Art, Architecture & Photography

CAILLIAUD, Frédéric. Voyage a Méroé, au fleuve blanc, au-delà de fâzoql dans le midi du royaume de Sennâr, a Syouah et dans cinq autres oasis; fait dans les années 1819, 1820, 1821 et 1822, ... Dédié au roi.
Paris, Debure, Tillard and Treuttel & Wurtz, 1826-1827. 4 text volumes (8vo) and 1 atlas volume in 2 parts (folio). With a woodcut vignette on the title pages, 12 full-page hand-coloured costume plates, and 150 full-page lithographs in the atlas volume. Contemporary half calf, gold- and blind-tooled spine, marbled edges. [4], XV, [1], 429 pp; [4], 442 pp; [4], 431, [1] pp; [4], 416 pp; [32], [150], [20], [150] pp. Full description

[CALLOT, Jacques, Carel ALLARD & others]. [Collection of 120 engravings by French, Dutch, Italian and German artists].
Venice, Paris, [Amsterdam], etc., 1601-1725 (album ca. 1745?), with additions [1788] & [ca. 1790]. 8vo, 4to, etc. (19 x 13 cm). 120 engraved prints, namely 44 from 4 complete print series (1 with a title-print), 57 (including 3 title-prints) from 10 or 11 other series and 19 prints apparently not from any series, by Jacques Callot (1 complete series), Odoardo Fialetti, Herman Weyen, Balthasar Moncornet, Henri Bonnart, Carel Allard (3 complete series), P. Landry and others (see contents, below). Mottled sheepskin (ca. 1745?). 95 ll. Full description

CALLOT, Jacques. Capitayn van de bende.
[Amsterdam], Claes Jansz. Visscher, [ca. 1645]. A series of 24 numbered engraved plates by Claes Jansz. Visscher after Jacques Callot (some copied in mirror image), the first with the title on a banner carried by the beggar in plate 1.
With: (2) QUAST, Pieter Jansz. T is al verwart-gaeren.
[Amsterdam], Claes Jansz. Visscher, 1652. With 24 (of 26) numbered engraved plates, the first with the title at the foot. 2 works in 1 volume. Small folio (26.5 x 19.5 cm). 18th-century paste paper over boards. 24; 1-2, 5-26 (of 26) engr. ll. Full description

CAMMAS, Henry and André LEFÈVRE. La vallée du Nil. Impressions et photographies.
Paris, Hachette, 1862. Large 8vo (ca. 24 x 16 cm). With 102 albumen prints mounted onto cards, protected by tissue paper. Contemporary half gold- and blind-stamped red sheepskin. XVI, 463, [1] pp. Full description

[CAMPEN, Jacob van, Hubert QUELLINUS and Jacob VENNEKOOL]. Architecture peinture et sculpture de la maison de ville d'Amsterdam, representée en CIX. Figures en taille-douce.
Amsterdam, David Mortier, 1719. Royal folio. With a title-page in red and black with an engraved device (a portrait of Erasmus in an elaborate cartouche with allegorical figures), and 124 engraved architectural and sculptural illustrations on 109 numbered plates (6 double-page, 103 full-page).
Contemporary quarter brown sheepskin. 22 pp. + 109 plates Full description

[CAMPEN, Jacob van, Hubert QUELLINUS and Jacob VENNEKOOL]. Bouw schilder en beeldhouwkonst, van het stadhuis te Amsteldam, vertoont in CIX figuuren: ...
Amsterdam, Johannes Covens, Cornelis Mortier and Johannes Covens junior, [ca. 1758?, ca. 1767? or possibly 1772/83]. Large folio (49.5 x 30 cm). With the title page printed in red and black with J. Covens & C. Mortiers engraved device by Bernard Picart ("JCCM" cypher monogram in a laurel wreath carried by 6 putti, dated 1730); 2 preliminary plates containing portraits of Jacob van Campen [by Lutma] and Arthus Quellinus by Henricus Quellinus; CIX (109) numbered engraved and etched architectural plates. All plates have French captions, some with laudatory verses below, and are described in Dutch in the letterpress text (pp. 3-15). Contemporary half red roan (sheepskin), brown sprinkled paper sides. 15 pp. Full description

[AUTOGRAPH]. CAMPER, Petrus. [Autograph letter, signed, to Reinier Arrenberg].
Groningen, 2 February 1773. 4to. Brown ink on laid paper, addressed on the outside and with an armorial red wax seal.
With: (2) [PORTRAIT]. [PUJOS, André]. P. Camper, ...
[Paris, André Pujos, 1786]. 4to. Mezzotint portrait on laid paper. [1], [1 blank, except for the address]; [1] ll. Full description

CAMPER, Petrus. Verhandeling van Petrus Camper, over het natuurlijk verschil der wezenstrekken in menschen van onderscheiden landaart en ouderdom; over het schoon in antyke beelden en gesneedene steenen. Gevolgd door een voorstel van eene nieuwe manier om hoofden van allerleye menschen met zekerheid te tekenen.
Utrecht, B. Wild and J. Altheer, 1791. Large 4to (ca. 26 x 20 cm). With 10 engraved plates: 5 folding double-page plates, 4 full-page plates, numbered I-IX and all dated ca. 1768-1786 in the plates, depicting heads and skulls of humans and apes engraved by Reinier Vinkeles after Petrus Camper, and 1 unnumbered plate depicting a geometric figure. 19th-century mottled calf, with a circular green morocco inlay lettered in gold, within a gold-tooled laurel wreath as a centre piece on both boards. "VIII" [= X], 108, [1]. [1 blank] pp. Full description

[CANALETTO]. VISENTINI, Antonio. Urbis Venetiarum prospectus celebriores, ex Antonii Canal tabulis XXXVIII.
Venice, Joannem Baptistam Pasquali, 1742. 3 parts in 1 volume. Oblong folio (ca. 36.5 x 52.5 cm). With 3 letterpress title-pages printed in red and black with engraved vignettes by Visentini, the original engraved title-page for the first series (Prospectus Magni Canali), a double portrait of Canaletto and Visentini by Visentini after Giovanni Battista Piazetta and and XIV, XII and XII numbered engraved prints with familiar views based upon 38 paintings by Canaletto, engraved by Visentini, showing the Grand Canal, public buildings, renowned places in Venice and regatta scenes. Contemporary half morocco, brown paper sides, manuscript title (?) and two old shelfmarks on the spine. [8]; [1]; [1] ll. plus the part-title, double portrait and XIV, XII, XII prints. Full description

[CARRIAGE HORSE TACK]. FÖLSCH, Michael. [Sample book of harness designs and other elaborate and decorative carriage horse tack].
[Vienna, ca. 1790?]. 2 volumes. Oblong small folio (23.5 x 37 cm and 25.5 x 39.5 cm). With 67 pen-and-ink, watercolour and gouache drawings of horses, most highlighted with silver and gold , all signed, most trimmed and mounted on blank leaves ca. 1805. With 2 etchings added at the end of volume 1, executed by Friedrich Leopold Bürde and dated 1812. Volume 1 stab-sewn, volume 2 with the leaves mounted on stubs and sewn through the folds, each with marbled paper wrapped around the spine. In an early 19th-century half tanned sheepskin box in the form of a book, metal hook-clasps. Full description