Book History, Education, Learning & Printing / Bindings

CONDIO, Luigi. Preghiere. Miniature di Vittorio Vulten.
Torino, Carlo de Martini (printed by Stab. Litografico Giovanni Fraschini & C., Milan), 1902. 18mo (13.5 x 7.5 x 1.5 cm). A wholly chromolithographed Art Nouveau prayer book, printed in numerous pastel colours plus gold, with (mostly floral) decoration on every page and numerous additional illustrations. In a silver binding (hallmarked "800" at the foot of the otherwise blank back cover), with "Our Lady of the Rosary" from the shrine of the Virgin of the Rosary in Pompei depicted on the front cover in high relief (madonna and child presenting rosaries to Saint Dominic and Saint Catherine) flanked by two irises, above "Ave Maria" and a panel with "SS. Vergine di Pompei", endpapers lithographed in pastel colours plus gold, in a repeating pattern of abstracted flowers, crosses, anchors, hearts and initials "VD" or "DV", gilt edges. [104] pp. Full description

COTTON, Sir Robert Bruce. Warrs with forregin[!] princes dangerous to our Common-Wealth: or reasons for forreign wars answered. With a list of all the confederates from Henry the first reign to the end of Queen Elizabeth. Proving that the kings of England alwayes preferred unjust peace before the justest warre.
London, William Shears, 1657.
Including: [COTTON, Sir Robert Bruce]. The French charity; written in French by an English gentleman, upon occasion of Prince Harcourt's coming to England; and translated into English by F.S.J.E.
London, William Shears, 1655. Small 8vo. Woodcut head- and tailpieces & initials. Contemporary calf. [2], 96; [2], 10 pp. Full description

DAM, Dirk Jansz. van. Almanach, d'erven stichters comptoir op 't jaar onses Heeren Jesu Christi, 1771. Voorzien met alle de jaar-, paarden-, beesten- en leermarkten, als mede de vacantien, het varen der trekschuyten en beurtschepen, het ryden der posten, &c. Nevens de maans op en ondergang.
Amsterdam, the heirs of the widow of Cornelis Stichter, [1770]. 4to. With a woodcut printer's device on the title page of ad 1, a large coat of arms of Amsterdam on the title-page of ad 2, and 12 half-page woodcuts, one for each month, printed in red and black in ad 1. With: [ALMANAC]. Schutters wagt-almanach, anno 1771, aanwijsende wat compagnien, en op wat nagt zy te zamen waken moeten, om de vijftiende nagt. Nevens een ordre wat posten yder heeft te besetten. Onder de E. E. Heeren Colonellen Jacob Elias. Arent Hartjes. Theodorus Wynants. Hendr. Balth. van Aalst. en S. J. B. Barchm. Wuytiers.Amsterdam, the heirs of the widow of Cornelis Stichters, [1770].
Contemporary elaborately silver-tooled vellum, with the coat of arms of Amsterdam in the centre of the front board, and an impression of three drummers on the back, both signed "Duisburg F[ecit]", both boards with a baroque ornamental border, with the coats of arms of each of the seven Dutch provinces at the top (with that of Holland prominently in the middle), the coats of arms of the 20 largest Dutch cities on the sides (Dordrecht, Delft, Amsterdam, Haarlem, Rotterdam, Leiden, Gouda, Hoorn, Alkmaar and Enkhuizen on the left side; Middelburg, Vlissingen, Amersfoort, Arnhem, Nijmegen, Groningen, Leeuwarden, Franeker, Zwolle and Deventer on the right side), and at the bottom an image that probably shows the transfer of goods near a city. [32]; [5], [1 blank] pp. Full description

DAM, Jan Albertsz. van. Nieuw geinventeerde koopmans comptoir- en schrijf-almanach, op het schrikkel-jaar onzes heeren J. Christi M DCC XII. Na de nieuwe styl. Versien met de jaarmarkten, paarde- beeste- en leer-markte, en de dageliksche uure van de maans op en ondergang.
Amsterdam, the heirs of Albert Magnus, [1711 (for the year 1712)]. 12mo. Printed in red and black throught, the title-page with Magnus's woodcut device (Atlas with an armillary sphere on his shoulders), numerous typographical symbols in the text: for example a horse and a goat representing horse and other animal market days, moons in different phases, planetary signs and manicules (pointing hands). With a small etching of an angel (39 mm tall) holding a wreath, cut out of an unidentified source and loosely inserted between 2 blank pages at the end of the book. Contemporary, elaborately gold-tooled mottled calf over thin wooden boards by the so-called Art Book Bindery (1705-1741) in the style made famous by Albert Magnus himself, with more than 100 impressions of about a dozen stamps and one roll, gold-tooled board edges. Further with 4 silver anchor plates (2 on each board), each with the coat of arms of the States of Holland in a decorative cartouche, and each with a silver eye extending over the fore edge, with a silver combination stylus/lead pencil used to fasten the book through the eyes, gilt edges. [120] pp. bound with 46 blank free endleaves: [12] pp. at the front and [22 (coated paper)], [12] pp. at the back. Full description

DAM, Meyndert Dirksz. van. D'erven Stichters comptoir almanach, op t schrikkel-jaar onses heeren Jesu Christi, 1788 ...
Amsterdam, the heirs of the widow of Cornelis Stichter, [1788]. 4to. With the title-page and 23 calendar pages printed in red and black, a half-page woodcut vignette (depicting Father Time pointing at an armillary sphere) by Hendrik Numan on the title-page and 12 half-page woodcut illustrations for the 12 months (each ca. 7 x 11 cm) by Hendrik Numan, nearly all signed in the block (including two dated "1779"). Contemporary gold-tooled brown mottled calf, bound by the so-called Acorn-and-Foliage Tool Bindery in Amsterdam (Storm van Leeuwen). Both boards show the large gold-tooled monogram of the Amsterdam chamber of the VOC as a centre piece sandwiched between the gold-tooled date "Anno 1788", all within a gold-tooled floral frame with floral corner pieces in the inside corners. [16] ll. interleaved with 24 blank (except for manuscript annotations) ll. Full description

DILHERR, Johann Michael. Heilig-Epistolischer Bericht, Licht, Geleit und Freud. Das ist: emblematische Fürstellung, der heiligen sonn- und festtäglichen Episteln.
Nuremberg, Johann Andreas Endter and the heirs of Wolffgang der Jüngere, 1663.
With: (2) DILHERR, Johann Michael. Augen- und Hertzens-Lust. Das ist Emblematische Fürstellung der Sonn- und Festtäglichen Evangelien.
Nuremberg, Johann Andreas Endter and the heirs of Wolffgang der Jüngere, 1661. 2 works in 1 volume. Folio. Ad 1: with an engraved frontispiece, a woodcut printer's device, and 85 large engraved emblems by M. Küsell after G. Strauch. Further with numerous woodcut initials, and woodcut head- and tailpieces. Ad 2: with an engraved frontispiece, a woodcut printer's device, and 91 large engraved emblems by M. Küsell after G. Strauch. Contemporary calf with the coat of arms of the Nürnberg patrician family Holzschuher Von und Zu Haszlach stamped in gold in the centre of each board, gold-tooled spine, gilt edges, floral chintz end papers. [8 blank], [30], 631, [33]; [8], 234, [4], 235-365, [31], [8 blank] pp. Full description

OVIDIUS NASO, Publius (Lodovico DOLCE, translator). Le trasformationi, ... . In questa quarta impressione da lui in molti luoghi ricorrette.
Venice, Gabriele Giolito de Ferrari, 1557. 4to. With title in a richly designed architectural woodcut frame, a half-page woodcut hemispherical map of the Americas, Europe and Africa and 82 large woodcut illustrations (plus 2 repeats) with fine ornamental and grotesque borders at either side. Contemporary(?) Polish(?) blind-tooled calf. 17th- or 18th-century endpapers. [16], 309, [3] pp. Full description

[DRAWINGS - BIRDS]. Konst tekeningen. [Detailed illustrations of birds].
[The Netherlands], binding dated 1784. Large folio (52 x 33.5 cm). With 18 large, beautifully hand-drawn and coloured illustrations of birds.Contemporary richly gold-tooled red morocco over boards, sewn on 8 supports, each board with a round, gold-tooled, green morocco inlaid centre piece, gold-tooled board edges, 2 pairs of green cloth ties, gilt edges, and block-printed paste-paper endpapers in red and yellow. The spine is also richly gold-tooled with 2 different rolls to frame the compartments and underline the leaf and flower stamps. The front and back boards match, except for the gold lettering: on the front board "konst tekeningen" and on the back board "anno 1784". The tooling shows 4 different rolls, used for multiple frames, and numerous stamps of leaves, flowers, vases, birds and other decorative elements. 90 ll. Full description

DUFFEYTE-DILHAN, Joseph. Les mémoires d'un ange, ou Les femmes vengées, roman historique, philosophique et moral, ... Tome I.er[-II.].
[Bordeaux], Edmond Ramadié, [1839-1840, with the authors 1843 printed dedication to the Dutch Queen Anna Pavlovna of Russia]. 2 volumes. 8vo. With 2 copies of the 4-page 1843 dedication to Queen Anna Pavlovna printed on heavy wove paper, signed by the author in brown ink on the first and last page and tipped onto the title-page in each volume. Contemporary finely diced (in horizontal lozenges) and gold-tooled red morocco for presentation to the Queen, (each board with a crown above flowers as centrepiece, and a decorative frame built up from separate tools; the spine with the title and volume number in the middle with decorations above and below), gold-tooled board edges, gilt edges.
With: (2) DUFFEYTE-DILHAN, Joseph. [Autograph, signed letter to Anna Pavlovna].
[Bordeaux?, 1843?]. 4to. Letter in ink on two sides of one leaf of a folded bifolium, signed by the author. “408” [= 406]; 419, [1 blank] pp. Full description

[DUMAS, Antoine-Joseph]. L'art de la musique enseigné et pratiqué par la nouvelle methode du bureau typographique.
Paris, Sr. Auguste [for the author], [1753]. Large oblong 4to (26 x 33.5 cm). Wholly engraved, including an engraved title-page, two-page engraved dedication, a double-page folding engraved musical table ("Elémens de la musique. Plan général du bureau typographique musical") and 427 engraved text pages by Mademoiselle Vandôme. Contemporary gold-tooled dark green (goatskin) morocco, richly gold-tooled spine with red morocco title label, gold-tooled boards with the coat of arms of Louis-Philippe d'Orléans (1725-1785) on both sides, gold-tooled board edges and turn-ins, pink silk endleaves, gilt edges (attributed to Jean-Charles-Henri Lemonnier). [4], 12-427, [1 blank]; 11, [1 blank] pp. Full description