Art, Architecture & Photography / Drawings, Prints & Watercolours

NUMAN, Hermannus. Vierentwintig printtekeningen met couleuren, verbeeldende Hollandsche buitenplaatzen, met derzelver beschrijvingen. Na het leven getekent en in plaat gebracht .... Vingtquatre vues des maisons de campagne, situees en Hollande ...
Amsterdam, [H. Numan, J. Yver and J.W. Smit], 1797. Oblong 4to (ca. 23.5 x 27 cm). With 24 full-page hand-coloured aquatints of various country houses. Contemporary or slightly later quarter brown paper, sprinkled paper sides. 15 ll. + 24 plates. Full description

ONGANIA, Ferdinando (ed.). Calli e canali e isole della laguna [frontispiece: "Calli et canali in Venezia"].
Venice, Tipografia Emiliana, 1894-1895. Imperial folio (ca. 55 x 37 cm). With a lithographed frontispiece showing a gondola in a Venice canal and 100 colletypes of the Venice canals, streets and buildings, mounted on guards and covered with flyleaves, index printed in red and black. Original publisher's half brown sheepskin, beige cloth sides with blind-tooled frame on the front and back board and with a centrepiece with a boat in the lagoon of Venice and the gold-stamped title and author's name on the front board. [6] including the frontispiece, plus 100 collotypes. Full description

OS, Georgius Jacobus Johannes. [Flowers and fruits on a marble plinth].
[Paris or Holland], [ca. 1815-1825]. Four watercolour drawings on paper, three signed "G.J.J Van Os", edged with a thin black border. [4] ll. Full description

OTTO VAN PASSAU. Boeck des gulden throene of der xxiiij ouden.
Utrecht, [printer with monogram "tC"], [30 March] 1480. Folio. With 24 illustrations in text (ca. 9 x 6.2 cm), printed from 1 complete woodcut (plus 4 repeats) and 15 components assembled in different combinations, all rubricated and with architectural frames. The book has no printed initials, but spaces for manuscript initials, which have been filled with letters in the uncial style. Each of the 24 chapters begins with a large manuscript initial (the first 5-line with a penwork face in profile and further 4-line), 11 with two or more colours (mostly with penwork decoration extending into the margin), and others with interior white decoration. A smaller (2-line) initial with penwork extending into the margin opens the book's first page and there are numerous further 1-line and 2-line initials. Set in a textura type with capitals rubricated throughout. Woodcut printer's device at the end: a date palm tree with monogram "tC" (6.5 x 5.5 cm), the "t" perhaps also (or instead) representing a cross. Contemporary (Utrecht?) blind-tooled calf over wooden boards, each board in a panel design with the central part ruled in a lozenge pattern with about 200 impressions of 4 small separate stamps; re-backed, with modern morocco title label. [4], 197 ll. Full description

OTTO VON PASSAU. Boec des gulden throe[n]s of der xxiiij. ouden en[de] hoemen elke[n] vinden mach en[de] va[n] hoerre leringhen die si leren om te comen totten ewighen leven.
(colophon: Haarlem, [Jacob Bellaert], 25 October 1484). Folio (29 x 21.5 cm). With large woodcut printer's device (142 x 82 mm) on verso of last leaf (with the arms of the city of Haarlem above an eagle holding a larger blank shield, here filled in by a contemporary owner); 4 woodcut illustrations and 20 repeats, representing the 24 elders, each showing one of the male elders, standing, teaching a female novice kneeling before him. Further with spaces left for initials, all filled in with uncials by hand, about 25 with penwork decoration in 1 or 2 additional colours: 1 blue 6-line initial with decorations in red and violate extending far into the margin, about 24 red 3 to 9-line (mostly 7-line) initials with lavendar penwork (1 with 2 green dots), some extending into the margin, and more than 70 2-line red initials without penwork decoration; a few spaces left for ¶-marks, also filled in in red; capitals rubricated throughout. Set entirely in Baellart's textura (99 or 100 mm/20 lines or about 14.5 point). Lacking leaf 137 (the second to last text leaf) and the final blank. Modern sheepskin. [1 blank, 3], "136" [= 135 (of 136)], [1] ll. Full description

OZANNE, Nicolas-Marie. Marine militaire ou recueil des differens vaisseaux qui servent a la guerre suivis des manoeuvres qui ont le plus de raport au combat ainsi qua l'ataque et la deffense des ports.
Paris, Chereau, [ca. 1775]. Large 8vo (25 x 17 cm). A wholly engraved book, with 50 engraved plates (1 folding), including a title-page in an architectural frame and 44 leaves with illustrations of ships. 18th-century brown half morocco, with owner's (?) initials at the foot of the spine "I.G.". 50 engraved ll. Full description

[PAINTING ON LEATHER - JAPANESE - DESHIMA]. [A bird's-eye view of the Dutch trading post on Deshima, Japan with in the background a Dutch three-master anchored in Nagasaki Bay].
[Japan, before 1800]. Drawing size ca. 34 x 39.5 cm; frame size ca. 46 x 51 cm. (Oil?) painting on leather. In a passepartout and framed. Full description

[PAINTINGS - DENMARK]. Four miniatures of people wearing pearl earrings.
[Denmark?, first half 18th century?]. Collection of four paintings, oil on paper or paperboard, two measuring 8 x 5.5 cm (frame 10.5 x 7.5 cm) and two measuring 8.5 x 5.5 cm (frame 10 x 7 cm), all with a gilt wooden frame. Full description

[PAINTING - SKATE]. [Oil study of a skate].
[19th century]. Oil on canvas (ca. 20.5 x 26.5 cm), unsigned. In a contemporary wooden frame (ca. 28.5 x 34 cm). Full description

[PALHARES, João]. [Costumes Portugueses].
[Lisbon, ca. 1850]. Folio. With 46 contemporary hand coloured numbered lithographs showing Portuguese dress. Contemporary gold-tooled, quarter green buckram, with the title lettered in gold on the spine, green (pseudo-) marbled paper sides. 46 ll. Full description