Art, Architecture & Photography

[PHOTOGRAPHY - NEW ZEALAND - TASMANIA]. [Collection of 18 photographs of New Zealand and Tasmania].
[New Zealand, ca. 1890]. Including 13 Maori portraits, 4 albumen prints of Hobart and locality, a loose albumen print of the North Shore Native and Aquatic Regatta at Auckland in 1898. Full description

NICERON, Jean François. La perspective curieuse, divisée en quatre livres. Avec l'optique et la catoptrique du R.P. Mersenne, mise in lumiere après la mort de l'autheur. Oeuvre tres-utile aux peintres, architectes, sculpteurs, graveurs, & à tous autres qui se meslent du dessein.
Paris, the widow of F. Langlois, dit Chartres, 1651-1652. With engraved allegorical title-page by Daret, full-page engraved portrait of Niceron by Michel Lasne, several woodcut diagrams in text and, bound at the end of the book, 49 full-page plates and 1 double-page engraved plate with numerous illustrations of drawing in perspective, in optical illusions and in trompe l'oeil.
With: (2) MERSENNE, Marin. L' optique et la catoptrique.
Paris, the widow of F. Langlois, dit Chartres, 1651. With numerous woodcut illustrations and figures in the text. Folio. Contemporary calf, gold-tooled spine, gilt double fillet borders on both sides and on the spine. [16], 191, [1]; [12], 134 pp. Full description

NICERON, Jean-François. La perspective curieuse du reverend P. Niceron. Minime divisee en quatre livres. Loptique et la catoptrique du R. P. Mersenne du meseme ordre, mise en lumiere aprés la mort de lautheur. Oeuvre tres-utile aux peintres, architects, sculpteurs graveurs, & à tous autres qui se meslent du dessein.
Paris, Jean du Puis, 1663.
Including: MERSENNE, Marin. L'optique et la catoptrique du reverend Pere Mersenne minime. Novvellement mise en lumiere, aprés lar mort de lautheur. Paris, the widow of F. Langlois, 1651.
2 works in 1 volume. Folio. With a (partially) folded full page engraved portrait of the author as a frontispiece, an engraved title-page, a large woodcut vignette on the title-page, 50 full page engraved plates (including 1 folding), all numbered in a decorative banner in the plate.Contemporary or near contemporary (late 17th or early 18th century) brown calf. [1], [1 blank], [1], [1 blank], [8], 191, [1]; [1], [1 blank], [10], 134, [2 blank] pp. Full description

[NICOLAY, Nicolas]. Plusieurs descriptions des accoustremens, tant des magistrats et officiers de la Porte de l' Empereur des Turcs, que des peuples assujectis à son Empire. Avec les figurs des representant le tout au naturel, tirees des medailles antiques & descriptions de ceux qui ont frequenté parmy ces nations, ou des bons autheurs qui en ont escrit.
Including: THOMAS, Artus. Tableaux prophetiques des empereur severe et leon, avec leurs epigrammes predisans la ruine de la monarchie des Turcs.
[Paris, widow of Abel L'Angelier, 1620]. 2 parts in 1 volume. Folio. With 79 engraved plates, including 62 costume plates (ca. 27.5 x 17.5 cm) after Nicolas Nicolay. With an additional loosely inserted engraving of a "Marchant Juif". All the plates have explanatory texts on the versos of the preceding plates. 19th-century green half morocco. "64" [=65] ll., 65-114, [3], [1 blank] pp. Full description

NOMSZ, Johannes. [A choice collection of 6 original plays written by Johannes Nomsz and 10 plays of French playwrights - Racine, Corneille, Voltaire and others - together with other texts highly interesting for the history of the Amsterdam stage, and Nomszs historical work on the life of Mohammed in 2 volumes].
Amsterdam, Izaak Duim, Johannes Smit, David Klippink, widow of David Klippink, Hendrik Gartman, Johannes Smit, heirs of David Klippink, 1764-1780. 16 plays, 3 essays and 1 biography bound in 11 volumes. 8vo. With two portraits of Nomsz by Reinier Vinkeles (vol. I) and J. Houbraken (vol. IX), a portrait of Mohammed by J. Houbraken (vol. I) and 14 frontispieces by the best engravers of the time: Jan Punt, Reinier Vinkeles, Simon Fokke, P. Tanjé and Th. Koning. Uniform contemporary vellum with a blind-tooled centrepiece and cornerpieces on each board, manuscript titles on spines. [8], 76; [8], 64; [8], 56; 14; 62; [8], 54; 12, [74]; [4], 54; [12], 74; [6], 71; [8], 71; [6], 58; [12], 78; [6], 112; [8], 82, [2]; 35; [4], 88, [2]; 43; [10], 113; [10], 67; [12], 73, [2]; XXVI, 182; [4], 190 pp. Full description

[NORTHWEST PASSAGE - PAINTING]. [The ships Erebus and Terror in the Arctic].
[England?, ca. 1850?]. Oil painting on canvas (65.5 x 91 cm), showing 2 ships in a rough sea amid dangerous rocks and ice. Later mounted on another canvas and stretched over a wooden frame, with a handwritten note about the painting pasted on the back. Full description

NOVERRE, Jean Georges. Lettres sur la danse, et sur les ballets.
Stuttgart (and sold in Lyon), Aimé Delaroche, 1760. Small 8vo. With a small vignette built up from typographical ornaments on the title page, an engraved armorial headpiece at the start of the dedication, an decorated initial and a headpiece both built up from typographical ornaments, and some woodcut tailpieces. Contemporary marbled calf. [1], [1 blank], [2], 484 pp. Full description

OGAWA Kazamusa. Famous castles & temples in Japan.
Tokio, [Kazamusa Ogawa?], (colophon in Japanese: Meiji 28 = 1895). Oblong (27 x 36.5 cm). With 35 hand-coloured collotypes, with captions. Slightly later black, gold-tooled morocco, with initials C.R. at the foot of the spine. 36 ll. Full description

ONGANIA, Ferdinando (ed.). Calli e canali e isole della laguna [frontispiece: "Calli et canali in Venezia"].
Venice, Tipografia Emiliana, 1894-1895. Imperial folio (ca. 55 x 37 cm). With a lithographed frontispiece showing a gondola in a Venice canal and 100 colletypes of the Venice canals, streets and buildings, mounted on guards and covered with flyleaves, index printed in red and black. Original publishers half brown sheepskin, beige cloth sides with blind-tooled frame on the front and back board and with a centrepiece with a boat in the lagoon of Venice and the gold-stamped title and author's name on the front board. [6] including the frontispiece, plus 100 collotypes. Full description

[ORANGISTS]. Aenmerkinge op de Missive van Parnas, vanden 22. January 1685. Getekent Hugo de Groot.
The Hague, Gidion Backer, 1685. 4to. With a woodcut title vignette and a woodcut intial. Disbound. 28 pp. Full description