Early Printing & Manuscripts / Religion & Devotion

[FIOCCO, Andrea Domenico] under the name of Lucius FENESTELLA. De magistratibus, sacerdotiisq[ue] Romanorum libellus, iam primum nitori restitutus. Pomponii Laeti itidem de magistratibus & sacerdotiis, & praeterea de diversis legibus Rom[anorum]. Item Valerii Probi grammatici de literis antiquis opusculum.
Including: POMPONIO LETO, Giulio. De Ro[manorum]. magistratibus, ...
Basel, (colophon: Valentino Curio, May 1523). With the general title in a woodcut border, Curio's large architectural woodcut device on the otherwise blank final page.
With:
(2) LUCIANUS OF SAMOSATA. Complures ... dialogi à Desiderio Erasmo Roterodamo ... in Latinum conversi, & à Nicolao Buscoducensi illustrati, additis Fabularum & difficilium vocabulorum explanationibus.
(Colophon: Antwerp, Michael Hillen van Hoochstraten, 1524).
(3) MOSELLANUS, Petrus (Peter SCHADE). Paedologia ..., in puerorum usum conscripta & aucta. Dialogi XXXVII. Dialogi pueriles Christophori Hegendorphini. XII. ...
Including: HEGENDORF, Christoph. Dialogi pueriles ... XII. ...
(Colophon: Antwerp, Michael Hillen van Hoochstraten, 1523).
3 editions in 1 volume. 8vo (16 x 10.5 cm). Contemporary panel-stamped calf, each board with the same 3 panel stamps: 2 virtually identical panels with 6 animals in 2 grape vines (the animals from head to foot in the left vine: a monkey, dog and wyvern; and in the right vine: a squirrel, hare and lion) in a border of a diaper of quatrefoils in lozenges, the two separated by a small panel stamp sith a peacock, paste-downs made from a leaf from an Aristotle manuscript on vellum. 91, [1]; 26, [2]; [40] ll. Full description

FLAMINIUS, Marcus Antonius. M. Antonii Flaminii in Librum Psalmorum Brevis Explanatio, ad Alexandrum Farnesium Cardinalem amplissimum. Adiectae sunt in studiosorum usum eiusdem authoris in Psalmos aliquot, suo quaeque ordine & loco, Paraphrases. Item adiectae sunt in triginta Psalmos Paraphrases, carmine ab eodem conscriptae, & suo loco positae.
Antwerp, Christopher Plantin, 1558.
With: (2) FLAMINIUS, Marcus Antonius. M. Antonii Flaminii De Rebus Divinis Carmina ad Margaritam Henrici Gallorum Regis sororem.
Antwerp, Christopher Plantin, 1558.
2 works in 1 vol. 16mo (11.4 x 7.7 cm). With woodcut printer's device on both title-pages: "Labore et constantia" and a different one on the verso of the final blank page of the second work: "Christus vera vitis". Ruled in brown/red throughout, 2 decorated initials at the beginning of the first work and 3 in the second work. Contemporary brown leather, gold-stamped frame and ornamental centrepieces on both covers, gold-tooling on spine, gold edges with blind-tooled arabesques. 365, [3]; [24] ll. Full description

[FLORIS VAN HAARLEM]. Den wech des levens. Een gheestelijc boecxken leerende hoe dat ee[n] goet kerste[n] mensch moet beginne[n] en[de] voortgaen in duechden, met veel devote ghebede[n] en[de] gheestelike corte vermaninghe[n] om tot een warachtich gheestelijc leven te comen.
[Antwerp, Heyndrick Peetersen van Middelburg, 1547?]. 8vo. With title printed in black and red, within woodcut borders. Contemporary slightly overlapping parchment, remnants of ties. [200] ll. Full description

FRANCK, Sebastian. Werelt-boeck, spieghel ende beeltenisse des gheheelen aerdtbodems, ...
The Hague, Albrecht Heyndricxz., 1595. Folio. 17th-century parchment, new endpapers. CXXXIIII, [4] ll. Full description

GREGENTIUS, Saint. [Title in Greek followed by:] Disputatio cum Herbano Iudaeo: nunc primùm Graecè edita, cum interpretatione Nic. Gulonii, Carnutis, literarum Graecarum professoris regii, notis illustrata. Hoc dialogo sides Christiana tum divinorum oraculorum exposition, tum miraculorum effectu confirmatur.
Paris, Fédéric Morel, 1586. 8vo. With text in Latin and Greek on facing pages. Contemporary sheepskin parchment. [8], 204 ll. Full description

HEGIUS (VAN DEN HECK), Alexander. Dialogi. De scientia et eo q[uo]d co[n]tra Academicos. De tribus anim[a]e generibus. De incarnationis misterio dialogi duo quib[us] ... Dialogus physicus. De sensu et sensili. De arte et inertia. De rhetorica. De moralibus. Eiusde[m] Farrago cui addita invectiva eius in modos significandi ... Epistola una et altera eius ceteris apud suos latentibus.
(Colophon: Deventer, Richard Pafraet, 1503). Small 4to (21 x 14.5 cm). With spaces left for 3- to 5-line manuscript initials (most with printed guide letters). Set in a rotunda gothic type with the title, colophon, running heads, etc. in a larger textura gothic and the author's name in a still larger rotunda, with occasional words in Greek. With one blue "Lombardic" initial filled in in manuscript, capitals and paragraph marks rubricated throughout. Half tan sheepskin (ca. 1860?). [170] pp. Full description

[HEROLT, Johannes], edited by Guillermus PARISIENSIS. Postilla super Epistolas et Evangelia.
[Cologne, Ulrich Zell, 1483/87]. Small folio. Printed in 2 columns, each with 49 lines to the page. Set in a late example of a hybrid form type, with lombardic initials in red gouache. Rubricated on c4v-d2r. Mid- or late-18th-century gold-tooled French(?) red goatskin morocco, the spine with a dark green gold-tooled morocco label in the 2nd of 6 compartments, gold fillets on the board edges, gold-tooled turn-ins, gilt edges, French marbled endpapers. With the first page (the only preliminary page) in facsimile, but further complete. [130] ll. Full description

HERVET, Gentian. Epistre ou advertissement au peuple fidele de l'Eglise Catholique, touchant les differens qui sont aujourd'huy en la religion Chrestienne.
Paris, Nicolas Chesneau, 1561.
With:
(2) HERVET, Gentian. Deux epistres, aux ministres, predicans et supposts de la congregation & nouvelle eglise de ceux qui s'appellent fideles, & croyans à la parolle: ...
Paris, Nicolas Chesneau, 1562.
Including: (3) HERVET, Gentian. Seconde epistre aux ministres, predicans & suppostz de le nouvelle eglise, de ceux qui s'appellent fideles, & croyans à la parole.
Paris, Nicolas Chesneau, 1561.
(4) [TOUSSAIN, Daniel?]. Response a une certaine epistre envoyee par M. Gentian Hervet, curé de Crevant, aux fideles de l'eglise reformee d'Orleans.
[Paris?], [publisher unknown], 1561.
(5) HERVET, Gential. Apologie ou defense, contre une response des Ministres de la nouvelle eglise d'Orleans, escripte en leur nom, par Je ne sçay qui, se nommant, L'un pour tous.
Paris, Nicolas Chesneau, 1561. 5 works in 1 volume. 8vo. 18th-century(?) sheepskin parchment. 28; 24; 8; [44]; 127, [1] ll. Full description

[HORTULUS ANIMAE - PRAYERBOOK]. [Hortulus anime cum aliis q[uam] plurimis orationibus pristine impressioni superadditis; ut tabulam in huius calce annexa[m] intue[n]ti pate[n]tissimu[m] erit.].
(colophon:) Lyon, Johannes Clein (for Johannes Koberger, Nürnberg), 15 March 1516. 8vo. With the a decorated woodcut on the title-page with a madonna and child above and a unicorn below a frame for the letterpress title printed in red, Cleins woodcut device on the final recto, further with 89 woodcut illustrations, printed from 86 blocks (in three sizes), including 52 (from 50 blocks) by Hans Springinklee (who also cut the title woodcut), 6 (from 5 blocks) by Erhard Schön and 23 other smaller woodcuts, and the text printed in red and black in gothic rotunda type, each page (except the title-page, Cleins device and a two-page table of moveable feasts), in 1 of 25 different woodcut borders (a few dated) composed of angels, putti, grotesques, vases, fountains and other emblematic and architectural details. Many of the woodcuts are partly coloured by a contemporary hand.
Contemporary blind-tooled calf over wooden boards, sewn on 3 double cords, each board with brass pieces covering the edges at the head and foot, a brass strip near the hinge on the front board (lacking on the back board) and 2 brass catch plates on the front board with traces on the back board of leather straps that would have had brass clasps. [20], CCX, [10] ll. Full description

HUTTEN, Ulrich von. Dialogi. Fortuna. Febris prima. Febris secunda. Trias Romana. Inspicientes.
Colophon: Mainz, Johann Schöffer, April 1520. Small 4to (19.5 x 14 cm). With a lovely woodcut of the blindfolded Fortuna on title-page (by Hans Weiditz?), a large woodcut initial Q (repeated twice) and several vine leaf ornaments. Printed in roman type. 19th-century half vellum. [72] ll. Full description