Early Printing & Manuscripts / Art History & Literature

CATULLUS, Gaius Valerius; Albius TIBULLUS; Sextus PROPERTIUS (Hieronymus AVANTIUS, ed.). [Opera]. Catullus. Tibullus. Propertius.
[colophon:] Venice, the heirs of Aldo I Manuzio & Andrea I Torresano, March 1515. 8vo. With Aldos woodcut anker and dolphin device on the title-page and on the verso of the last leaf, each flanked by "AL ... DVS" in letterpress capitals. Set in Aldos italic type (with upright capitals), the first italic printing type. Blind-tooled brown goatskin morocco (early 20th-century) by the Paris bookbinder G. Vignal (active ca. 1890-ca. 1930), signed with a blind stamp in the foot of the front turn-in ("G. VIGNAL REL. DOR.". 148, [2] ll. Full description

CELLINI, Benvenuto. Due trattati, uno intorno alle otto principali arti dell' oreficeria. L'altro in materia dell'arte della scultura; dove si veggono infiniti segreti nel lavorar le figure di marmo, & nel gettarle di bronzo.
Florence, Valente Panizzi, Marco Peri, 1568. 4to. With the woodcut coat of arms of the Medici on the title-page, a woodcut printer's device at the end, 1 small and 36 large architectural historiated initials. 19th-century marbled-paper boards. [5], 61, [7] ll. Full description

[CICERO, Marcus Tullius]. In omnes de arte rhetorica M. Tullii Ciceronis libros, item in eos ad C. Herennium scriptos, doctissimorum virorum commentaria, in unum veluti corpus redacta, ac separatim a' Ciceronis contextu, quem a' diversis impressum nemo iam in sua bibliotheca non habet, ne quis inani sumptu gravaretur, edita. Accessit in omnes libros rerum ac verborum memorabilium plenissimus index.
Venice, sons of Aldus Manutius, 1546. 2 parts in 1 volume. Folio. With Aldus's woodcut device on title-page and repeated on the otherwise blank last leaf. 19th-century gold- and blind-tooled red morocco in Renaissance style: boards with a gold-tooled central ornament, gold-tooled board edges and turn-ins. [20] pp, 624 cols.; cols. 1-492, [8] pp., cols. 493-824[=826] Full description

OVIDIUS NASO, Publius (Lodovico DOLCE, translator). Le trasformationi, ... . In questa quarta impressione da lui in molti luoghi ricorrette.
Venice, Gabriele Giolito de Ferrari, 1557. 4to. With title in a richly designed architectural woodcut frame, a half-page woodcut hemispherical map of the Americas, Europe and Africa and 82 large woodcut illustrations (plus 2 repeats) with fine ornamental and grotesque borders at either side. Contemporary(?) Polish(?) blind-tooled calf. 17th- or 18th-century endpapers. [16], 309, [3] pp. Full description

DOLCE, Lodovico. Dialogo della pittura. Nel quale si ragiona della dignità di essa pittura, e di tutte le parti necessarie, che a perfetto pittore si acconuengono: con esempi di pittori antichi, & moderni: e nel fine si fa mentione delle virtù e delle opere del divin Titiano.
Venice, Gabriel Giolito de Ferrari, 1557. Woodcut vignette on title-page. Later half vellum, title in ink on spine. 60 ll. Full description

DONI, Anton Francesco. Disegno ..., partito in piu ragionamenti, ne quali si tratta della scoltura et pittura; de colori, de getti, de modegli, con molte cose appartenenti a quest' arti: & si termina la nobiltà dell' una et dell' altra professione. ...
Venice, Gabriele Giolito de Ferrari, (colophon: February) 1549. Small 8vo (16 x 10 cm). With the imprint in the base of an elaborate woodcut on the title-page, with Ferrari's motto, initials and phoenix device, a different woodcut phoenix device on last page, and 21 woodcut pictorial initials (3 series) plus 1 repeat. Italian sheepskin parchment (ca. 1700?). 63, [1] ll. Full description

[DU BARTAS, Guillaume de Salluste]. La divina settimana: tradotta di rima Francese in verso sciolto Italiano.
Tours, Giametto Metaieri (Jamet Mettayer), 1592. 12mo. With the title with in a border, built up from cast fleurons, and some woodcut initials and headpieces. Contemporary limp sheepskin parchment. [6], 152 ll. Full description

[DUTCH MORALITY PLAYS - REDERIJKERS]. Zeven spelen, van die wercken der bermherticheyd. In rym ghemaeckt en nu tot Aemstelredam opentlyck ghespeelt, Anno 1591
Amsterdam, H. J. Muller, 1591. 8vo. Woodcut title vignette and 6 woodcut illustrations at the beginning of the plays, Contemporary vellum with manuscript title on spine. [302] pp. Full description

ERASMUS, Desiderius. De duplici copia verborum ac rerum commentarii duo.
(Colophon: Mainz, Johannes Schoeffer, August 1521). With title in woodcut architectural border; 6 large, beautiful woodcut initials. With 1 initial coloured by hand.
With: (2) ERASMUS, Desiderius. Parabolae sive similia.
(Colophon: Basle, Johannes Froben, July 1521). With title in an elaborate woodcut border, first page of the dedicatory letter by Erasmus to Petrus Aegidius on back of title-page with a border made of woodcut strips, Froben's large woodcut device on the last page, and 2 decorative woodcut initials. 2 works in 1 volume. 8vo. German contemporary richly blind-tooled calf, in a panel design. The central panel on each board is filled with dozens of impressions of 3 floral stamps, 1 on the front board and 2 on the back. [16], 247, [1 blank]; 191, [1] pp. Full description

ERASMUS, Desiderius. Apophthegmatum libri octo cum primis frugiferi, denuò vigilanter ab ipos recogniti autore, non sine lucro novae accessionis.
Cologne, Johann Gymnich I, 1538. 8vo (16 x 11 x 4.5 cm). With Gymnich's woodcut device, 9 woodcut initials (2 series) plus 1 repeat, and a vine-leaf ornament. Set in an Aldine-style italic with incidental roman and Greek. Near contemporary blind-tooled calf (the owner's stamp ca. 1564?, added later than the rest of the tooling) over wooden boards, each board in a panel design, the front board with the large oval armorial panel-stamp (72 x 55 mm) of Simon Cluver of Gedansk (ca. 1540-1598); the back board with 2 rolls showing Christian imagery. With 1 of 2 brass catchplates but further with only remnants of the fastenings. [16], 712, [38], [2 blank] pp. Full description