Europe

[MANUSCRIPT - PRAYERBOOK]. [1st rubric:] Form zu betten unser liebe[n] frawen mantel, Gebet. [incipit:] Cegrüest seiestu o süesse aller heiligste junckfraw maria ...
[Ravensburg?], [ca. 1670]. Small 16mo in 8s (10 x 8.5 x 4 cm; leaf: 9 x 7.5 cm). German manuscript in red and black ink on paper, written in an upright, semi-cursive gothic hand, with so-called lombardic initials in red, rubricated throughout. With 11 lines per page, text block 7 x 5.5 cm. Contemporary blind-tooled pigskin over bevelled wooden (beechwood?) boards, sewn on 3 double supports, In total more than 100 impressions of about 9 stamps. Further with 2 strap fastenings with brass clasps (each with an owners(?) stamp: 1.5 mm roman capital initials "LH" above a 3 mm head in profile, facing right), catchplates and anchor plates, plain headbands, blue edges. With 27 mm roman capital initials "BR" in brown ink on the foot edge. [423], [3 blank] pp. plus 3 endleaves at the front and 5 at the back. Full description

[MANUSCRIPT - SPANISH - Vincent MORALES]. Compendio de la exemplar vida, y santa muerte, [d]el p[adre] Juan de S[an]tiago...
[Córdoba?], ca. 1770. 8vo. With a large engraving of Juan de Santiago on the second leaf and a pen drawing on page 102. Contemporary limp parchment. [4], "159" [= 162] pp. Full description

[MAP - CENTRAL EUROPE]. DANCKERTS, Justus. Accuratissima Germaniae tabula.
Amsterdam, Justus Dankerts, [before 1701]. Engraved map (48.5 x 57.5 cm) on a sheet of laid paper (51.5 x 61 cm), coloured in outline in a contemporary hand, with the title in an illustrated cartouche at the upper left, and a scale at the lower right (ca. 1:2,400,000). Full description

MAPPUS, Marcus and Johan Christian EHRMANN (editor). Historia plantarum alsaticarum.
Strasbourg and Amsterdam, Johann Daniel Dulsecker and Pieter Mortier, 1742. 4to. With 7 folding copper-engraved plates of plants, an engraved printer's device on the title-page, an engraved coat-of-arms of François-Joseph de Klinglin, baron de Hattstatt etc. as a headpiece above the dedication, 3 woodcut initials, a headpiece made up of typographical ornaments at the start of the main text and the index, a woodcut tailpiece at the end of the main text, and the title-page is printed in red and black. Contemporary gold-tooled, mottled, polished calf. [8], 335, [32] pp. Full description

[MAP - PYRENEES]. SANSON, Nicolas. Les Monts Pyrenées, ou sont remarqués les Passages de France en Espagne.
Paris, Hubert Jaillot, 1719. Engraved map on 2 assembled sheets (54.5 x 88 cm). With title in decorated cartouche (signed F.C.) in upper right corner and scalebars in decorated cartouche in the lower left corner. Coloured in outline. Full description

[LAFRERI - DUCHETTI - FLORINI - MAPS AND ENGRAVINGS - ITALY]. [Large album with 16th-century maps and engravings of Italy].
[Italy, late 16th and early 17th century]. Large oblong folio (ca. 59 x 42.3 cm). With 76 full-page engravings, and 12 full-page etchings. 17th-century gold-tooled brown calf, sewn on 6 supports with the corresponding raised bands on the spine, a red morocco title label on the spine with the title "Novissim[a] urbis Romae descript[io]" lettered in gold, gold-tooled board edges. Full description

[MAP - SPAIN & PORTUGAL]. SANSON, Nicolas. l'Espagne divisée en tous ses royaumes et principautés suivant qu'ils sont compris sous les Couronnes de Castille et d'Aragon, possedees par le Roy Catholique et sous la couronne de Portugal possedee par le Roy de Portugal.
Paris, Hubert Jaillot, [1708]. Engraved map on 2 assembled sheets (55.5 x 78 cm), engraved by Cordier. With title in decorated cartouche on the bottom right corner, scales and privilege in decorated cartouche on the bottom left corner, and a few lines coloured in green. Full description

[MARCHE, Olivier de La] and Hernando de ACUÑA (translator). El cavallero determinado, traduzido de lengua Francesa en Castellana por Don Hernando Acuña.
Antwerp, Officina Plantiniana (the widow of Plantin, Jeanne Rivière and Jean Moretus), 1591. 8vo. With an etched vignette on the title page, 20 full-page etchings, a full-page printer's device at the end, decorated woodcut initials, and woodcut tailpieces. Late 18th- or early 19th-century diced and blind-tooled red morocco, with the title and author lettered in gold on the spine, with an almond shaped ornament in the center of both boards, surrounded by two fillet frames, blind tooled board edges and turn-ins, marbled end papers. [32], 208, [5], [3 blank] pp. Full description

MARCHESE, Duca Annibale. Tragedie Cristiane.
Naples, Felice Mosca, 1729. 2 volumes in 1. Large 8vo. With two title-pages in red and black, an engraved frontispiece by Jeremias Jakob Sedelmayr after Francesco Solimena, an engraved author's portrait by Antonio Baldi and 11 engraved plates by Sedelmayr and Baldi after Solimena, accompanying the 10 tragedies and the dedication. Also with some engraved initials, woodcut tailpieces and 40 pages of engraved polyphonic music for the choruses. Contemporary gold-tooled brown goatskin morocco, gilt and gauffered edges with an intricate fore-edge painting, incorporating both a closed and fanned design for the fore-edge. The head and foot edges are painted with floral and botanical designs. [4], [16], 502; [4], 504, [2]; pp. plus 40 pp. of engraved music. Full description

MARTENS, Friedrich. Viaggio di Spizberga o' Gronlanda fatto da Federico Martens Amburghese l' anno 1671...
Bologna, Giacomo Monti, 1680. 12mo. With 2 folding engraved plates and 3 woodcut illustrations. Contemporary limp parchment. 264 pp. Full description