Art, Architecture & Photography

[BIDLOO, Govert and Romeyn de HOOGHE]. Komste van Zyne Majesteit Willem III. Koning van Groot Britanje, enz. in Holland; ofte omstandelyke beschryving van alles, het welke op des zelfs komste en geduurende zyn verblyf, in 's Graavenhaage en elders, ten teeken van vreugde en eere, is opgerecht en voorgevallen.
The Hague, Arnoud Leers, 1691. Folio. With an engraved title-page by Romeyn de Hooghe, a letterpress title-page with Leer's woodcut device, a portrait of King William III by Van Gunst and 14 engraved plates (11 double-page) by Romeyn de Hooghe, showing his triumphal entry into the Hague, the ceremonies, the triumphal arches, their paintings and sculptures, the nightly illumination of the town hall, the fireworks, etc. Further with an extra added engraved plate of King William's tomb by Daniel Marot. Contemporary calf, gold-tooled spine and board edges. [12, incl. frontispiece], 127, [1 blank] pp. Full description

[BIDLOO, Govert]. Beurze-Stryd, of Saemen-Spraek tusschen Galenus, en Baldus.
[The Hague, Meyndert Uytwerf?], 1692. 4to. With a woodcut title vignette. Bound on two modern chords. [8], 9-24 pp. Full description

BIE, Cornelis de. Het gulden cabinet vande edele vry schilder-const ontsloten door den lanck ghewenschten vrede tusschen de twee magtighe croonen van Spaignien en Vrancryck, waer-inne begrepen is den onsterffelijcken loff vande vermaerste constminnende geesten ende schilders van dese eeuw, hier inne meest naer hrt leven af-gebeldt, verciert met veel vermakelijcke rijmen ende spreuken.
Antwerpen, Jan Meyssens, 1662 (colophon: Juliaen van Montfort, 1661). 3 parts in 1 volume. 4to. With an engraved frontispiece by Cornelis Meyssens after Abraham van Diepenbeeck, a full-page portrait of the dedicatee Antoine van Leyen by Richard Collin (1661), a full-page portrait of the author by Jan Meyssens after Erasmus Quellinus, and 97 full-page engraved and etched portraits of painters, engravers, architects and sculptors, engraved by Jan Meyssens, Wenceslaus Hollar, and numerous others, after drawings by Anthony van Dyck, Paulus Pontanus, Jan Lievens, etc. 18th-century gold-tooled half sheep. [2], "584" [= 586], [3] pp. Full description

BIENFAIT, Anna G. Oude Hollandsche tuinen... Met medewerking van Marg. Kossmann en een voorwoord van Prof.dr. J.Q. van Regteren Altena.
The Hague, M. Nijhoff, 1943. Text (8vo) and atlas (obling folio) volume. With the title-pages printed in green and black, 3 plates and 4 illustrations in text; atlas with 317 plates showing 372 illustrations. Original publisher's decorated green cloth. XII, 301, [1]; XV, [1] pp. Full description

BILDERDIJK, Willem. Redevoering, over de voortreffelykheid der schilderkunst, in derzelver voorwerp beschouwd. ...1794.
[The Hague, B. Scheurleer junior], 1794.
(2). KASTEELE, Reinier Pieter van de. Redevoering tot lof der vaderlandsche schilders en aanspraak.... 1809.
The Hague, P.F. Gosse, [1809]. With an engraved plate with seals of the Academie engraved by C. Lotter.
(3). KASTEELE, Reinier Pieter van de. Redevoering over het aangename en nuttige van de beoefening der teekenkunde. Uitgesproken in de akademiezaal van Pictura. Op den 3 van Bloeimaand 1810.
The Hague, B. Scheurleer junior, 1810. With an engraved plate with seals of the Academie engraved by C. Lotter.
(4). LIMBURG, T. van. Redevoering over het vermogen der schilderkunst ter gelegenheid van het uitdeelen der prijzen... 1811.
The Hague, B. Scheurleer junior, 1811. 8vo. 4 works in 4 volumes. Contemporary decorated paper wrappers. [24], 22, [2]; [16], 43, [3]; [20], 46; [20], 30 pp. Full description

[BINDING]. [GHELARDI SCOLOPI, Orazio Antonio]. La pace tra la virtu', la gloria, ed amore. Componimento drammatico da cantarsi in occasione delle faustissime nozze del nobil uomo signor Silvestro Michele Arnolfini con la nobil donzella signora Beatrice Luisa Bernardini dedicato alla medesima.
Lucca, Giuseppe Rocchi, 1767. Small 4to (17 x 14 cm). Contemporary red velvet, embroidered with silver and gold thread and white and yellow silk (each board with an emblematic image: a crowned mirror[?] showing a hand planting a flag, perhaps intended as the groom's hand on the front and the bride's hand on the back), sewn without supports through 3 holes, brocade paper endpapers (grape vines and large flowers, white on a copper background), green silk ribbon marker. 24 pp. Full description

BING, Valentijn & Jan BRAET VON UEBERFELDT. Nederlandsche Kleederdragten, naar de natuur getekend. Costumes des Pays-Bas dessinés d'après nature.
Amsterdam, Frans Buffa en zonen, 1857.
With:
(2) BING, Valentijn & Jan BRAET VON UEBERFELDT. Nederlandsche zeden en gebruiken. Naar de natuur getekend. Moeurs et usages de la Hollande dessinés d'après nature.
[Amsterdam, Frans Buffa en zonen, 1859].
2 works in 1 volume. Large folio (ca. 57 x 41 cm). Ad 1 with 56 large lithographed plates showing Dutch costumes, printed in colour. Ad 2 with 18 lithographed Dutch folkloristic and costume plates, printed in colour and finished by hand. Contemporary three quarter buckram with the title and the name of the author lettered in gold on the front board and on the spine. [15] ll. and 56 lithographed plates; [6] ll. and 18 lithographed plates. Full description

BLOEMAERT, Abraham. Eerste beginselen der teken-kunst, vervattende in haar veelerlei oogen, neusen, monden, ooren, als meede natuurlyke beweegingen van hoofden, troniën, handen, voeten, armen, beenen, enz.
Amsterdam, Reinier & Joachim II Ottens, [ca. 1730]. Folio. With engraved frontispiece self-portrait of Bloemaert engraved by Joachim Ottens, here serving as no. [1] of 140 engraved plates with drawn models of parts of the human body, and human figures and characters in various postures, movements and scenes. Mottled half sheepskin (ca. 1840?). [1] leaf plus plates. Full description

[BLOOTELING, Abraham (engraver)]. [Series of 16 views of Honselaarsdijk].
[Amsterdam, ca. 1683]. Oblong 8vo. With 16 numbered engraved views (ca. 13 x 16 cm) tipped onto blank leaves (17 x 23 cm), all hand coloured. Modern half vellum, floral chintz paper sides. [16] ll. with engravings. Full description

BODENHEIM, Nelly (illustrator) en Lizzy ANSINGH. Een vruchtenmandje. Teekeningen van Nelly Bodenheim bij versjes van Lizzy Ansingh.
Amsterdam, De Spiegel, 1927. Folio (ca. 30 x 21.5 cm). All illustrations, including the illustrated front board, are lithographs designed by the illustrator herself on stone and coloured by hand by her as well. The verses by Lizzy Ansingh are written, in colour, by hand in a decorative, ornamental script (varying in style). Contemporary half green cloth portfolio with the original lithographed illustration on the front board, the back board contains the following verse: "Let op de pitten, die binnen in zitten". [1 blank], [24] ll. Full description