Highlights

[CHARRIÈRE, Isabelle de (Belle van ZUYLEN)]. Considération sur l'affaire des canoniers[!] français ...
[Switzerland?], 1787. 8vo. With a woodcut vignette on the title page, a woodcut headpiece, and 4 woodcut tailpieces. Disbound. "35" [= 31] pp. Full description

CORDES, Jan Willem Hugo. In Oranje's lusthof. Wandeligen in het Koninklijk park van het Loo.
Apeldoorn, T.D.H. Pull, [1895]. Small 4to. 19th-century gold-tooled black sheepskin. [8], 64 pp. Full description

CROLL, Oswald. Basilica chymica oder alchymistisch königlich Kleynod: ein philosophisch durch sein selbst eigne Erfahrung confirmirte und bestättigte Beschreibung und Gebrauch der aller fürtrefflichsten chimischen Artzneyen so auss dem Liecht der Gnaden und Natur genommen in sich begreiffent. Beneben angehengtem seinem newen Tractat von den innerlichen Signaturn oder Zeichen der Dinge.
Frankfurt am Main, printed by Caspar Rötel for Gottfried Tampach, [1629]. 2 parts in 1 volume. 4to (ca. 21.5 x 16.5 cm). With a richly engraved title page designed by Aegidius Sadeler, with circular alchemical diagrams at the top and below (the one below surrounded by alchemical equipment) and portraits of 6 famous alchemists in oval scrollwork cartouches (3 on either side), further with 5 small woodcut illustrations in the text (depicting alchemical instruments). All text is set within a printed single or double fillet frame. Contemporary blind-tooled vellum. [8], 248, [15], [1 blank]; 72, [7], [1 blank] pp. Full description

DALRYMPLE, Alexander. The Spanish pretensions fairly discussed.
London, printed by George Bigg, sold by P. Elmsly and J. Stockdale, [1790]. 8vo. Disbound, kept in a plastic folder. 19, [1 blank] pp. Full description

[DANCKERTS, ALLARD, VISSCHER, DE WIT, MORTIER and others]. Atlas.
[Amsterdam, Theodorus and Cornelis III Danckerts?, ca. 1706 (dated maps 1694-1706)]. Imperial folio (53.5 x 33.5 cm). Composite atlas, with an engraved title-page, 43 double-page engraved maps and 4 double-page engraved tables, all beautifully coloured in a consistent and balanced manner by a contemporary hand, probably in the workshop of the publisher. With maps by Johannes, Justus, Theodorus and Cornelis III Danckerts, Carel and Abraham Allard, Nicolaas Visscher I & II, Frederik de Wit, Pieter Mortier, Caspar Specht and even Alexis-Hubert Jaillot in Paris. Modern maroon sheepskin. Full description

DAUMIER, Honoré. Primo saignare, deinde purgare, postea clysterium donare.
[Paris], Aubert, [1833]. Ca. 36 x 56.2 cm. Under a white and gold passe-partout, framed in a dark reddish brown wooden frame (ca. 54 x 66.5 cm). Full description

DINOTH, Richard. De bello civili Belgico libri VI.
Basel, Conrad Waldkirch, 1586. 4to. With a woodcut printer's device on the title-page and at the end of the work, 7 decorated woodcut initials, 5 tailpieces and 1 headpiece made up of typographical ornaments. (Near-) contemporary overlapping vellum with the manuscript title on the spine, sewn on 4 supports laced through the joints. [8], 456, [8] pp. Full description

DIONYSIUS CARTHUSIENSIS (Denys van Rijkel). Tractat[us] de co[n]versione peccatoris.
(Colophon: Amsterdam, [Doen Pietersz or Pieter Jansz Tyebaut], for Johannes, priest at Leiderdorp), [ca. 1520]. 8vo. With a full-page woodcut of the resurrection of the dead and a half-page woodcut of the temptation of Christ by the devil in the desert. Modern blind-tooled vellum. [56] ll. Full description

DUHAMEL DE MONCEAU, Henri Louis. Traité de la culture des terres, suivant les principes de M. Tull, Anglois.
Paris, Hyppolite-Louis Guerin and Louis-François Delatour, 1753-1761. 6 volumes. 12mo. With 41 folding plates, and a table in the text. Uniformly bound in contemporary gold-tooled marbled calf. Full description

[DUMAS, Antoine-Joseph]. L'art de la musique enseigné et pratiqué par la nouvelle methode du bureau typographique.
Paris, Sr. Auguste [for the author], [1753]. Large oblong 4to (26 x 33.5 cm). Wholly engraved, including an engraved title-page, two-page engraved dedication, a double-page folding engraved musical table ("Elémens de la musique. Plan général du bureau typographique musical") and 427 engraved text pages by Mademoiselle Vandôme. Contemporary gold-tooled dark green (goatskin) morocco, richly gold-tooled spine with red morocco title label, gold-tooled boards with the coat of arms of Louis-Philippe d'Orléans (1725-1785) on both sides, gold-tooled board edges and turn-ins, pink silk endleaves, gilt edges (attributed to Jean-Charles-Henri Lemonnier). [4], 12-427, [1 blank]; 11, [1 blank] pp. Full description