Early Printing & Manuscripts

THEOPHILUS ANTECESSOR and Jacobus CURTIUS (translator). Institutionum juris civilis libri quatuor ... è Graeco in Latinum per D. Iac. Curtium Brugensem Iurisconsultum conversi, ac iterum excusi.
Antwerp, (colophon: Joannes Grapheus for) Joannes Steelsius, 1539. 8vo (15.4 x 10.4 cm). With a large woodcut folding table at the end, a woodcut device of Steelsius on the recto of the otherwise blank last leaf, and some woodcut decorated initials throughout. Contemporary blind-tooled pigskin. [8], 221, [3] ll. Full description

[THEOPHRASTUS? (pseudo ARISTOTLE)] and Simone PORZIO. De coloribus libellus, à Simone Portio Neapolitano latinate donatus, & cometariis illustratus: una cum euisdem praefatione, qua coloris naturam declarat.
Florence, Lorenzo Torrentino, 1548. 4to. With 2 large woodcut historiated initials. Contemporary limp sheepskin parchment, manuscript spine-title, with 4 fragments of a Latin manuscript in an upright humanistic hand on vellum used as spine lining. 197, [3] pp. Full description

THOU (THUANUS), Jacques-Auguste de. Hieracosophioy, sive de re accipitraria libri tres.
Paris, Mamert Patisson, Kings Printer "in officina Robert Estienne", 1584. Small 4to (22 x 15 cm). With the late Robert I Estienne's large woodcut device on the title-page. With the poem and Thou's 11-page verse letter to Philippe Huralt in italic type and the preliminaries and some end matter in roman. Half parchment (ca. 1892). [4], 95, [13] pp. Full description

THUYS, Jacques. Ars notariatus. Dat is: Conste en[de] stijl van notarischap: begrepen in Theorijcke ende Practijcke... Desen derden druck, grootelijcken vermeerdert ende verbetert ...
Antwerp, Arnout s'Conincx, 1590. Small 8vo (15.5 x 10 cm). With woodcut publisher's device (with letterpress motto "Virtute et constantia") on title-page, a woodcut tail-piece and woodcut decorated initials (3 series). Set in textura types with incidental roman, with sample documents set in civilité with incidental italic. 17th-century parchment. [16], 231, [1] pp. Full description

TITELMANS, Frans. Elucidatio in omnes psalmos juxta veritatem vulgatae & ecclesiae usitatae aeditionis Latinae ...
Antwerp, Merten de Keyser, June 1531.
With:
(2) IDEM. Annotationes ex Hebraeo atque Chaldaeo in omnes psalmos ...
Antwerpen, Simon Cock, 1531. 2 works in 1 volume. Folio (27.6 x 22.2 cm). Ad 1 with a woodcut decorated title frame, a full-page woodcut of the kneeling Charles V at the end, and several woodcut decorated initials throughout. Ad 2 with the same full-page woodcut of Charles V at the end, and 1 woodcut decorated initial. 18th-century overlapping vellum. [18], 393, [1]; XLIII, [1] ll. Full description

TORQUEMADA, Juan de (Johannes de TURRECREMATA). [Expositio super toto psalterio, incipit:] Ad sanctissimum ac beatissimum dominum dominum Pium Secundum Pontificem Maximum editio in librum psalmorum quem alii soliloquium dicunt incipit feliciter ... [colophon:] Explanatio in psalterium ...
(Colophon:) Augsburg, printed by Johann Schüssler, [1470/71]. Folio (30 x 22 cm). Set in a single type, largely a rotunda gothic but with some roman influences with 35 lines per page, with about 150 manuscript "Lombardic" initials in red ink, the lines introducing the commentary for each psalm underscored and with manuscript paragraph marks, both in red ink. Late 19th-century(?) half vellum, boards covered with 2 leaves from a Latin Vulgate Bible printed on vellum. [266], [2 blank] pp. ([133], [1 blank] ll.) Full description

TORRENTINUS, Hermannus. Elucidarius carminu[m] et historiaru[m] vel vocabularius poeticus co[n]tine[n]s fabulas: historias: provincias: urbes: insulas: fluvios: et montes illustres.
(Colophon:) Hagenau, Heinrich Gran for Johann Rynmann, 1510. 4to. 19th-century blind-tooled red morocco, with a gold-tooled centre-piece on both sides, title, date and location of printing lettered in gold on the spine, gold- and blind-tooled broad turn-ins, gilt edges, blue endpapers. [1 blank], [60], [1 blank] ll. Full description

TORRENTINUS, Hermannus (Herman van der BEKE). Elucidarius poeticus co[n]tinens historias poeticas, fabulas, insulas regiones, urbes, fluvios, mo[n]tesq[ue] insigniores, atq[ue] huiusmodi alia, ...
Antwerp, Michiel Hillen van Hoogstraten, 1527. With the title in an elaborate woodcut border.
With: (2) [FIOCCHI, Andrea Dominico (Andras Dominicus FLOCCUS)] under the name of Lucius FENESTELLA. De magistratibus, sacerdotiisq[ue] Romanorum libellus, iamprimum nitori restitutus.
[Cologne, Hero Fuchs, 1527]. With the title in a finely cut 4-piece woodcut border. 2 editions in 1 volume. 8vo. 16th-century(?) limp vellum (formerly used for a slightly thinner book). The binding is an interesting example of a spine reinforced with a horizontal metal rod at the central sewing support to give more support and prevent the bookblock from becoming concaved or developing sharp kinks; probably bound in Flanders. [88]; [88] ll. Full description

TORRENTINUS, Hermannus (Herman van der BEKE). Elucidarius poeticus continens historias poeticas, fabulas, insulas, regiones, urbes, fluvios, montesq[ue] insigniores, atq[ue] huiusmodi alia, omnib[us] adolescentibus in poesi versantibus oppidoquam necessarius, ...
Cologne, Eucharius Cervicornus (colophon: Godefried Hittorp), July 1529. With the title in an elaborate woodcut architectural border with the Cologne coat of arms in the head, the death of Cleopatra in the foot, further figures in the right and left sides and 3 putti, one holding a shield with a monogram or mark, perhaps of the artist or woodblock cutter. Set in roman types with 8 and 14 mm roman capitals used as initials.
With: (2) FREUDENBERG, Aethon Johann von. De abusu & impostura medicantiu[m] libellus perquam utilis jucundusq[ue] omnibus, quibus cum medicis erit negocium.
Marburg, Eucharius Cervicornus, 1538. With 1 woodcut decorated initial (white on black with floral decoration) and a vine-leaf ornament (Vervliet 7). Set in roman type with the dedication in an Aldine-style italic and with occasional words in Greek.
2 works in 1 volume. 8vo. Sheepskin parchment (ca. 1700?), sewn on 4 supports, red edges, first title lettered in ink in the second spine compartment. [85], [1 blank]; [23] ll. Full description

TOSTATUS (TOSTADO DE MADRIGAL), Alfonso. Super Leviticum in sensu litterali nova et hactenus abscondita a se edita commentaria.
(Colophon: Venice, Petrus Liechtenstein, 1529). With title-page printed in red and black with a large woodcut containing the coats of arms of the Emperor Charles V (Charles I of Spain) and two bishops (the author and perhaps a relative), leaf 2 with a woodcut of the author writing at his desk, with his arms, and a woodcut initial with the other bishop's arms inside the letter, the arms in the initial and some lines of text printed in red. Printed in two columns.
With: (2) TOSTATUS, Alfonso. Opus super Deuteronomium.
(Colophon: Venice, Petrus Liechtenstein, 1528). With title-page printed in red and black, leaf 1 with a woodcut of the author writing at his desk, with his arms (not the same woodcut as in ad 1), and a woodcut initial with the other bishop's arms as in ad 1. Printed in two columns. 2 works in 1 volume. Folio. Contemporary blind- and gold-tooled tanned sheepskin over wooden boards; each board in a panel design with 2 (on the back board 3) different vine rolls, rules, and on the front board a central medaillon depicting Bathsheba kneeling before King David playing his harp, and a half dozen separate stamps, with author and title at the head, "Thostati Super Leviti et Deuteronomy" and the binding date MDXXXII (1532); blind-tooled spine, remnants of brass anchor plates on the back board (for straps?), catch plates on the front board lacking. 249, [1 blank]; [1], 120 ll. Full description