Early Printing & Manuscripts (15th & 16th Century)

ALARDUS AMSTELREDAMUS. Selectae similitudines sive collationes, tum ex bibliis sacris, tum ex veterum orthodoxorum commentariis. per ... tomis tribus accurativs concinnatae, plurimum allaturae adiumenti verbi dei concionatoribus, iuxta ac scripturaesacrae tractatoribus.
Lyon, (colophon:) Jean and Francois Frellon, 1543. 8vo. With the title set in a woodcut frame, and some woodcut decorated initials. Contemporary limp overlapping vellum. [48], 304 ll. Full description

ALBERTUS MAGNUS (pseudo). Liber secretorum ... De virtutibus herbarum: & animalium quorundam. Eiusdemq[ue] liber De mirabilibus mundi: & etiam de quibusdam effectibus causatis a quibusdam animalibus &c.
(Colophon: Venice, Johan Baptist Sessa, 12 February 1502). Small 4to (21 x 15.5 cm). With a large woodcut portrait of the author at his desk. Gold-tooled maroon morocco (ca. 1870/90?) for James Carnegie, 9th Earl of Southesk (1827-1905), gilt edges. 16 ll. Full description

ABULCASIS (Abu al-Quasim Khalaf Ibn Al-Abbas). Chirurgicorum omniu[m] primarii, lib. tres.
I. De cauterio cum igne & medicinis acutis per
singula corporis humani membra ...
II. De sectione & perforatione, phlebotomia, & ventosis ...
III. De restauratione & curatione dislocationis me[m]brorum ...
Preceded by: [THEODORUS PRISCIANUS] (mis-attributed to "Octavius HORATIANUS"). Rerum medicarum lib. quatuor ... Per Herma[n]num Comitem a Neüenar, nuper restitutus autor.
Strasbourg, Johannes Schott, 1532 (colophon: 26 February). 2 works in 1 edition. Folio in 6s (32.5 x 21 cm). With a 5-piece woodcut frame on the title page (each side piece with 2 roundels containing a portrait and coat of arms), 8 full-page woodcuts by Hans Wechtlin (ca. 1480-post 1526) and numerous woodcuts in the text. Set in Venetian-style roman types, with 14 mm typographic Roman capitals (probably by Peter Schoeffer the younger) used as initials. Later half sheepskin, with the title in ink on the foot edge. [8], 319, [1 blank] pp. Full description

ALCIATI, Andrea. Emblematum libri duo.
Lyon, Jean de Tournes et Guillaume Gazeau, 1547. 16mo. With a woodcut printer's device on the title page, a variant woodcut printer's device on the verso of the last leaf, and 113 half-page woodcut emblems by Bernard Salomon. 19th-century gold-tooled orange morocco by Marcellin II Lortic in Paris, with the author, title, and imprint lettered in gold on the spine, the gilt armorial supralibros of the Prince d'Essling in the centre on both sides, and his initials "VM" on the spine, gold-tooled board edges and turn-ins, gilt edges, marbled end papers. 143, [1] pp. Full description

ALCIATO, Andrea. Los emblemas ... traducidos en rhimas Españolas. ...
Lyon, Guillaume Rouille [printed by Macé Bonhomme], 1549. 8vo (18.5 x 12.5 cm). With an elaborate woodcut architectural frame; 210 emblems (200 with woodcuts); nearly every page in one of about 34 different richly decorated woodcut frames. Early 18th-century (Spanish?) sheepskin parchment. 256, [6] pp. Full description

ALGERUS and Desiderius ERASMUS (editor). De veritate corporis & sanguinis d[ominici in Eucharistia, cum refutatione diversaru[m] circa hoc haereseon, opus pium iuxta ac doctum ...
Cologne, [Jaspar von Gennep] Peter Quentel, August 1535.
With (bound before ad 1):
VIGILIUS. Opera ...
Including: CASSANDER, Georg. Commentarius de duabus in Christo naturis ...
Cologne, Arnold Birckman, 1555. 2 works in 1 volume, ad 1 in 2 parts. 8vo. With an elaborate woodcut border on the title page of ad 1, several decorated woodcut initials, and a Quentels woodcut printers device at the end. Limp overlapping vellum with ties. 255 pp.; [16], 143, [1 blank]; 52 ll. Full description

APHTHONIUS of Antioch; Rodolphus AGRICOLA and Giovanni Maria CATANEO (translators). Aphthonii sophistae progymnasmata. Partim à Rodolpho Agricola, partim à Ioanne Maria Catanaeo latinitate donata. Cum luculentis & vtilibus in eadem Scholiis Reinhardi Lorichii Hadamarii. Nunc verò omnia multò quàm antea & emendatiora & meliori artificio disposita.
Paris, Gilles Gourbin, 1580. 16mo in 8s. With a woodcut printer's device on the title-page, 3 woodcut headpieces in the beginning of the work, and 9 decorated woodcut initials throughout. 17th-century limp vellum. [12], 259, [3 blank] ll. Full description

APIANUS, Petrus. Inscriptiones sacrosanctae vetustatis non illae quidem Romanae, sed totius fere orbis summo studio ac maximis impensis Terra Marique conquistae feliciter incipiunt.
Ingolstadt, Petrus Apianus, 1534. Folio (21 x 29.5 cm). With title-page printed in red and black, large emblematic woodcut after Albrecht Dürer (hand-coloured and highlighted with gold ca. 1730), woodcut coat of arms of Raimund Fugger (hand-coloured and highlighted with gold), 184 woodcut illustrations and 7 large woodcut initials. Nearly every page framed by 4 woodcut decorative border strips (several varieties). Contemporary vellum. [40], CCCCCXII, [8] pp. Full description

ARATOR. Acta Apostolica, carmine heroico descripta.
Antwerp, Joannes Grapheus, 1535 (title 1534). 8vo. Old boards. (48) ll. Full description

ARATOR. Acta apostolica, carmine heroico descripta.
(Colophon: Antwerp, Joannes Grapheus), 1534 (impressum: 1535). 8vo (15.2 x 9.7 cm). With the title on the verso of leaf 24 underlined in red ink and the accompanying initial also coloured in red. Modern half brown calf. [48] ll. Full description