Europe / Italy

MANETTI, Saverio. Delle specie diverse di frumento e di pane siccome della panizzazione.
Florence, Moücke f. Giovacchino Pagani, 1765. 4to. Bound in contemporary 'carta rustica', faded manuscript title to spine. (8), 237, (3) pp. Full description

[MANUSCRIPT - ARABIC - DICTIONARY]. [Vocabularium Italico-Arabicum]. Arabic-Italian dictionary.
[Probably Egypt, ca. 1770]. 4to (ca. 17 x 22 cm). Arabic and Italian manuscript on paper, 19 lines per extensum, paginated throughout from right to left. Near-contemporary brown leather with a blind-stamped oriental rosette as a center piece and similar style corner pieces on both boards, a (partial) manuscript title label on the spine. 494 pp. Full description

[MANUSCRIPT - SERVICE BOOK - DIVINE OFFICES]. Ordine da osservarsi nell'oratorio di Santa Maria di Passione, circa gli Essercicii Spirituali delle feste cavato dalla Regola maggiore.
[Milan], [18th-century]. Folio (27,5 x 18,5 cm). With 5 full-page and 2 half-page, hand-painted religious illustrations and 9 hand-painted initials on a blue background, heightened with gold and silver. 18th-century gold- and blind-tooled parchment, each board with a blind ornamental centre-piece ornament in a blind-tooled frame, in a larger frame of gold fillets, with a gold flower in each of the 6 spine compartments. [1 blank], [1], 66 pp. Full description

[LAFRERI - DUCHETTI - FLORINI - MAPS AND ENGRAVINGS - ITALY]. [Large album with 16th-century maps and engravings of Italy].
[Italy, late 16th and early 17th century]. Large oblong folio (ca. 59 x 42.3 cm). With 76 full-page engravings, and 12 full-page etchings. 17th-century gold-tooled brown calf, sewn on 6 supports with the corresponding raised bands on the spine, a red morocco title label on the spine with the title "Novissim[a] urbis Romae descript[io]" lettered in gold, gold-tooled board edges. Full description

MARCHESE, Duca Annibale. Tragedie Cristiane.
Naples, Felice Mosca, 1729. 2 volumes in 1. Large 8vo. With two title-pages in red and black, an engraved frontispiece by Jeremias Jakob Sedelmayr after Francesco Solimena, an engraved author's portrait by Antonio Baldi and 11 engraved plates by Sedelmayr and Baldi after Solimena, accompanying the 10 tragedies and the dedication. Also with some engraved initials, woodcut tailpieces and 40 pages of engraved polyphonic music for the choruses. Contemporary gold-tooled brown goatskin morocco, gilt and gauffered edges with an intricate fore-edge painting, incorporating both a closed and fanned design for the fore-edge. The head and foot edges are painted with floral and botanical designs. [4], [16], 502; [4], 504, [2]; pp. plus 40 pp. of engraved music. Full description

MAU, August. Geschichte der decorativen Wandmalerei in Pompeji ... Mit 20 Tafeln in einer Mappe.
Berlin, G. Reimer, 1882. 1 text volume & 1 portfolio with plates. 8vo (text volume) and 1mo (plates portfolio 53 x 43 cm). With 20 large numbered plates showing Pompeii wall paintings in situ, mounted on card stock, loose in a separate portfolio with letterpress title-leaf and contents leaf: 9 sepia collotypes (21 x 16 to 26.5 x 24.5 cm) and 11 chromolithographs (21.5 x 19 to 37 x 36 cm), no. 18 actually comprising 7 small chromolithographs on 1 card, each plate with a letterpress label on the back; and 7 black and white floor plans in the text. Contemporary half sheepskin parchment (text); contemporary blue half cloth portfolio (plates). XII, 462 pp. Full description

MAZZELLA, Scipione. Sito, et antichita della citta di Pozzuolo, e del suo amenissimo distretto ...
Naples, Tarquinio Longo for Giorgio Varisco (part 1) and Bartholomeo Carampello (part 2), 1606. 2 parts in 1 volume. Small 8vo (15 x 10 cm). With 3 title-pages, a large folding woodcut map with letterpress title and text (the woodcut itself 17 x 24.5 cm) showing Pozzolo and the surrounding area (omitted in some copies), 15 woodcut illustrations (plus 4 repeats) in text. 17th-century limp sheepskin parchment. [16], 284, [4], 103, [1 blank] pp. Full description

MECHELEN, Hans van. Perill[ust]ri. ac reverend[issimo]. d[omi]no D. Michaeli Ophovio ex. ord. praedic. Episcopo Buscoducensi S. Dominicum Gusmannum eiusdem ordinis fundatorem D.D.
[Antwerp], Hans van Mechelen, [ca. 1629]. 24mo (11 x 7 x 0.6 cm). Wholly engraved print series printed on vellum, comprising an engraved title page and 12 engraved scenes from the life of Saint Dominic. The title page cartouche and all 12 scenes coloured by a 17th-century hand and highlighted in gold. 17th-century richly gold-tooled armorial black morocco, each board with a Lante della Rovere coat of arms, gold-tooled board edges. [I], [12] ll. Full description

MEERBEECK, Adriaen van. Neder-landtschen Mercurius oft waerachtich verhael vande geschiedenissen van Nederlandt, ende oock van Duytschlandt, Spaengien, Italien, Vrankrijck ende Turckijen. Sedert den iare 1620. tot 1625.
Brussel, Ian van Meerbeeck, 1625. 3 parts in 1 volume. 4to. With an engraved vignette on the title page. 19th-century quarter brown calf, with a brown paper title label on the spine, lettered in gold, marbled paper sides. [8], 156; [4], 192; [4], 40, 18, 73, [1 blank], 8, [16] pp. Full description

MEYER, Jacques de. Compendium chronicorum Flandriae, per Iacobum Meyerum Balliolanum. Opus nunc recens aeditum, anno M.D.XXXVIII. Norimbergae apud Io. Petrium.
Neurenberg, Johannus Petreius, 1538. 2 works in 1 volume. 4to. With a woodcut printers device on the title page of each work, and 33 decorated woodcut initials (2 in ad 1, 31 in ad 2). With: PANORMITA, Antonius (Antonio BECCADELLI). De dictis et factis Alphonsi Regis Aragonum libri quattuor. Commentarium in eosdem Aeneae Sylvii quo capitatim cum Alphonsinis contendit. Adiecta sunt singulis libris Scholia per Iacobum Spiegelium.
Basel, Ex officina Hervagiana (Joannes Hervagius & Joannes Erasmus Froben), 1538.
Contemporary panel-stamped calf, sewn on 4 supports with the corresponding raised bands on the spine, blind-tooled diagonal cross-hatching in the top and bottom compartment, a central panel on both boards (measuring 156 x 93 mm) with acorns on branches, surrounded by a floral border with acorns and wyverns, and an escutcheon at the bottom, the titles written in a humanistic hand at the top of the front board and on the fore edge, remnants of closing ties. [14], 134 ll; [8], 1-125, 226-299, 100-108, 209-212, 203, 213-214, 214-216, 117, 218-230, 221-278 [=282], [2] pp. Full description