Highlights

AMPZING, Samuel [and Petrus SCRIVERIUS]. Beschryvinge ende lof der stad Haerlem in Holland: in rijm bearbeyd ...
Including: SCRIVERIUS, Petrus. Laure-Crans voor Laurens Coster van Haerlem, eerste vinder vande boeck-druckery.
Haarlem, Adriaen Rooman, 1628. 2 parts in 1 volume. 4to. Ad 1: With an allegorical frontispiece, 16 engraved plates, and a printer's device on the final page, the text is printed in roman, gothic and civilité type. Ad 2: With a woodcut printers device on the title page, a full-page engraved portrait, and a full-page engraved plate of the first printing office in Haarlem. Contemporary gold- and blind-tooled overlapping vellum, gold-tooled oval coat of arms of Haarlem in the centre of both boards, surrounded by a blind-tooled single fillet frame, green closing ties, red sprinkled edges. [88], 520, [8]; 1-5, [3], 9, 6-124 pp. Full description

[ARGUELLES, Diego and Antonio LOPEZ DE SANTA ANNA]. Aprobacion del plan de Republica popular federativa, proclamado por el ciudadano General Santana en San Luis Potosi el cinco de Junio del año pasado.
Mexico [= Mexico city], imprenta de Tomas W. Lorrain, 1824. Small 4to (ca. 21.5 x 16 cm). Disbound, the leaves are held together with glue. 16 pp. Full description

BAÏF, Lazare de and [Charles ESTIENNE (editor)]. De re vestiaria libellus, ex Bayfio decerptus: addita vulgaris linguae interpretatione, in adolescentulorum gratiam atq[ue] utilitatem.
Lyon, Sebastian Gryphius, 1539. 4 works in 1 volume. 8vo. With a woodcut printer's device on the title-page and final page of the first 3 works, each work with a decorated woodcut initial. With: (2) IDEM. De vasculis libellus.
Idem.
(3) ESTIENNE, Charles. De re hortensi libellus.
Idem.
(4) SENALUS [= CENEAU], Robert. De vera mensurarum ponderumque ratione.
Paris, Ioannes Roigny, 1535.

Later vellum, with a brown morocco label on the spine with the author and title lettered in gold, red sprinkled edges. 65, [11], [3 blank], [1]; 54, [7], [2 blank], [1]; 97, [15] pp.; [18], 119, [1 blank] ll. Full description

BECCARIA, Giambatista. Dell' elettricismo artificiale, e naturale libri due.
Torino, Filippo Antonio Campana, 1753. 4to. With a woodcut printer's device on the title-page, 6 decorated woodcut initials, 8 headpieces (3 woodcut, 5 made up of typographical ornaments), and 3 woodcut tailpieces. Contemporary gold-tooled mottled calf. [8], 245, [1] pp. Full description

[BEVIER, B.]. [Portfolio with vivid portraits of famous painters and illustrations based on famous works of art].
[France or Belgium?], 1809-1811. Portfolio: ca. 75.5 x 60 cm. With 15 large format portraits (all 65.5 x 48 cm. except the last portrait: 49 x 38 cm), executed in chalk and colour, all signed by the artist "B. Bevier" and dated between 1809 and 1811. All manuscript captions are written by the same hand in brown ink. All portraits are mounted on otherwise blank leaves in a large portfolio. Later half calf. [1 blank], [15] ll. Full description

[BRANDT, Gerard]. Historie der vermaerde zee- en koop-stadt Enkhuisen, vervaetende haere herkomste, en voortgangh. Mitsgaders verscheide gedenkwaerdige geschiedenissen, aldaer voorgevallen.
Enkhuizen, Egbert van den Hoof, 1666. 4to. With the woodcut coat of arms of Enkhuizen on the title page, an engraved allegorical frontispiece by H. Bary, 5 full-page engraved portraits by H. Bary, a large folding plan of Enkhuizen after design by O. Suermondt, and a large folding plate with 31 coats of arms of the members of the city council. Contemporary sheepskin parchment. [12], 207, [1], 167, [1 blank], [16] pp. Full description

[COLLAERT, Adriaen?]. [The five senses:] Visus ... Gustus ... Tactus ... Olfactus ... Auditus.
Antwerp, Jan Adriaensz. Collaert, [ca. 1618/28]. Large 24mo(?) album (14.5 x 10.5 cm). A complete series of 5 engraved prints on vellum (13 x 8.5 cm; oval image 10 x 7.5 cm) each illustrating one of the five senses with a female figure. Richly and very beautifully coloured by a contemporary hand, in colour gouaches (red, blue, purple and green), extensively highlighted with gold. Each print mounted on a paper leaf in a small album. Green silk (ca. 1820?) over flexible boards. [5] engraved ll. Full description

[DECREE - MEXICO]. [In upper left corner:] 1a. Secretaria de estado. Seccion de Gobierno.
Mexico, 21 December 1822. Ca. 31.5 x 21.5 cm. [2] ll. Full description

DU BARTAS, Guillaume de Salluste. Wercken door Zacharias Heijns.
[Zwolle, Zacharias Heyns], [1621]-1628. 3 parts in 2 volumes. 4to. With 2 engraved title pages, the engraved publisher's device on the title page of part 2, the engraved portrait of Zacharias Heyns in the text of part 1 and 34 full-page engravings (incl. 1 large folding plate and 1 plate outside the collation) illustrating the days of the two weeks and the other texts by Du Bartas. Woodcut initials, head- and tailpieces. Both volumes bound in almost matching 17th-century vellum, both spines with manuscript title in black ink. Volume 1: part 1: [12], 1-168, 168-183, [1], 184-313, [1] pp.; part 2: [8], 634, [6] pp. Volume 2: part 3: [8], 150, [2], 231, [1] pp. Full description

[DUTCH REPUBLIC - TREATIES]. Recueil van de tractaten, gemaeckt en gesloten tusschen de Hoog Mog. Heeren Staten Genereael der Vereenighde Nederlanden ter eenre, ende verscheyde Koningen, Princen en Potentaten ter andere zyde.
The Hague, Jacobus Scheltus, [not before 1701]. 73 pamphlets in 1 volume. 4to. With a general title page with the woodcut printer's device of the official printer for the Dutch States General. 70 of the 73 treaties have a separate title page, the other 3 were published without thus the work is complete. 67 of these 70 treaties with a title page contain the woodcut printer's device of the official printer for the Dutch States General, 2 of the earlier treaties bear Van Wouw's woodcut printer's device on their title pages, 1 title page shows a simple woodcut floral vignette, 1 title page does not contain any (woodcut) decoration, and 1 treaty without a title page does contain the woodcut printer's device of the official printer for the Dutch States General at the start of the text. Further with woodcut decorated initials throughout the treaties. The text is set in both roman and gothic type. Later vellum. Full description