Art, Architecture & Photography / Drawings, Prints & Watercolours

FRANKLAND-RUSSELL, Robert. Six sketches in lithography representing the common actions of the horse.
London, C. Turner, June 1842. Folio (54.5 x 38 cm). With 6 tinted plates signed R.F.R. and lithographed by Day & Haghe. Original brown paper wrappers. Full description

[FRENCH ROYAL NAVY]. [Binding title:] Abregé de la marine du Roy 1732.
[Paris?, 1732]. 13.5×19 cm. Manuscript in brown-black, red and blue ink on vellum, some of the lettering and borders gilt. With a beautiful frontispiece painting in coloured gouaches (14×9.5 cm) pasted on the page facing the opening of the text, showing a small warship at a shipyard in a small harbour being repaired by workmen. Contemporary red morocco, gold-tooled spine, gold-tooled fillets on boards and board edges, richly gold-tooled frame, gilt edges. Frontispiece plus [2], 26 ll., including 2 double and 1 larger folding. Full description

FRISCH, Friedrich. Skizzen aus dem Orient, gesammelt in den Jahren 1840 und 1841. | Esquisses de l'Orient, recueillies dans les années 1840 et 1841.
Darmstadt, Ernst Kern; Paris, H. Gache, 1843. Oblong 1mo (48 x 63.5 cm). With 6 tinted lithographed plates by Frisch, with captions in German and French below. The first three in the deluxe issue printed by B. Dondorf, Frankfurt am Main, the last three in the regular issue printed by G. Küstner. Original publisher's letterpress printed wrappers, with a list of subscribers and advertisements on the back of the front wrapper. Full description

FRISIUS, Simon. [Print series of birds and butterflies].
[Amsterdam], Frederick de Wit, [ca. 1685?]. Small oblong folio (18.5 x 26 cm). With 12 numbered engraved plates (ca. 6.5 x 20.5 cm). Modern boards. [12] ll. Full description

FROMMEL, Carl Ludwig. Tyrol und seine nächsten Umgebungen. Nach der Natur gemalt.
Karlsruhe, Frommel in Kommission im Kunst-Verlag, 1842. Royal folio (43.5 x 57 cm). With an engraved title-page and 12 steel-engraved plates. Contemporary green half calf with gold rules. 12 ll. Full description

[FALCONRY]. [A domestic falcon].
[India, early 20th century]. Folio card (38.5 x 28 cm). Ink and gouache central painting of a falcon, with 24 smaller bird paintings in the elaborate border, painted on paper mounted on paperboard. Matted, framed and glazed. Full description

GALLE, [Theodoor and] Johannes. Levenschetsen van de twaalf apostelen.
[Antwerp, ca. 1640-1650]. Ca. 12.5 x 9.5 cm. With 14 engravings (ca. 9 x 6.5 cm) printed on fine vellum, in an oval with ornamented corners with subscriptions and number underneath, with protective tissue paper, bound with 17 paper leaves (ca. 11.5 x 8.5 cm) containing short and concise biographies of the apostles written in a neat 19th-century hand. 19th-century vellum over boards with the manuscript title on the spine ("Levens van de XII Apost. MS"). [17] ll. and 14 engravings on vellum. Full description

GEVAERTS, Jean Gaspard (Caspar GEVARTIUS) and Pieter Paul RUBENS. Pompa introitus honori serenissimi principis Ferdinandi Austriaci Hispaniarum Infantis S.R.E. Card. Belgarum et Burgundionum Gubernatoris etc. a S.P.Q. Antwerp. Decreta et adornata. ...
Antwerp, Theodoor van Tulden (colophon: printed by Jan van Meurs, 1641), [published January 1643]. Royal 1mo (full-sheet leaves) (57 x 42 cm). With a letterpress half-title and XXXIX single-page, double-page and larger folding plates (numbered I-XXXIX in the table of plates, printed and assembled from 43 copper plates numbered [1]-[2], 3-43) depicting the rich allegorical and ornamental triumphal arches and festive decorations, paintings, statues, etc., all designed by Pieter Paul Rubens, all but one for the triumphal entry of the Spanish cardinal-infante Ferdinand into Antwerp in 1635. Further with 46 smaller engravings in the text, depicting coins and medals, and numerous woodcut decorated initials (4 series). Contemporary overlapping vellum, manuscript title on spine. [10], 189, [13] pp. plus 38 plates. Full description

GHEYN, Jacob II de. [The riding school or exercise of cavalry].
[Leiden, workshop of Jacob II de Gheyn, 1599]. Oblong folio (25 x 32 cm). With 22 numbered engraved plates (varying sizes, ca. 15.4-16 x 19.7 x 21.5 cm), including the engraved title-page. The illustrations are designed by De Gheyn and possibly engraved by him or by Zacharias Dolendo. Contemporary gold-tooled calf with the large gold-tooled coat-of-arms of the Stuart Princes of Wales (Stuart Prince of Wales, Henry Frederick (1594-1612)) within a gold- and blind-tooled double fillet frame on both boards, with small gold-tooled flowers on the spine, gold-tooled board edges. [22 engraved plates]. Full description

GHEYN, Jacob II de. The exercise of armes for calivres, muskettes, and pikes. After the ordre of his Excellence Maurits Prince of Orange Count of Nassau etc. Governour and captaine generall over Geldreland, Holland, Zeeland, Utrecht, Overijssel, etc. Sett forthe in figures by Jacob de Gheyn. With written instructions for the service of all captaines and comaundours. For to shewe hereout the better unto their jong or untrayned souldiers the playne and perfett maner to handle these armes.
The Hague, [1607 (added in manuscript on the title page)]. 3 parts in 1 volume. Folio (ca. 37 x 27 cm). With engraved title page with at the head of the page the coat of arms of the dedicatee, Prince Henry Frederick, eldest son of King James I of England within a wreath of lilies and roses, which - together with the title and the imprint were engraved on 3 separate slips of paper pasted over areas left blank for that purpose; and 117 (including one repeat) expertly engraved plates (ca. 26 x 19 cm): 42 numbered plates in part 1, 43 partly-numbered plates in part 2 and 32 numbered plates in part 3. All engravings including the engraved title-page are magnificently coloured and highlighted in gold and silver by a contemporary hand. The plates show exercises with the arquebus (part 1), musket (part 2), and pike (part 3). Mid-19th-century gold-tooled half (faded) red morocco and red cloth sides, gilt edges, marbled endpapers, bound in 1840-ca. 1860 by the celebrated British bookbinder Robert Riviere (1808-1882) with his stamp "Bound by Riviere" in the bottom outer corner of the verso of the first flyleaf. [4]; [2]; [3] ll. Full description