Art, Architecture & Photography / Drawings, Prints & Watercolours

PASSE, Crispijn de (the elder) [after Maarten de VOS]. [The acts of mercy, including the Last Judgement].
Antwerp, Adriaen Collaert (7 plates with the Acts of Mercy) & Johannes Galle (the Last Judgement), ca. 1580-1588. Folio (7 of 8 plates trimmed). 8 engravings (ca. 17.5 x 20.5 cm) on laid paper by Crispijn de Passe I (the elder) after Maarten de Vos with the central scene framed by an exquisite ornamental border showing crafts, tools and scenes relating to the subject. All engravings captioned with engraved Latin text in a cartouche below the images. Loose prints. Full description

PASSE the Younger, Crispijn van de. Den blom-hof, inhoudende de rare oft ongemeene blommen die op den tegenwoordighen tijdt by de lief-hebbers in estimatie ghehouden werden. Ghedeelt naer de vier deelen des jaers ... Noch hier by ghevoecht de manier soomen dese bloemen naer haer eyghen coleuren ofte verven sal illumineren ofte afsetten ...
Utrecht, for Crispijn van de Passe, 1614. 2 parts in 1 volume, the first in 4 sections. Oblong folio (ca. 18.5 x 26.5 cm). With a full-page plate of Flora embracing the cornucopia in a landscape with an epigram by Arnoldus Buchelius in a cartouche in the left hand corner, engraved by Simon van de Passe after Crispijn van de Passe, 2 different frontispieces (both appearing twice) of ideal gardens full of flowers, and 174 full-page engraved plates of flowers, fruits, fruit trees, and medicinal plants, mainly by Crispijn van de Passe the Younger, 3 by his brother Willem van de Passe. Later half calf, decorated paper sides, gold-tooled spine, and red sprinkled edges. [26] pp., [118] engraved ll.; [1], [1 blank] pp., [61] engraved ll. Full description

[OTTOMAN PORT]. [PEETERS, Johannes (Jan) (after)]. [Ladimistri nel' archipelago].
[The Netherlands(?), ca. 1720?]. Oblong folio (19.5 x 31.5 cm). Pen and blue-black ink-wash drawing on laid paper, showing the city of Edremit, its harbour and fortifications, with an Ottoman and a Dutch(?) ship, and a lighthouse, in a brown thick-thin-thin border, signed in the border below right, but difficult to read (I. P. Sto...?, I. P. Ste...?). Framed (37 x 49 cm). Full description

PFEIFFER, François Joseph junior, Jacob van LENNEP and Gerrit van ENST KONING. Tooneel decoratief, voorgesteld in op steen geteekende platen door F.J. Pfeiffer Jr.
Amsterdam, Coenraad Weddepohl, 1845. Folio. With a lithographed portrait of the artist (mounted), 8 lithographed plates of stage designs, and 9 poems in red decorated letterpress frames, the lithographs by Desguerrois & Co. With the 8 plates of stage designs hand-coloured as published. Original publisher's cloth, with a gold-blocked lyre in the centre of each board. [2 blank], [1], [1 blank], 10 pp., [9] ll. + plates. Full description

[AMSTERDAM]. PHILIPS, Caspar Jacobsz. Afbeelding van de Oostzijde der Muijder Poort te Amsterdam, na dat dezelve tussen den 29 en 30 Januarij 1769 bij na 16 voeten diep in de grond gezakt was.
[Netherlands], 1772. (23 x 29 cm). Original pen drawing.
With:
(2) KEUN, Hendrik. Afbeelding van de Muyderpoort te Amsterdam, zo als die zig vertoonde, na dat dezelve tussen den 29 en 30 Jannuary 1769 by de 16 voeten in de grond gezakt was.
Amsterdam, F.W. Greebe, [1769]. (22 x 28.7 cm)
(3) KEUN, Hendrik. Afbeelding van de Muyderpoort te Amsterdam, zoo als die ingezakt synde, van buiten af te zien zig vertoond.
Amsterdam, F.W. Greebe, [1769]. (21.7 x 28.2 cm.
Two engraved views with captions below the image, both signed "H. Keun Fecit" in the plate. Full description

PICART, Bernard. Premier des magnifiques carosses de Monseigneur de le duc d'Ossuna, ambassadeur extraordinaire et premier plenipotentiaire de Sa Majesté Catholique Philippe: V. pour la paix faits pour l'entreé publique de son Excellence a Utrecht MDCCXIII.
Amsterdam, Bernard Picart, 1714. Folio. Series of 7 engraved plates (including title-page and 1 double-page). 19th-century gold-tooled green morocco, richly gold-tooled spine and turn-ins, gilt edges; bound by Durvand Thivet. Full description

PICART, Bernard. Diverses modes dessinées d'après nature.
Amsterdam, Bernard Picart, 1728. Oblong 4to (21 x 27.5 cm). Series of 12 engraved prints: 11 costume prints plus a title-page (title in a stunning and delicate cartouche, plate size: 12.5 x 7 cm) on 6 oblong 4to leaves (which could make 12 8vo leaves). 6 of the plates are signed by the engraver Gaspard Duchange, all after the designs of Bernard Picart. Unbound. Full description

PICART, Bernard, partly after REMBRANDT and others. Recueil de lions, dessinez d'après nature par divers maitres & gravez, ... Divisé en six livres chacun de six feuilles.
Amsterdam, Bernard Picart [title-print also: Paris, François Chereau], 1729 (engraved 1728-1729). Oblong 4to (18.5 x 24 cm). With a letterpress title-page in red and black with Picart's engraved "device, 1 title-print and 42 lion prints in 6 series, on 37 leaves, all engraved by Bernard Picart after drawings made by himself (8, all from life), Rembrandt (18), Charles le Brun (6), Albrecht Dürer (1), Paulus Potter (1) and unattributed (8). Late 19th-century pimpled red cloth with the spine at the head of the pages. Rebacked in red cloth. [1], [1 blank], 6 pp. plus 37 engraved plates with title-print & 42 lion prints. Full description

PIRSCHER, Karl Dietrich. Abbildungen Herzoglich-Braunschweigischer Gestüt-Pferde ... 1tes Heft.
Braunschweig, 1827-1828. Oblong 1mo (47.5 x 63 cm). First instalment of 6 lithographed plates of horses, plus 1 additional lithographed view, all beautifully coloured by a contemporary hand with highlights in gum arabic, and including two with the captions and artists name in manuscript. All loosely preserved in a proof state of the original publisher's lithographed paper wrappers, including a list of plates. Preserved in a modern portfolio. Full description

POCOCK, Nicholas. East India views islands headlands &c.
[London, ca. 1790?- ca. 1805]. Ten watercolour coastal profiles in grey and blue, of widely varying sizes (30 to 119 cm long), with contemporary captions and other notes in pencil or black ink. 20th-century brown cloth with the artist's original laid-paper wrappers bound at the end. [10] drawings. Full description