Art, Architecture & Photography / Drawings, Prints & Watercolours

[BIDLOO, Govert and Romeyn de HOOGHE]. Komste van Zyne Majesteit Willem III. Koning van Groot Britanje, enz. in Holland; ofte omstandelyke beschryving van alles, het welke op des zelfs komste en geduurende zyn verblyf, in 's Graavenhaage en elders, ten teeken van vreugde en eere, is opgerecht en voorgevallen.
The Hague, Arnoud Leers, 1691. Folio. With an engraved title-page by Romeyn de Hooghe, a letterpress title-page with Leer's woodcut device, a portrait of King William III by Van Gunst and 14 engraved plates (11 double-page) by Romeyn de Hooghe, showing his triumphal entry into the Hague, the ceremonies, the triumphal arches, their paintings and sculptures, the nightly illumination of the town hall, the fireworks, etc. Further with an extra added engraved plate of King William's tomb by Daniel Marot. Contemporary calf, gold-tooled spine and board edges. [12, incl. frontispiece], 127, [1 blank] pp. Full description

BING, Valentijn & Jan BRAET VON UEBERFELDT. Nederlandsche Kleederdragten, naar de natuur getekend. Costumes des Pays-Bas dessinés d'après nature.
Amsterdam, Frans Buffa en zonen, 1857.
With:
(2) BING, Valentijn & Jan BRAET VON UEBERFELDT. Nederlandsche zeden en gebruiken. Naar de natuur getekend. Moeurs et usages de la Hollande dessinés d'après nature.
[Amsterdam, Frans Buffa en zonen, 1859].
2 works in 1 volume. Large folio (ca. 57 x 41 cm). Ad 1 with 56 large lithographed plates showing Dutch costumes, printed in colour. Ad 2 with 18 lithographed Dutch folkloristic and costume plates, printed in colour and finished by hand. Contemporary three quarter buckram with the title and the name of the author lettered in gold on the front board and on the spine. [15] ll. and 56 lithographed plates; [6] ll. and 18 lithographed plates. Full description

BLOEMAERT, Abraham. Eerste beginselen der teken-kunst, vervattende in haar veelerlei oogen, neusen, monden, ooren, als meede natuurlyke beweegingen van hoofden, troniën, handen, voeten, armen, beenen, enz.
Amsterdam, Reinier & Joachim II Ottens, [ca. 1730]. Folio. With engraved frontispiece self-portrait of Bloemaert engraved by Joachim Ottens, here serving as no. [1] of 140 engraved plates with drawn models of parts of the human body, and human figures and characters in various postures, movements and scenes. Mottled half sheepskin (ca. 1840?). [1] leaf plus plates. Full description

[BLOOTELING, Abraham (engraver)]. [Series of 16 views of Honselaarsdijk].
[Amsterdam, ca. 1683]. Oblong 8vo. With 16 numbered engraved views (ca. 13 x 16 cm) tipped onto blank leaves (17 x 23 cm), all hand coloured. Modern half vellum, floral chintz paper sides. [16] ll. with engravings. Full description

BODENHEIM, Nelly (illustrator) en Lizzy ANSINGH. Een vruchtenmandje. Teekeningen van Nelly Bodenheim bij versjes van Lizzy Ansingh.
Amsterdam, De Spiegel, 1927. Folio (ca. 30 x 21.5 cm). All illustrations, including the illustrated front board, are lithographs designed by the illustrator herself on stone and coloured by hand by her as well. The verses by Lizzy Ansingh are written, in colour, by hand in a decorative, ornamental script (varying in style). Contemporary half green cloth portfolio with the original lithographed illustration on the front board, the back board contains the following verse: "Let op de pitten, die binnen in zitten". [1 blank], [24] ll. Full description

BODENHEIM, Nelly (illustrator), Lizzy ANSINGH and Jean-Paul VROOM (lithographer). Tante Tor is jarig.
Utrecht, Stichting De Roos (printed in Amsterdam by Dieperink & Co.), 1950.
With: (2) [ORIGINAL DRAWINGS - BODENHEIM, Nelly]. [2 drawings: one featuring beetles, a maybeetle, and (Spanish) flies and another showing "Aunt Beetle" in bed being congratulated by her mosquito maid]. [ca. 1950].
4to (ca. 27 x 19.5 cm). All text and illustrations, including the illustrated front board, are lithographs by the famous Dutch artist Jean-Paul Vroom in facsimile after the text and illustrations by Lizzy Ansingh and Nelly Bodenheim. The lithographs are hand-coloured under supervision of Vroom. The work is printed on Simili Japon paper. Together with two original drawings by Bodenheim, hand-coloured and signed in her initials, mounted on a grey passepartout folder highlighting the scene with the beetles, maybeetle, and fly. The illustration of "Aunt Beetle" and her mosquito maid can be found on the back. Original hand-coloured lithographed paper over boards with the title stamped in decorative letters on the spine. [1], [1 blank], [1], [1 blank], [25], [1 blank], [1], [1 blank] pp. Full description

BODE, Wilhelm and Cornelis HOFSTEDE DE GROOT. The complete work of Rembrandt. History, description and heliographic reproduction of all the master's pictures with a study of his life and his art.
Paris, Charles Sedelmeyer, 1897-1906. 8 volumes. Folio. With 622 full-page photogravure plates. Later brown mottled calf, with the title and volume number lettered in gold on the spine, the original cloth front wrappers used as title-pages. [2 blank], [8], 178, [2]; [2 blank], [6], 178, [2]; [2 blank], [6], 202, [2]; [2 blank], [6], 223, [1]; [2 blank], [6], 213, [3]; [2 blank], [6], 206, [3]; [2 blank], [6], 254, [2]; [2 blank], VI, [2], 381, [1], [6 blank] pp. Full description

BOISSARD, Jean Jacques. Theatrum vitae humanae ...
Metz, printed by Abraham Faber for Theodor de Bry in Frankfurt am Main, 1596. 4to. With the title set in an elaborate engraved frame of ornaments and illustrations representing the four stages of human life (birth, marriage, active life, and death) with short bible verses below, a half-page engraved portrait of the author (on leaf é2r in the preliminaries), and 60 half-page engraved emblems in the text, engraved by Theodor de Bry. Further with numerous woodcut decorated initials, head- and tailpieces throughout. 17th-century vellum. [1], [1 blank], [14], 266 pp. Full description

BOSSE, Abraham. Differentes manieres de dessiner et peindre.
[Paris, Abraham Bosse, engraved 1667?]. 8vo (17.5 x 12 cm). With engraved allegorical title-print and 45 full-page and 1 double-page (ca. 16.5 x 15 cm) engraved plates.
With:
(2) FARINATI, Paulo. Diverses figures a l'eau forte de petits amours, anges vollants, et enfans, propre a mettre sur frontons portes et autres lieux ensemble plusieurs sortes de masques.
Paris, Abraham Bosse, engraved 1644. Suite of 30 numbered double-page engraved prints, including the engraved title-print signed by Abraham Bosse.
(3) [BOSSE Abraham]. [Illustrations of drawing and painting].
[Paris, Abraham Bosse, engraved 1667?]. Suite of 4 full-page engravings of a draftsman (2) and a painter (2) at work, sometimes regarded as part of the Differentes manieres de dessiner et peindre.
(4) BOSSE, Abraham. Le feu ... La terre ... L[']eau ... L[']air.
[Paris, Abraham Bosse, engraved 1630?]. Suite of 4 double-page engravings of the four elements.
(5) [BULLET, Pierre]. [Plates from Traité du nivellement].
[Paris, N. Langlois, engraved 1688]. Complete suite of 11 double-page engraved plates, numbered [1a], [1b], 2-4, 6-11. Sprinkled calf (ca. 1700), richly gold-tooled spine, gold-tooled board edges. [47]; 30; [4]; [4]; 11 [+ 2 added] engraved prints. Full description

[BOTANICAL MANUSCRIPT - FRIAR LUC DAVID]. [Drop title:] Traite des plantes universelles par figures au naturel par le frere Luc david Recollet, chirrugien oculiste ...
[France], 1742. Large folio (ca. 45 x 28 cm). With 423 botanical drawings in bright watercolour. Manuscript with French text (including Latin names of the depicted plants), written in an 18th-century cursive hand. Most leaves contain a "Strasbourg bend" watermark: a fleur-de-lis above a shield with a diagonal band and the countermark "L Laroche" (identical to Heawood 65, but erroneously listed by him as "I Laroche", date: 1718-1721). The French papermaker Léonard Laroche (1646-1721) was active in the French province of Angoumois (now Charente) in the period 1673-1721.
Contemporary vellum, later endpapers. [2], 423, [1 blank], [19] ll. Full description