Early Printing & Manuscripts

ARDUINO, Sante. [Incipit:] Incipit liber de venenis ...
(Colophon: Venice, Bernardino Rizzo, 1492). Folio (42 x 28 cm). Set in in 2 columns in 2 sizes of rotunda gothic types, with spaces left for numerous 3-line and 4-line and a few larger initials (with printed guide letters), none filled in. Modern black- and gold-tooled calf. [4], 101, [1] ll. Full description

ARNOBIUS and Desiderius ERASMUS (editor). Arnobii aphri, vetusti pariter ac laudatissimi scriptoris in omneis palmos co[m]mentarii, iuxta pij atq[ue] eruditi. Including: ERASMUS, Desiderius. Commentarius in psalmum, quare fremuerunt gentes.
Cologne, Eucharius Cervicornus, 1522. 2 parts in 1 volume. 4to. With an elaborate woodcut frame on the title page, and 2 smaller woodcut frames on the first pages of the texts, and 5 woodcut decorated initials. Contemporary blind-tooled calf with armorial panel-stamps. Sewn on 4 supports, with corresponding raised bands on the spine, with remnants of 4 pairs of green closing ties, re-backed. [166], [36] ll. Full description

ASCONIUS PEDANIUS, Quintus. Expositio in IIII orationes M.T. Cic. contra C. Verrem [&c.]
(colophon:) Venice, heirs of Aldo I Manuzio & Andrea Torresano, December 1522. 8vo. With Aldos woodcut anchor and dolphin device on the title-page, repeated on the verso of the last otherwise blank leaf (each with letterpress "AL ... DVS" flanking the device), with spaces (with guide letters) left for manuscript initials, not filled in. Set in Aldos famous italic (with upright capitals), the worlds first italic printing type, first used in 1501 (showing the alphabet a-z and A-N in the register of quires above the colophon). Dark purple sheepskin (ca. 1880?). [12], 283, [1] ll. Full description

AUGUSTINE of Hippo (Saint AUGUSTINE). De la cita d'Dio.
[Venice?, Antonio di Bartolommeo Miscomini, ca. 1477? (not after 1483)]. Folio. Printed in two columns, each 47 lines, with spaces for 3-6 line initials left blank. Early 19th-century gold-tooled calf. [1 blank], [322], [1 blank] ll. Full description

AUGUSTINE of Hippo (Saint AUGUSTINE). Collectanea, ex universo opere librorum D. Aurelii Augustini passim decerpta, semitam quanda[m] media[m] Christianis, nu[n]c misere dissentie[n]bus[!] mon[s]trantia, qua unanimiter ad ecclesiam Christi redeant.
Deventer, Albert Paffraet, 1529. 8vo (16.5 x 10.5 cm). With the title in letterpress in a woodcut border and one woodcut initial. With a contemporary manuscript index (31 1/2 pp.) and contemporary manuscript notes (1 1/2 pp.) giving quotations from Saint Augustine on 16 leaves bound at the front. Contemporary blind-tooled brown calf over wooden boards (the back board replaced with paperboard), with a brass catch-plate in the middle of the fore-edge (clasp and anchor plate lacking and binding repaired). 196 ll. Full description

AUGUSTINE of Hippo (Saint AUGUSTINE), Desiderius ERASMUS (editor), and others. Primus [- decimus] tomus eximii patris, inter summa latinae ecclesiae ornamenta ac lumina principis, D. Aurelii Augustini Hipponensis episcopi ...
Basel, Ambrosius & Aurelius Froben, 1569. 11 parts in 10 volumes. Folio (38 x 25.5 cm). With the general title page in volume 1 set within an elaborate woodcut frame, all other title pages show the large woodcut Froben printer's device, repeated on all but one verso of the final page in each part. Further with woodcut decorated initials. Contemporary half elaborately blind-tooled pigskin over wooden boards, sewn on 5 supports (volume 1 on 4), with two brass clasps on the fore edge (leather anchor plate, brass clasp and catch plate). With the manuscript titles on the spines and the contents of each volume in manuscript on the bottom edge of all but one volume. Probably bound by Michael Hermann in Stuttgart before 1580. Full description

AUGUSTINE of Hippo (Saint AUGUSTINE). Explanatio Psalmorum. [Incipit:] Annotatio principaliu[m] sententiariu[m]/ principaliu[m] sente[n]tiariu[m] in expla-natione psamo[rum]...
(Colophon:) Basel, Johann Amerbach, 1489. 3 parts in 1 volume. Folio (ca. 31 x 21.5 cm).
Contemporary blind-tooled pigskin over wooden boards, with 1 brass clasp and remnants of a 2nd. [1 blank], [14], [1 blank]; [146]; [192]; [192], [5 blank] ll. Full description

AUGUSTINUS DE LEONISSA. Sermones pulcherrimi sup[er] d[omi]nica[m] or[ati]o[n]em Pater noster & angelicam salutat[i]o[n]em Ave Maria. Unicuiq[ue] ad populu[m] vole[n]ti declamat[i]o[n]es facere acco[m]modati. editi p[er] venera[n]du[m] patre[m] Augustinu[m] de Leonissa ...
(Colophon: Cologne, heirs of Heinrich Quentel, 1505). With 3 decorated woodcut initials, many 3-line and 2 larger Lombardic initials. With the first decorated initial hand coloured, and rubricated throughout.
With: (2) BONAVENTURA, Saint (pseudo). Sermo[n]es Quattuor novissimorum perutiles et n[e]cc[ess]arii. unu[m]que[m]que in devot[i]o[n]is ardorem dei quam timore[m] i[n]ducentes. a Beato Bonaventura editi.
(Colophon : Cologne), [Cornelis de Zierikzee, ca. 1502]. With a small woodcut of Christ at the Last Judgement on the title-page framed by 4 decorative woodcut strip borders, a full-page woodcut of King David meeting Christ at the Last Judgement (repeated at the end), a few 3-line Lombardic initials and spaces left for a few larger manuscript initials (not filled in). 2 works in 1 volume. Small 8vo (14.5 x 10.5 cm). Modern blind-tooled brown goatskin morocco. [92]; [128] ll. Full description

[AURELIUS, Cornelius]. Die cronycke van Hollandt, Zeelandt en[de] Vrieslant beghinnende va[n] Adams tiden tot die geboerte ons heren Jh[es]u[m] voertgaende tot de[n] jare M.CCCCC. ende Xvij.
Leiden, Jan Seversz., 18 August 1517. Folio. With the title-page printed in red and black with a large woodcut between different woodcut borders, and 239 woodcuts in text, including 121 woodcut portraits. Black blind-tooled goatskin (1637), with gold-tooled title and binding date on side. [2], 436 ll. Full description

[AURELIUS, Cornelius and Ellert de VEER]. Die cronycke van Hollant, Zeelant ende Vrieslant. Dordrecht, Peeter Verhaghen, 1591, 1591, 1590. 3 volumes bound as 1. Small folio (30.5 x 20.5 cm). With 3 title-pages, each with a different woodcut full-length portrait (the first count of Holland Dirck I, the Holy Roman Emperor Charles V and King Philip II of Spain), 1 double-page engraved map of Holland in part 2 (in its first state), and 36 woodcut portraits in text. Blind-tooled vellum (ca. 1740?). [6], 264; [6], 162; [1], 1-110, 110-130, [6] ll. plus the map. Full description