Early Printing & Manuscripts

OTTO VAN PASSAU. Boeck des gulden throene of der xxiiij ouden.
Utrecht, "tC", (30 March) 1480. Folio. With 24 illustrations in text (ca. 9 x 6.2 cm), printed from 1 complete woodcut (plus 4 repeats) and 15 components assembled in different combinations, all rubricated and with architectural frames. Each of the 24 chapters begins with a large manuscript initial, 11 with two or more colours and others with interior white decoration. A smaller initial with penwork opens the book's first page and there are numerous further 1-line and 2-line initials. Woodcut printer's device at the end. Contemporary (Utrecht?) blind-tooled calf over wooden boards, each board in a panel design; rebacked. [4], 197 ll. Full description

OTTO VON PASSAU. Boec des gulden throe[n]s of der xxiiij. ouden en[de] hoemen elke[n] vinden mach en[de] va[n] hoerre leringhen die si leren om te comen totten ewighen leven.
(colophon: Haarlem, [Jacob Bellaert], 25 October 1484). Folio (29 x 21.5 cm). With large woodcut printer's device (142 x 82 mm) on verso of last leaf (with the arms of the city of Haarlem above an eagle holding a larger blank shield, here filled in by a contemporary owner); 4 woodcut illustrations and 20 repeats, representing the 24 elders, each showing one of the male elders, standing, teaching a female novice kneeling before him. Further with spaces left for initials, all filled in with uncials by hand, about 25 with penwork decoration in 1 or 2 additional colours: 1 blue 6-line initial with decorations in red and violate extending far into the margin, about 24 red 3 to 9-line (mostly 7-line) initials with lavendar penwork (1 with 2 green dots), some extending into the margin, and more than 70 2-line red initials without penwork decoration; a few spaces left for ¶-marks, also filled in in red; capitals rubricated throughout. Set entirely in Baellart's textura (99 or 100 mm/20 lines or about 14.5 point). Lacking leaf 137 (the second to last text leaf) and the final blank. Modern sheepskin. [1 blank, 3], "136" [= 135 (of 136)], [1] ll. Full description

PADOVANI, Giovanni. Opera nuova ... tradotta di Latino in volgare, laqual dichiara luso del maraviglio so istrumento astronomico da lui intitulato horoscopio. ...
Verona, Paolo Ravagnano, 1560. 4to. With Ravagnanos woodcut emblematic device on the title-page (a hand emerging from a cloud and holding a stalk with three lilies, the whole in an oval in a rectangular scrollwork cartouche, with the motto, "candidio animus"), a folding plate (oblong long folio: 15.5 x 41.5 cm) containing 2 woodcuts (12.5 x 22 cm & 12 cm diameter with the 4.5 cm gnomen making it 14 x 13 cm) designed to be cut up to make the authors "horoscopio" in the form of a volvelle and the sundial-lunar dial, 3 decorated woodcut initials (pictorial), planetary and zodiac signs, and numerous tables of numerical data. 19th-century(?) boards, covered with block-printed decorated paper (black on white). [46], [2 blank] pp. Full description

PALLADIO, Andrea. I quattro libri dell'architettura di Andrea Palladio. Ne' quali, dopo un breve trattato de' cinque ordini, et di quelli avertimenti che sono piu necessari nel fabricare; si tratta delle case private, delle vie, de i ponti, delle piazze, de i xisti, et de' tempii.
Venice, Bartolomeo Carampello, 1581. Folio. 4 volumes bound as 1. With 4 title-pages, each with the same richly decorated woodcut architectural frame, more than 200 woodcut illustrations, Carampellos woodcut device, woodcut headpieces and decorative initials. 67, [1 blank], 78, [2 blank], 46, [1], [1 blank], 133, [1], [2 blank] pp. Full description

PANTALEONE DI CONFIENZA (CONFLUENTIA). Pillularium omnibus medicis quam necessarium ... Summa lacticiniorum completa omnibus idonea.
Including: ZERBI, Gabriele. Cautele medicorum no[n] inutiles.
(Colophon: Lyon, Antoine Blanchard [and Laurent Hyllaire], 7 January 1525[=1526]). Small 4to (20 x 14 cm). Title-page with a 4-piece woodcut border (using material from Laurent Hylaire). Modern limp sheepskin parchment. XXXVIII, [2] ll. Full description

PARADIN, Claude and Gabriel SYMEON. Symbola heroica. M. Claudii Paradini, beliiocensis canonici et D. Gabrielis Symeonis. Multo, quàm antea, fideliùs de Gallica lingua in Latinam conversa.
Antwerp, Christophe Plantin, 1583. 12mo. With 216 woodcut illustrations in text, namely 179 for Paradin and 37 for Simeon. 19th-century gold-tooled red morocco, gilt edges; bound by Thompson. 319, [1 blank] pp. Full description

PASI, Bartolomeo. Tariffa de i pesi, e misure corrispondenti dal Levante al Ponente: e da una terra, e luogo allaltro, quasi p[er] tutte le parti dil mondo: con la dichiaratione, e notificatione di tutte le robbe: che si tragono di uno paese per laltro ... Con la sua tavola copiosissima, e facilissima a trovare ogni cosa per ordine.
Venice, (colophon: Pietro di Nicolini da Sabbio), 1540. 8vo. With the title in an architectural woodcut border. 17th-century limp sheepskin parchment. [11], [1 blank] 200 ll. Full description

PASI, Bartolomeo. Tariffa de i pesi, e misure corrispondenti dal Levante al Ponente.
Venice, per Paolo Gherardo (colophon: per Comin da Trino), 1557. 8vo (15.5 x 11 cm). With the title in a woodcut border of 4 matching parts, and with a crowned eagle device. 18th-century half green morocco, gold-tooled spine. [12], 200 ll. Full description

PAULUS OF AEGINA (ed. by Otto BRUNFELS and Wilhelm KOPP). Pharmaca simplicia, Orthone Brunfelsio interprete.
Including: De ratione victus Gukielmo Copo Basiliensi interprete.
(Colophon: Strasbourg, Georg Ulricher, September 1531). With a finely executed woodcut on the title-page repeated on the verso of the otherwise blank last leaf.
With:
(2) VALLA, Giorgio. De simplicium natura liber unus.
Strasbourg, Heinrich Sybold, (colophon: August 1528). With the title in a woodcut architectural frame.
(3) ODO OF MEUNG (misattributed to Aemilius MACER). De herbarum virtutibus, cum Joannis Atrociani co[m]mentariis, ...
Including: STRABO, Walafrid. Hortulus vernantissimus.
Freiburg im Breisgau, (colophon: Johann Faber, 1530).
(4) MARBOD OF ANJOU (with notes and additions by Georg PICTORIUS). De lapidibus pretiosis encheridion, cum scholiis Pictorii Villingensis. Eiusdem Pictorii De lapide molari carmen.
[Freiburg im Breisgau], [Johan Faber], 1531. With a woodcut initial with pictorial decoration. Set in an Aldine-style italic.
4 editions containing 6 works, in 1 volume. 8vo (16.5 x 11 cm). Blind -tooled pigskin (Freibrug or vicinity? ca. 1570?) over tapered wooden boards, each board with fields edged by multiple fillets, the outer field containing a frame made from a large roll with allegorical female figures representing the four theological virtues. The front board with owner's initials "A W", and with 2 engraved brass fastenings. [12], 86, [1 blank], [1]; [104]; [4], 108; 55, [1] ll. Full description

PECKHAM, John and Georg HARTMANN. Perspectiva communis. Ideo sic dicta, quod contineat elementa tès optigès, omnibus philosophiae studiosis necessaria.
Nürnberg, Johan Petreius, 1542. Small 4to (18 x 15 cm). With 44 woodcut diagrams in text. Modern boards. [55] ll. Full description