Early Printing & Manuscripts / Religion & Devotion

TOSTATUS (TOSTADO DE MADRIGAL), Alfonso. Super Leviticum in sensu litterali nova et hactenus abscondita a se edita commentaria.
(Colophon: Venice, Petrus Liechtenstein, 1529). With title-page printed in red and black with a large woodcut containing the coats of arms of the Emperor Charles V (Charles I of Spain) and two bishops (the author and perhaps a relative), leaf 2 with a woodcut of the author writing at his desk, with his arms, and a woodcut initial with the other bishop's arms inside the letter, the arms in the initial and some lines of text printed in red. Printed in two columns.
With: (2) TOSTATUS, Alfonso. Opus super Deuteronomium.
(Colophon: Venice, Petrus Liechtenstein, 1528). With title-page printed in red and black, leaf 1 with a woodcut of the author writing at his desk, with his arms (not the same woodcut as in ad 1), and a woodcut initial with the other bishop's arms as in ad 1. Printed in two columns. 2 works in 1 volume. Folio. Contemporary blind- and gold-tooled tanned sheepskin over wooden boards; each board in a panel design with 2 (on the back board 3) different vine rolls, rules, and on the front board a central medaillon depicting Bathsheba kneeling before King David playing his harp, and a half dozen separate stamps, with author and title at the head, "Thostati Super Leviti et Deuteronomy" and the binding date MDXXXII (1532); blind-tooled spine, remnants of brass anchor plates on the back board (for straps?), catch plates on the front board lacking. 249, [1 blank]; [1], 120 ll. Full description

TRITHEMIUS, Johannes. De statu et ruina monastici ordinis.
[Mainz, Peter von Friedberg, after April 1493]. 4to. 20th-century quarter vellum, decorated paper sides. With the author, title, and place and date of publication in manuscript on the spine. [29], [1 blank] ll. Full description

[VERVOORT, Frans]. Dat vyants net, der booser wercken raet, visioenen, ende met alder sijnder verholender stricken, leerende hoe wi de werelt, den vyant, ende ons selven sullen sterven, kennen, ende leerende hoe wi die werelt, den vyant, ende ons selven sullen sterven, kennen, ende overwinnen.
Antwerp, Jan van Ghelen, (colophon: 1561). 8vo. With the title in a four-piece woodcut border by Pieter van den Borcht (with his initials at the foot), Jan van Ghelen's woodcut device on verso of last leaf, a full-page armorial view (dated 1552) on the last leaf, and 20 mostly full-page woodcut illustrations by Pieter van der Borcht in text. Modern half vellum. [88] ll. Full description

VIGERIUS, Marcus. Decachordum Christianum Julio II. Pont. Max. dicatum. Controversia de excellentia instrumentorum Dominicae passionis, per eundem Dn. Marcum Vigerium discussa.
[Hagenau, printed by Th. Anselm & Joh. Albertus for Joh. Koberger, Nuremberg, 1517]. Folio. With title in woodcut border by Urs Graf and 10 beautiful full-page woodcuts (ca. 13.9-14.4 x 9.7-10.2 cm) by the "Master I S with the shovel", a pupil of Hans Schäufelein. Contemporary calf over wooden boards, blind-tooled side, two brass clasps. Leaves from a 14th-century liturgical manuscript pasted on the inner sides of the boards. From the "Koberger Werkstatt". [6], 204, [14] pp. Full description

VORAGINE, Jacobus de. Legenda sanctorum al[ia]s Lombardica historia. [= Legenda aurea sanctorum].
[Colophon:] Basel, Nikolaus Kessler, 25 June 1486 Small (Chancery) folio (28.5 x 22 cm). With Kesslers 1485 woodcut armorial device below the colophon (double shield hanging from a branch, the dexter shield with 3 kettle hooks and the sinister shield with a K and cross). Blind-tooled tanned sheepskin (ca. 1870/1900), with a hollow back, sewn on 4 recessed cords but with 5 false bands on the spine, gold-tooled black morocco spine-label in the 2nd compartment and "BASEL 1486" in gold at the foot. [255] ll. Full description

[WEYNSEN, Matthias (editor)]. Fascicul[us] mirre. Hier beghint een seer sonderlinghe ende devote materie van die passie ons Heren Jesu Cristi gheheten (dat busselkijn of dat bondekijn van mirre) vergadert ende gecompileert van eenen gheestelijcken ende seer verlichten broeder vander minrebroeders oerden van die familie der observanten in die provincie van Colen ...
(Colophon:) Antwerp, Henrick Eckert van Homberch, 18 January 1518. 4to. With the first word of the title printed in red, 35 woodcut illustrations in the text (of which 8 repeats), with Christ's wounds coloured in red, and 53 decorated woodcut initials. The work is rubricated throughout. 17th-century gold tooled mottled brown calf. [196] ll. Full description

WIMPFELING, Jakob (Jacobus WIMPHELINGIUS). Ad Julium. II. Po[n]tifice[m] Max[imum]. Querulosa excusatio Jacobi Wimphelingii ad instantiam fratru[m] Augustine[n]sium ad curiam romana[m] citati: ut propria in persona ibide[m] compareat: proptereaq[ue] scripsit divum Augustinum non fuisse monachum vel fratrem mendicante[m].
[Strasbourg, Jean Prüss the elder, ca. 1507]. 4to (21 x 15 cm). With a large woodcut decorated initial. Set in 2 sizes of roman type with a few words in a large textura gothic type. With the initial coloured brown by an early hand. Boards covered with grey laid paper (1940s?). [7], [1 blank] pp. Full description