

[BERNINCK, H[endrik?]. [7 botanical watercolour drawings].
[Netherlands, ca. 1776]. Set of 7 watercolour drawings on laid paper of various sizes ranging from 23×19 to 23×30.5. Each mounted on a backing sheet in modern passepartout. Full description

BLOEMAERT, Abraham. Eerste beginselen der teken-kunst, vervattende in haar veelerlei oogen, neusen, monden, ooren, als meede natuurlyke beweegingen van hoofden, troniën, handen, voeten, armen, beenen, enz.
Amsterdam, Reinier & Joachim II Ottens, [ca. 1730]. Folio. With engraved frontispiece self-portrait of Bloemaert engraved by Joachim Ottens, here serving as no. [1] of 140 engraved plates with drawn models of parts of the human body, and human figures and characters in various postures, movements and scenes. Mottled half sheepskin (ca. 1840?). Full description

BÖCKLER, Georg Andreas. Theatrum machinarum novum, exhibens aquarias, alatas, iumentarias, manuarias; pedibus, ac ponderibus versatiles, plures, et diversas molas.
Cologne, Paul Fürst, 1662. Folio. With engraved title-page by V. Sommer and 154 numbered engraved plates (ca. 25 x 19 cm) by Balthasar Schwan and Eberhard Kieser. Contemporary mottled, tanned sheepskin, gold-tooled spine. Full description