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Early Printing & Manuscripts / Religion & Devotion

Estienne's monumental Bible

[BIBLE]. ESTIENNE, Robert (editor). Biblia breves in eadem annotationes, ex doctis ...
Including:
- Hebraica, Chaldaea, Graecáque & Latina nomina virorum ...
- Index rerum et sentiarum quae in Veteris & novi testamenti libris continentur.
Paris, Roberti Stephani [= Robert Estienne], 1532. 4 parts in 1 volume. Folio. With Estienne's large olive-tree device on the general title page and the divisional titles of parts 3 (interpretatio) and 4 (index) page, a woodcut decorative border around the word "Biblia" on the general title page, and 79 decorated metalcut (criblé) initials. Modern gold-tooled brown calf, with the title lettered in gold on the spine, red sprinkled edges. [10], 388; 94; 37; 57, [1], [1 blank] ll. Full description
€ 8,500
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Monumental and seminal critical edition of the Greek New Testament (1550) with all woodcut devices, headpieces and initials coloured, including much gold and silver and extensive additional colour decorations in a rococo style

[BIBLE - NEW TESTAMENT - GREEK]. ESTIENNE, Robert, editor. Tῆò Káéíῆò ÄéáèÞêçò ἅπáíôá [Tes Kaines Diathekes Apanta] = Novum Jesu Christi D.N. Testamentum Ex Bibliotheca Regia.
Paris, Robert Estienne, King's printer, 1550. Folio (35 x 24 cm). With a Greek and Latin title-page including Estiennes woodcut basilisk device as Kings printer (and 1 repeat), his woodcut olive tree device on the otherwise blank last page (N6v), 3 single-piece decorated architectural frames with putti, etc. (plus 3 repeats) for the tables of the Eusebian canons for the Gospels, 9 woodcut headpieces and 21 decorated woodcut initial letters (plus numerous repeats). Set almost entirely in the three sizes of Claude Garamonts famous Greek printing types, known as the Grecs du Roi, and the first use of the largest size. The present copy has been richly decorated, probably around the time it was bound, not just by colouring Estiennes woodcut devices (the basilisk in gold), decorative frames, headpieces and initials, but also by adding extensive decorations in rococo style, the whole using a large number of mostly bright colours plus gold and silver. Gold-tooled black sheepskin, the gold-tooled spine with the title, publisher and date in the 2nd and 6th of 7 compartments in roman capitals, gold-tooled board edges and turn-ins, gilt and richly gauffered edges, Dutch combed and curled endpapers. [32], “272” [= 268], 202, [2] pp. Full description
€ 95,000
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Latin New Testament printed by Plantin, in an attractive binding with elaborately gauffered edges

[BIBLE - NEW TESTAMENT - LATIN]. Novum Jesu Christi Testamentum.
Antwerp, Christoffel Plantin, 1564[-1565].
With: (2) [INDEX]. Hebraea, Chaldaea, Graeca, et Latina nomina virorum, mulierum, populorum, idolorum, urbium, fluviorum, montiu[m], caeterorumq.; locorum quae in Bebliis sparsa leguntur ... cum Latina interpretatione: additis etiam Bibliorum locis in quibus ita scripta legu[n]tur: qua in re interpretationem quae in Bibliis Compluti excusis erat ....
Antwerp, Christoffel Plantin, 1565. With Hebrew and Greek types.
2 works in 1 volume, the 1st in 2 parts. 16mo (11.2 x 7.2 cm). Contemporary blind- and gold-tooled calf. 316, [68]; [111] [1 blank] ll. Full description
€ 2,950
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Bishop Pierre-Daniel Huet's psalmbook with his annotations

[BIBLE - PSALMBOOK]. PSALTERION. Prophetou kai Basileoos tou David [in Greek type] - Davidis Regis ac Prophetae Psalmorum Liber. Ad exemplar Complutense.
Antwerp, Christopher Plantin, 1584. 16mo (11,8 x 8 cm). With woodcut printer's device on the title-page, text is partially printed in Greek. Late seventeenth-century dark brown calf, with gold-stamped coat of arms of Pierre-Daniel Huet on both covers and gold-tooled dubbel-lined borders on covers and spine, (remnants of) red speckled edges. 267, [13] pp. Full description
€ 3,500
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First edition of the so-called Golden Bible, by the Augsburg Benedictine Abbeys printing office
set in nearly the first (and the best early) roman printing type north of the Alps
Robert Proctors copy, with generous margins

[BINDO GUERRI of Siena] with a prologue by Antonius de RAMPIGOLLIS. Reportatorium Biblie aureum [= Biblia aurea].
[Augsburg], [printing office of the Abbey of Saints Ulrich and Afra], [in the period 1473 to early 1475]. Chancery (Foolscap) folio (28 x 22 cm). With the title in a note following the prologue, at the foot of the first page (and abbreviated at the end of the book), a 2-page alphabetical table of contents and the main text comprising 139 entries.
Burgundy goatskin morocco (ca. 1890?). With the armorial bookplate of Robert Proctor. [231], [1 blank] pp. Full description
€ 16,500
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With important provenance

BOCKENBERG, Pieter Cornelisz. Catalogus & brevis historia pontificum Ultraiectensium. Item catalogus & brevis historia antistitum Egmondanorum.
Leiden, Jan Jacobsz. Paets, 1586 (Colophon: 'Extant Goudae, apud Leonardum Theodori Librarium, ad pontem Hornensem'). Small 8vo. [16], 99, [12] [1 blank] pp. Full description
€ 1,500
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First German edition of sermons on human actions
and mainly the Quattuor Novissima - the Four Last Things

BONAVENTURA (pseudo); [attributed to Durand of CHAMPAGNE]. Sermo[n]es quattuor novissimorum perutiles et nec[ess]arij. unu[m]que[m]q[ue] in devot[i]o[n]is ardore[m] dei q[uam] timore[m] [in]ducentes.
[Colophon: Cologne, Cornelius von Zierickzee, ca. 1502]. Small 8vo (ca. 12.5 x 10 cm). With a small woodcut illustration surrounded by woodcut border decorations on the title-page and two full-page woodcut illustrations in the text. The text is set in Gothic type. Later half vellum with marbled paper sides, blue edges. [2 blank], VII, [120] ll. Full description
€ 6,500
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Early incunable from Augsburg with wonderful initials, a famous exegetic work by Holzinger who influenced Dante's "Purgatorio"

BONAVENTURA (pseudo) [= Conradus de SAXONIA]. Speculum beate Marie virginis: compilatum ab humili fratre Bonauentura.
Augsburg, Anton Sorg, 1476. Folio (26.5 x 21.2 cm). Set in a Gothic letter in 40 lines to the page, printed in 1 column. Rubricated throughout. With a large Maiblumen woodcut-initial and 16 smaller initials (of which 11 hand-coloured in red). Modern vellum, with a manuscript title on the spine. [48] ll. Full description
€ 17,500
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1511 Paris book of hours printed on vellum, with 17 large & 27 small illustrations plus more in the borders:
only known complete copy of this edition, possibly from the great Harleian Library

[BOOK OF HOURS]. Hore [= Horae beate Marie Virginis] secundum usum Romanum ad longum.
(colophon: Paris, Thomas Kees), [ca. 1511, with an almanac for the years 1511-1530]. 8vo (18 x 12 cm). Printed on vellum in red and black throughout, with illustrations printed from (mostly metal?) relief blocks: 17 nearly full-page plus 1 repeat, 27 small plus 2 repeats in the text, many additional small in the decorated border pieces that surround nearly every page. Dark brown gold- and blind-tooled goatskin morocco (ca. 1870?), signed "HARDY-MENNIL" in the foot of the front turn-in. [216] pp. Full description
€ 25,000
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Beautifully decorated and heightened with gold 15th-century Dutch manuscript book of hours
from the collection of Viscount Charles van Aefferden

[BOOK OF HOURS - DUTCH]. [15th-century manuscript book of hours, written in Middle Dutch]. [Incipit 1r:] Here du saltste op doen mine lippen en[de] mijn mo[n]t sal voert-kundige[n] dijn lof.
[Southern Netherlands, 15th century]. Small 4to (binding 15.5 x 12 cm; leaves ca. 14.5 x 11.5 cm). Manuscript in Middle-Dutch, written in one column (18 or 19 lines to a page) in a very neat gothic textura script, by one or maybe two hands. The vellum leaves are (lightly) ruled in red ink, the main body of the text is written in black ink. Leaf 1r shows a large 9-line painted initial (blue and white on a golden field) and elaborate green vines and blue, gold, and pink leaves in the margins, all tekst on 1r is written within a blue and gold frame. With 37 3- or 4-line painted initials (gold on a blue or pink field) with the same green, blue, gold, and pink vine-and-leaves decorations in the left margins of the leaves and 7 3-, 4-, or 5-line penwork initials (green, blue, and red) with simple red and green penwork decorations in the left margin of the leaves. Further with numerous 1- and 2-line red and blue initials throughout and occasional 6-line red or blue initials in the left margin of the leaves. 17th- or 18th-century gold- and blind-tooled half mottled calf and sprinkled paper sides, red sprinkled edges. [189] ll. Full description
€ 18,000
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