Religion & Devotion / Bibles, Liturgy & Devotional Works

AQUINAS, Thomas. Sancti Thome de Aquino super epistolas Pauli. Super epistolas Sancti Pauli[.] Co[m]mentaria preclarissima. Cum tabula ordinatissima. [= In omnes epistolas Pauli].
[Colophon:] Venice, Bonetus Locatellus for Octavianus Scotus, 22 December 1498. Folio (32.5 x 22.5 cm). Printed in two columns. Contemporary Venetian(?) blind-tooled, blackened tanned calf over bevelled wooden boards [12], 260, [1] ll. Full description

ARIAS MONTANO (MONTANUS), Benito (Benedictus). Humanae salutis monumenta.
Antwerp, Christoffel Plantin, "1571" [= 1582/83]. 4to (22 x 14.5 cm). With an engraved, illustrated title-page bearing the initials of the engraver Pieter Huys and the date 1571, an unsigned circular portrait of Jesus in profile and 70 full-page engravings (16.5 x 11.5 cm) by several artists. 17th-century gold-tooled black goatskin, the front board with a centrepiece comprising coat-of-arms (with a name below it) in an oval (the arms and name mutilated, but probably Robert de Ligne or an heir), gilt edges, later endpapers. [172] pp. Full description

[ASSAROTTI, Ottavio Giovanno Battista]. Dottrina Christiana. [Manuscript in Italian].
[Genoa, ca. 1815/20]. 8vo. With 117 (of 118) full-page hand-coloured drawings, each in a frame of double rules (20.5 x 14 cm), with lively illustrations of the Christian doctrine, and text in Italian. Contemporary half calf, gold-tooled spine. 117 (of 118), [3 blank] ll., including the last 3 blanks. Full description

AUGUSTINUS, Aurelius. Confessio Augustiniana in libros quattor distributa, et certis capitibus locorum theologicorum, qui sunt hodie scitu dignissimi, comprehensa: nunc primum ex omnibus B. Aurelii Augustini libris in unum opus bona fide ac studio singulari redacta per D. Hieronymum Torrensem ...
Dillingen, Sebald Mayer, 1567. 4to. With Mayers full-page woodcut device (a pelican feeding her young with her own blood, with motto "sic his qui diligunt", copied in mirror image from that of Frans Behem in Mainz) on the last otherwise blank leaf, and some fine decorated woodcut initials. 18th century mottled calf, gold-tooled spine, red sprinkled edges. [32], 330, [24] lvs. Full description

BARREFELT, Hendrik Jansen, known as “HIËL” (illustrations by Pieter van der BORCHT). Figures de toutes les plus remarquables histoires, et aultres evenements du Vieil et Nouveau Testament. Avec une brieve exposition allegorique, ou spirituelle de chascune d'icelles histoires, tres utile a toutes sortes de gents.
Amsterdam, Michiel Colijn, 1613. Large oblong 4to (21 x 27 cm). With 113 Bible scenes printed from 35 (Old Testament) and 48 (New Testament) engraved illustration plates (plate size 10 x 22.5 cm) by Pieter van der Borcht (New Testament plates 7-9, 18-19 & 24-48 include 2 scenes each). 17th-century vellum. [6], 35, [1 blank]; [1], [1 blank], 48 pp. Full description

BARREFELT, Hendrik Jansen, known as “HIËL” (illustrations by Pieter van der BORCHT). Bibelsche figueren, ofte afbeeldingen van al de gedenckweerdige historien, ende andere geschiedenissen des Ouden ende Nieuwen Testaments.
Amsterdam, Gerrit Jansz., 1662. Oblong 4to (19 x 6 cm). With a general title-page plus a separate title-page for the New Testament, each with the same new woodcut rendition of the device Michiel Colijn used in his 1613 editions, 97 (of 119) engraved and etched Bible scenes, 1 large woodcut headpiece and 1 woodcut decorated initial. Set in textura types with incidental roman and italic. Early 19th-century half vellum, sewn on 2 tapes, marbled sides, with the remains of a gold-tooled spine-label that originally read "BIBELSCHE|FIGUEREN|1662". 44 [lacking 15-16, 41-44]; 52 [lacking 41-48] pp. Full description

BASEDOW, Johann Bernhard. Methodischer Unterricht der Jugend in der Religion und Sittenlehre der Vernunft nach dem in der Philalethie angegebenen Plane.
Altona, David Iversen, 1764.With: (2) BASEDOW, Johann Bernhard. Methodischer Unterricht in der überzeugenden Erkenntniss der biblischen Religion, zur vorgesetzten Ausführung des in der Philalethie angegebenen Plans.
Altona, David Iversen, 1764.
2 works in 1 volume. 8vo. With an engraved illustration on both title-pages (not identical) and some woodcut initials, head- and tailpieces. Slightly later brown pastepaper boards, with title-label on spine, red sprinkled edges. LXII, 272; XXXII, 224, 144 pp. Full description

BEAUXAMIS, Thomas. In sacro sancta Coenae mysteria, passionem, et resurrectionem domini nostri Jesu, homeliae, & tabulae, annexis quibusdam scholiis, ex primis ecclesiae patribus. Ad amplissimum, & illustrissimum principem carolum cardinalem Lotharingum.
Mons (Belgium), Claude de Bronchin [printed in Paris by Guillaume Chaudière], 1570. 8vo. With Chaudières woodcut device on the title-page (Chronos, with the motto, "hancas iem sol retundit virtus"), a woodcut headpiece, 2 woodcut tailpieces and 2 woodcut initials (from 2 different series). Limp vellum (ca. 1700?). [6], 321, [1] ll. Full description

BELLARMINO, Roberto. In omnes psalmos dilucida explanatio.
Brescia, Giovanni Battista & Antonio Bozzola, 1611. 4to. With a woodcut printer's device on title-page and the colophon page. Contemporary vellum, brown spine label, red edges. [16], 903, [28] pp. Full description

[BIBLE - DUTCH]. Biblia, dat is de gantsche Heylige Schrifture, vervattende alle de canonijcke boecken des Ouden en des Nieuwen Testaments.
Including: De boecken genaemt apocryphe ...
Leiden, widow and heirs of Johannes Elzevier, 1663. 3 parts in 1 volume. Large folio (43 x 28 cm). With an engraved title-page, 3 letterpress title-pages (the first in red and black, and each with the same Elzevier woodcut tree device with "non solus"), a complete series of 6 double-page engraved maps (the so-called "vrome" (pious) series published ca. 1687) and a complete series of 96 engraved Bible scenes, 16 on each of 6 double-page plates, engraved by Cornelis Danckerts I for Fredrick de Witt in Amsterdam after the series by Mattheus Merian the elder. Further with numerous woodcut initials and tailpieces. All plates coloured by hand and highlighted in gold. 19th-century calf over bevelled wooden boards, sewn on 5 chords with mid-19th-century (1843) silver fastenings. [22], "368" [= 370]; [13], "167" [= 168]; [2], 77 ll. Full description