Art, Architecture & Photography

[MARCEL, Jean-Joseph?]. [Islamic coins and medals].
[Paris?], [ca. 1791-ca. 1817?]. Mostly folio (31.5 x 21 cm). A manuscript compilation of loose leaves and bifolia, with about 104 drawings (some in ink; some in coloured gouaches, many including gold, silver and other metallic colours) and about 53 engravings (some black on white; some white on black) each drawing and engraving showing the obverse and reverse of an Islamic coin or medal (except for about 3 that show only one side). Most of the drawings and engravings are on slips attached to leaves with notes in Arabic and French.Loose leaves and bifolia. [ca. 150] ll. Full description

MARCET, Edouard. Australie un voyage a travers le bush.
Geneva, Jules-Guillaume Fick, 1868. 8. Illustrated with 20 original albumen prints of drawings (10 full-page, mounted on inserted leaves of heavy paper as plates, and 10 smaller, mounted on the text leaves in spaces left for that purpose). Contemporary gold-tooled polished green calf, richly gold-tooled spine, gilt edges. Rebacked in green cloth with the original backstrip laid down. 268 pp. Full description

MARIETTE-BEY, Auguste. Album du musée du Boulaq comprenant quarante planches photographiées par MM. Delié et Béchard, avec un texte explicatif rédigé par Auguste Mariette-Bey.
Cairo, Mourès & Cie, 1872. Folio. With 40 original, albumen photographic prints (ca. 24.5 x 18 cm) on stiff paperboard mounted on hinges. Original publishers half brown morocco, blind stamped cloth over boards, with title and figures in gold, gilt edges. [3], [42] ll. plus 40 mounted photographic prints. Full description

MARMONTEL, Jean François and Pieter PIJPERS. Zemire en Azor, zangspel. Met konstwerken en balletten. Gevolgd naar het Fransche.
Amsterdam, Jan Helders, Abraham Mars, 1783. 8vo. With an engraved title page including a vignette by H.L. Meyling, a letterpress title page with an emblematic engraved vignette by Reinier Vinkeles. Extra added in this copy are an additional letterpress title page, also dated "1783", but with a portrait of Pieter Pijpers engraved by Theodorus Koning dated 1789, accompanied by the letterpress explanatory leaf with a poem "Op myne afbeelding door Theodorus Koning", dated 1789, signed by Pijpers in brown ink. Further with 3 extra added engraved plates (2 full-page and 1 half-page), plus 1 repeated in an earlier state with no lettering, depicting scenes from the play by various Dutch artists (A. Fokke, H.L. Myling, W. Immink, A. Hulk Jacobsz), 1 dated 1784. And finally with 6 engraved plates by various French artists, made for the original French edition. The engraved title is richly coloured and highlighted with gold (incl. the lettering) by a contemporary hand. The 6 French plates are splendidly coloured and highlighted with gold and gum arabic by a contemporary hand. Contemporary half calf, gold-tooled spine with one brown and a green morocco title label lettered in gold and fleurons in the remaining compartments, sprinkled paper sides. [16], 76, [2] pp. Full description

MARRE, Jan de. Batavia, begrepen in zes boeken.
Amsterdam, Adriaan Wor & heirs of G. onder de Linden, 1740.
With:
(2) MARRE, Jan de. Bespiegelingen over gods wysheid in't bestier der schepselen, en eerkroon voor de Caab de Goede Hoop.
Amsterdam, Adriaan Wor & heirs of G. onder de Linden, 1746.
(3) MARRE, Jan de. Hof- en mengeldichten.
Amsterdam, Adriaan Wor & heirs of G. onder de Linden, 1746.
3 works in 1 volume, the first in 6 parts. 4to. With an engraved frontispiece and an elaborate title-vignette (identical on all three title-pages. And ad. 1 with a folding engraved plate of Jakarta "as it was in 1731" by Jan van der Laan. Contemporary vellum, red spine label. [36], 320, [6]; [42], 178, [22], [20], 214, [4] pp. Full description

MARTENA, Giovanni Batista. Flagello militare diviso in quattro parti. La prima tratta de' trabucchi. La seconda de' petardi. La terza de' burlotti, e fuochi artificiali di mare, e di terra. La quarta di mine, contramine, e d'altre cose importanti all'arte militare.
Naples, Novello de Bonis, 1676. 4to. With an engraved frontispiece, engraved author's portrait and 73 illustrations on 18 engraved plates. Contemporary vellum. [12], 211, [1] pp. Full description

MARTÍNEZ, Crisóstomo (Chrysostomus). [Nouvelles figures de proportions et d'anatomie du corps humain].
[Paris, engraved ca. 1687/88]. 71 x 53.5 cm. An extremely large engraved anatomical print (plate size 69 x 52.5 cm; engraved image 68.5 x 51.5 cm). In a passe-partout, under glass in a wooden frame painted black with the inside edge gilt (92 x 73 cm). Full description

MATHAM, Jacob (engraver), Hendrick GOLTZIUS (artist) and Cornelius SCHONAEUS (author). Andromeda.
[Haarlem, Hendrick Goltzius,] 1597. 26.7 x 37 cm. Copper engraving. Full description

MAU, August. Geschichte der decorativen Wandmalerei in Pompeji ... Mit 20 Tafeln in einer Mappe.
Berlin, G. Reimer, 1882. 1 text volume & 1 portfolio with plates. 8vo (text volume) and 1mo (plates portfolio 53 x 43 cm). With 20 large numbered plates showing Pompeii wall paintings in situ, mounted on card stock, loose in a separate portfolio with letterpress title-leaf and contents leaf: 9 sepia collotypes (21 x 16 to 26.5 x 24.5 cm) and 11 chromolithographs (21.5 x 19 to 37 x 36 cm), no. 18 actually comprising 7 small chromolithographs on 1 card, each plate with a letterpress label on the back; and 7 black and white floor plans in the text. Contemporary half sheepskin parchment (text); contemporary blue half cloth portfolio (plates). XII, 462 pp. Full description

MAUGENDRE, Adolphe. Société anonyme des mines et fonderies de zinc de la Vieille Montagne[.] Album de 30 vues.
Paris, (printed by Auguste Bry), 1850-1851. Oblong 1mo (55.5 x 38.5 cm). Tinted lithographed title page and 30 tinted lithographed plates (55.5 x 38.5 cm, one slightly smaller: 35 x 50.5 cm), all in fine contemporary hand-colouring. Loose in modern clamshell box. Full description