Art, Architecture & Photography

OGAWA Kazamusa. Famous castles & temples in Japan.
Tokio, [Kazamusa Ogawa?], (colophon in Japanese: Meiji 28 = 1895). Oblong (27 x 36.5 cm). With 35 hand-coloured collotypes, with captions. Slightly later black, gold-tooled morocco, with initials C.R. at the foot of the spine. 36 ll. Full description

ONGANIA, Ferdinando (ed.). Calli e canali e isole della laguna [frontispiece: "Calli et canali in Venezia"].
Venice, Tipografia Emiliana, 1894-1895. Imperial folio (ca. 55 x 37 cm). With a lithographed frontispiece showing a gondola in a Venice canal and 100 colletypes of the Venice canals, streets and buildings, mounted on guards and covered with flyleaves, index printed in red and black. Original publishers half brown sheepskin, beige cloth sides with blind-tooled frame on the front and back board and with a centrepiece with a boat in the lagoon of Venice and the gold-stamped title and author's name on the front board. [6] including the frontispiece, plus 100 collotypes. Full description

[ORANGISTS]. Aenmerkinge op de Missive van Parnas, vanden 22. January 1685. Getekent Hugo de Groot.
The Hague, Gideon Backer, 1685. 4to. With a woodcut title vignette and a woodcut intial. Disbound. 28 pp. Full description

[ORANGISTS]. Aenmerkinge op de Missive van Parnas, vanden 22. January 1685. Getekent Hugo de Groot.
The Hague, Gidion Backer, 1685. 4to. With a woodcut title vignette and a woodcut intial. Disbound. 28 pp. Full description

OS, Georgius Jacobus Johannes. [Flowers and fruits on a marble plinth].
[Paris or Holland], [ca. 1815-1825]. Four watercolour drawings on paper, three signed "G.J.J Van Os", edged with a thin black border. [4] ll. Full description

OTTO VAN PASSAU. Boeck des gulden throene of der xxiiij ouden.
Utrecht, [printer with monogram "tC"], [30 March] 1480. Folio. With 24 illustrations in text (ca. 9 x 6.2 cm), printed from 1 complete woodcut (plus 4 repeats) and 15 components assembled in different combinations, all rubricated and with architectural frames. The book has no printed initials, but spaces for manuscript initials, which have been filled with letters in the uncial style. Each of the 24 chapters begins with a large manuscript initial (the first 5-line with a penwork face in profile and further 4-line), 11 with two or more colours (mostly with penwork decoration extending into the margin), and others with interior white decoration. A smaller (2-line) initial with penwork extending into the margin opens the book's first page and there are numerous further 1-line and 2-line initials. Set in a textura type with capitals rubricated throughout. Woodcut printer's device at the end: a date palm tree with monogram "tC" (6.5 x 5.5 cm), the "t" perhaps also (or instead) representing a cross. Contemporary (Utrecht?) blind-tooled calf over wooden boards, each board in a panel design with the central part ruled in a lozenge pattern with about 200 impressions of 4 small separate stamps; re-backed, with modern morocco title label. [4], 197 ll. Full description

OTTO VON PASSAU. Boec des gulden throe[n]s of der xxiiij. ouden en[de] hoemen elke[n] vinden mach en[de] va[n] hoerre leringhen die si leren om te comen totten ewighen leven.
(colophon: Haarlem, [Jacob Bellaert], 25 October 1484). Folio (29 x 21.5 cm). With large woodcut printer's device (142 x 82 mm) on verso of last leaf (with the arms of the city of Haarlem above an eagle holding a larger blank shield, here filled in by a contemporary owner); 4 woodcut illustrations and 20 repeats, representing the 24 elders, each showing one of the male elders, standing, teaching a female novice kneeling before him. Further with spaces left for initials, all filled in with uncials by hand, about 25 with penwork decoration in 1 or 2 additional colours: 1 blue 6-line initial with decorations in red and violate extending far into the margin, about 24 red 3 to 9-line (mostly 7-line) initials with lavendar penwork (1 with 2 green dots), some extending into the margin, and more than 70 2-line red initials without penwork decoration; a few spaces left for ¶-marks, also filled in in red; capitals rubricated throughout. Set entirely in Baellart's textura (99 or 100 mm/20 lines or about 14.5 point). Lacking leaf 137 (the second to last text leaf) and the final blank. Modern sheepskin. [1 blank, 3], "136" [= 135 (of 136)], [1] ll. Full description

OUTREIN, Johannes d'. Wegwyser door de heerlykheid Roosendaal ofte, de Roosendaalsche vermakelykheden met een geestelyk en zedelyk ooge beschouwt en in digtmaat gestelt.
Amsterdam, Gerard van Keulen, 1718. 4to. With an engraved full-page portrait of Johan van Arnhem, lord of Roosendaal by J. Baptist, a plate with his engraved coat-of-arms, a large folding engraved bird's-eye view of the House Roosendaal, and 19 folding engraved views of houses, gardens, fountains, bridges and other buildings in Roosendaal and its surroundings, all designed by B. Elshof and engraved by J. Smit. Contemporary gold-tooled sprinkled calf. [40], 88 pp. Full description

OVERMEER FISSCHER, Johannes Frederik van. Bijdrage tot de kennis van het Japansche Rijk.
Amsterdam, J. Müller & Comp., printed by C. A. Spin, 1833. 4to. With a hand coloured lithographic frontispiece, and 14 hand coloured full-page lithographic plates, all highlighted with gum arabic. Contemporary richly gold-and blind-tooled brown calf, with the author and title lettered in gold on the spine, blind-tooled boards edges and turn-ins, gilt edges. VII, [3], 320 pp. Full description

OVIDIUS NASO, Publius (OVID). Den metamorphosis ofte herscheppinghe ... In onse Nederduytsche tale overgeset ende met figuren verciert elck tot sijnder historien dienende. Seer nut voor alle schilders, beeltsnijders, goutsmeden, ende liefhebbers der historien.
Rotterdam, Pieter van Waesberge, [1635]. 8vo. With engraved title-page, a full-page woodcut depicting the Creation in 6 small scenes, and 178 nearly half-page woodcuts in text after Virgil Solis. Contemporary vellum. Engr. t.-p. plus 425, [3 blank] pp. Full description