Early Printing & Manuscripts / 15th Century

ABULCASIS (Abu al-Qasim AL-ZAHRAWI). [incipit:] Liber servitoris de preparac[i]onibus medicinaru[m].
[Strasbourg, Johann Prüss, ca. 1483-1484]. Small folio (26.5 x 20.5 cm). With numerous initials filled in by hand in red ink, mostly 3 lines. Modern sheepskin parchment. [28] ll. Full description

ARDUINO, Sante. [Incipit:] Incipit liber de venenis ...
(Colophon: Venice, Bernardino Rizzo, 1492). Folio (42 x 28 cm). Set in in 2 columns in 2 sizes of rotunda gothic types, with spaces left for numerous 3-line and 4-line and a few larger initials (with printed guide letters), none filled in. Modern black- and gold-tooled calf. [4], 101, [1] ll. Full description

AUGUSTINE of Hippo (Saint AUGUSTINE). De la cita d'Dio.
[Venice?, Antonio di Bartolommeo Miscomini, ca. 1477? (not after 1483)]. Folio. Printed in two columns, each 47 lines, with spaces for 3-6 line initials left blank. Early 19th-century gold-tooled calf. [1 blank], [322], [1 blank] ll. Full description

ALVERNUS, Guillelmus (William of AUVERGNE). Libri ... de fide et legibus.
[Augsburg, Günther Zainer, ca. 1475/1476]. Small folio. Set in a hybrid roman type with gothic elements (a single column of 43 lines per page plus running heads), with the first 3 lines, including the title, in a slightly larger rotunda gothic. With all initials supplied in manuscript in red, rubricated throughout. Contemporary, richly blind-tooled vellum over wooden boards, two brass clasps, blue edges, "Nr. 56" in red ink written at the foot of the spine. [139] ll. Full description

[DAMASCUS – VENETIAN TAXES]. [Promissory note for Venetian customs taxes on goods from Damascus].
Venice, 22 Feb. / 5 March 1488. Italian notarial document on vellum (44.5 x 16 cm; text block ca. 27 x 14 cm). Written in two fine cursive hands. Full description

HONORIUS AUGUSTODUNENSIS (HONORIUS OF AUTUN). [Incipit:] ... de ymagine mundi.
[Nuremberg, Anton Koberger, 1472(?)]. Folio (31 x 22 cm).Rubricated throughout and about half of the spaces left for initials filled in by hand in red ink. 19th-century red sheepskin. [46], [1 blank] ll. Full description

[INCUNABLE - GOUDA]. Historia septem sapientiu[m] Rom[a]e.
[Gouda, Gheraert Leeu, before 3 June 1480]. 4to (20.5 x 14 cm). With 4 full-page woodcuts plus 14 repeats. The first initial is supplied in manuscript, in a rich ornamental uncial style in red and blue with brown penwork. All other initials are supplied by hand in simple red uncials. The text is rubricated throughout. Most of the plates are lightly highlighted in yellow and red, by a contemporary hand. Contemporary limp sheepskin parchment without a spine, so that the sewing is completely visible. Kept in a modern brown half morocco clamshell box. [79], [1 blank] ll. Full description

JEROME (HIERONYMUS), Saint (subject). Epistola Beati Euseby ad Damasium Portunensem Episcopum & ad Theodomum senatorem Romanum de morte gloriosi Hieronimi doctoris eximy.
[d7:] Epistola Beati Augustini Episcopi ad Cirillum venerabilem Archiepiscopium Hierosolimitanum de vita obitu & miraculis Beatissimi Hieronimi prespiteri & doctoris eximy.
[e5:] Epistola Cirilli Archiepiscopi ad Beatimi Augustinum Episcopium de miraculis gloriosi Hieronimi necnon & de morte Beati Euseby discipuli Sancti Hieronimi.
[Blaubeuren, Conrad Mancz, ca. 1475/77]. Small folio (27.5 x 20 cm). Set in what is sometimes called a gotico-antiqua type (119 mm/20 lines, with 31 lines per page), in this case mixing some roman influences into what is largely a rotunda gothic type. With about 150 "Lombardic" initials in red ink: 2 4-line, 4 3-line, about 140 2-line (1 with pen-work decorations in brown ink) and 4 1-line, in spaces left for that purpose and capitals rubricated throughout.Modern parchment. [130] pp. Full description

OTTO VAN PASSAU. Boeck des gulden throene of der xxiiij ouden.
Utrecht, "tC", (30 March) 1480. Folio. With 24 illustrations in text (ca. 9 x 6.2 cm), printed from 1 complete woodcut (plus 4 repeats) and 15 components assembled in different combinations, all rubricated and with architectural frames. Each of the 24 chapters begins with a large manuscript initial, 11 with two or more colours and others with interior white decoration. A smaller initial with penwork opens the book's first page and there are numerous further 1-line and 2-line initials. Woodcut printer's device at the end. Contemporary (Utrecht?) blind-tooled calf over wooden boards, each board in a panel design; rebacked. [4], 197 ll. Full description

OTTO VON PASSAU. Boec des gulden throe[n]s of der xxiiij. ouden en[de] hoemen elke[n] vinden mach en[de] va[n] hoerre leringhen die si leren om te comen totten ewighen leven.
(colophon: Haarlem, [Jacob Bellaert], 25 October 1484). Folio (29 x 21.5 cm). With large woodcut printer's device (142 x 82 mm) on verso of last leaf (with the arms of the city of Haarlem above an eagle holding a larger blank shield, here filled in by a contemporary owner); 4 woodcut illustrations and 20 repeats, representing the 24 elders, each showing one of the male elders, standing, teaching a female novice kneeling before him. Further with spaces left for initials, all filled in with uncials by hand, about 25 with penwork decoration in 1 or 2 additional colours: 1 blue 6-line initial with decorations in red and violate extending far into the margin, about 24 red 3 to 9-line (mostly 7-line) initials with lavendar penwork (1 with 2 green dots), some extending into the margin, and more than 70 2-line red initials without penwork decoration; a few spaces left for ¶-marks, also filled in in red; capitals rubricated throughout. Set entirely in Baellart's textura (99 or 100 mm/20 lines or about 14.5 point). Lacking leaf 137 (the second to last text leaf) and the final blank. Modern sheepskin. [1 blank, 3], "136" [= 135 (of 136)], [1] ll. Full description