Early Printing & Manuscripts / Religion & Devotion

ERASMUS, Desiderius. Liber de sarcienda ecclesiae concordia deque sedandis opinionum dissidiis, cum aliis non nullis lectu dignis. Omnia recens nata, et nunc primum typis excusa.
Antwerp, Michiel Hillen van Hoochstraten, 1523. 8vo. With a full-page woodcut illustration incorporating Hillen van Hoochstratens device on the last page, and 3 woodcut decorated initials. Modern boards covered with a leaf from a Latin incunable, probably part of a commentary on the Song of Solomon, red sprinkled edges. [56] ll. Full description

ERASMUS, Desiderius. De pueris statim ac liberaliter instituendis, libellus et novus & elegans. & elegans ... Eiusdem de ratione instituendi discipulos. uterque per autorem recognitus, & locupletatus.
Paris, Chrétien Wechel, 1536.
With:
(2) IDEM. Responsio ad Petri Cursii defensionem, nullo adversario bellacem.
Paris, Chrétien Wechel, 1535.
(3) IDEM. Responsio ad epistolam paraenetica[m] clarissimi, doctissimicq[ue] viri... Alberti Pii carporum principis.
[Paris, Pierre Vidoux], April 1529.
(4) IDEM. Purgatio adversus epistolam non sobriam Martini Luteri.
Basel, (colophon:) Hieronymus Froben and Nikolaus Episcopius, April 1534. 4 works in 1 volume. 8vo. Ad 1 with Wechels woodcut device on the title page and 3 woodcut decorated initials. Ad 2 with Wechels woodcut device on the title page and the verso of the blank last leaf, and 1 woodcut decorated initial. Ad 3 with a woodcut architectural frame on the title page and 2 woodcut decorated initials. Ad 4 with Frobens woodcut device on the title page and the verso of the last blank leaf. Half vellum and brown sprinkled paper sides, with the (faded) manuscript title on the spine, red edges. [50] ll.; 30, [1 blank], [1] pp.; [56]; [32] ll. Full description

ERASMUS, Desiderius. Ecclesiaastae [!] sive de ratione concionandi libri quatuor, opus recens, denuo ab autore recognitum, sed cum indice accuratiore quam antehac & copiosiore.
Antwerp, sub intersignio Rubri Castri (= Guilielmus Montanus), 1539. Small 8vo. With an architectural woodcut border on the title page, 7 decorated metalcut initials, 5 woodcut headpieces, 7 woodcut tailpieces, and a woodcut printer's device at the end of the work. 18th-century half vellum. "549" [=544], [31], [1 blank] pp. Full description

ESTIENNE, Robert (editor). Tῆò Káéíῆò ÄéáèÞêçò ἅπáíôá [Tes Kaines Diathekes Apanta] = Novum Jesu Christi D.N. Testamentum Ex Bibliotheca Regia.
Paris, Robert Estienne, King's printer, 1550. Folio (35 x 24 cm). With a Greek and Latin title page including Estiennes woodcut basilisk device as Kings printer (and 1 repeat), his woodcut olive tree device on the otherwise blank last page (N6v), 3 single-piece decorated architectural frames with putti, etc. (plus 3 repeats) for the tables of the Eusebian canons for the Gospels, 9 woodcut headpieces and 21 decorated woodcut initial letters (plus numerous repeats). Set almost entirely in the three sizes of Claude Garamonts famous Greek printing types, known as the Grecs du Roi, and the first use of the largest size. The present copy has been richly decorated, probably around the time it was bound, not just by colouring Estiennes woodcut devices (the basilisk in gold), decorative frames, headpieces and initials, but also by adding extensive decorations in rococo style, the whole using a large number of mostly bright colours plus gold and silver. Gold-tooled black sheepskin, the gold-tooled spine with the title, publisher and date in the 2nd and 6th of 7 compartments in roman capitals, gold-tooled board edges and turn-ins, gilt and richly gauffered edges, Dutch combed and curled endpapers. [32], “272” [= 268], 202, [2] pp. Full description

EURIPIDES and Desiderius ERASMUS (editor and translator). Euripidis tragoediae duae hecuba & iphigenia in aulide, Latinae factae...
Basel, Froben Office [heirs of Johann Froben], April 1530. 8vo (10.4 x 15.4 cm). With a woodcut printer's device on the title page and final page, and 7 decorated woodcut initials. 19th-century half brown calf and grey paper sides. 293, [1], [1 blank], [1] pp. Full description

EUSEBIUS. L[']histoire ecclesiastique ..., translatee de Latin en Fra[n]coys, par Messire Claude de Seyssel, Evesque lors de Marseille, & depuis Archevesque de Thurin.
Antwerp, Maarten de Keyser, 1533 (colophon: 17 April). 8vo. With a woodcut border on the title-page, assembled from 4 blocks (that at the foot with De Keyser's printer's device), about 10 woodcut decorated initials plus about 10 repeats (2 gothic series and 2 roman series). Set in three sizes of bastarda type with textura initials. Contemporary Flemish blind panel-stamped calf, each board with the same panel and double and single fillets, a triple fillet in the panel stamp separating the inner and outer panel. The inner is an acorn cresting panel with 4 1/2 acorns on each side and the flowers not attached to the acorns, remnants of leather ties. [12], "297" [= 299], [1] ll. Full description

EUSEBIUS PAMPHILUS. Die Historie diemen heet ecclesiastica ... (&c.). nu ... ouerghesedt in onser duytscher spraken.
Antwerp, Govert van der Haghen, May 1534. Small folio. With the title printed in red and black, set within an elaborate woodcut title border, 12 decorated woodcut initials, and 2 woodcut tailpieces. 17th-century vellum. [6], CLIII, [1 blank] ll. Full description

FABER, Johann and Johann HOST von ROMBERCH (editor). Malleus Joannis fabri doctoris celeberrimi, illustriss. Principis ferdinandi archiducis Austriae etc. à secretis, in haeresim Lutheranam, iam denuo vehemtiori studio et labore recognitus, in tractatus etiam et paragraphos divisus. Adiectus est triplex index.
(Colophon:) Cologne, Johann Soter for Peter Quentel, 1524. Folio. With a woodcut device on the title page, bearing the arms quarterly of Cologne, Angria, Westphalia, and Arnsberg, with an escutcheon of Wied, a crest showing a screen of the arms of Cologne, and two pennons of the cross of Cologne, partly coloured in red and with some woodcut decorated initials throughout.18th-century mottled calf. [12], CLXXVI ll. Full description

[FIOCCO, Andrea Domenico] under the name of Lucius FENESTELLA. De magistratibus, sacerdotiisq[ue] Romanorum libellus, iam primum nitori restitutus. Pomponii Laeti itidem de magistratibus & sacerdotiis, & praeterea de diversis legibus Rom[anorum]. Item Valerii Probi grammatici de literis antiquis opusculum.
Including: POMPONIO LETO, Giulio. De Ro[manorum]. magistratibus, ...
Basel, (colophon: Valentino Curio, May 1523). With the general title in a woodcut border, Curio's large architectural woodcut device on the otherwise blank final page.
With:
(2) LUCIANUS OF SAMOSATA. Complures ... dialogi à Desiderio Erasmo Roterodamo ... in Latinum conversi, & à Nicolao Buscoducensi illustrati, additis Fabularum & difficilium vocabulorum explanationibus.
(Colophon: Antwerp, Michael Hillen van Hoochstraten, 1524).
(3) MOSELLANUS, Petrus (Peter SCHADE). Paedologia ..., in puerorum usum conscripta & aucta. Dialogi XXXVII. Dialogi pueriles Christophori Hegendorphini. XII. ...
Including: HEGENDORF, Christoph. Dialogi pueriles ... XII. ...
(Colophon: Antwerp, Michael Hillen van Hoochstraten, 1523).
3 editions in 1 volume. 8vo (16 x 10.5 cm). Contemporary panel-stamped calf, each board with the same 3 panel stamps: 2 virtually identical panels with 6 animals in 2 grape vines (the animals from head to foot in the left vine: a monkey, dog and wyvern; and in the right vine: a squirrel, hare and lion) in a border of a diaper of quatrefoils in lozenges, the two separated by a small panel stamp sith a peacock, paste-downs made from a leaf from an Aristotle manuscript on vellum. 91, [1]; 26, [2]; [40] ll. Full description

FLAMINIUS, Marcus Antonius. M. Antonii Flaminii in Librum Psalmorum Brevis Explanatio, ad Alexandrum Farnesium Cardinalem amplissimum ...
Antwerp, Christophe Plantin, 1558.
With: (2) FLAMINIUS, Marcus Antonius. M. Antonii Flaminii De Rebus Divinis Carmina ad Margaritam Henrici Gallorum Regis sororem.
Antwerp, Christophe Plantin, 1558.
2 works in 1 volume. 16mo (11.4 x 7.7 cm). With woodcut printer's device on both title pages: "Labore et constantia" and a different one on the verso of the final blank page of the second work: "Christus vera vitis". Ruled in brown/red throughout, 2 decorated initials at the beginning of the first work and 3 in the second work. Contemporary brown leather, gold-stamped frame and ornamental centrepieces on both covers, gold-tooling on spine, gold edges with blind-tooled arabesques. 365, [3]; [24] ll. Full description