Highlights

AESOP Les fables d'Esope phrigien, avec celles de Philelphe. Traduction nouvelle, enriche de discours moraux & historiques, & de quatrains à la fin de chaque discours. On a joint à cette nouvelle traduction les Fables diverses de Gabrias, d'Avienus, & Les contes d'Esope.
A Amsterdam, Chez Pierre Mortier, 1708. Two parts in one volume, 12mo. With an engraved frontispiece showing Aesop standing on a gallery holding an armillary sphere, hunting horn and spear, surrounded by a mixed crowd (including children), with a group of wild and domestic animals standing and lying below, 117 half-page engravings (6,5 x 8 cm) for the 117 numbered Aesop fables, initials, endpieces. Marbled half-morocco binding. [12], 297, [7], [4], 287, [5] pp. Full description

ALCIATI, Andrea. Emblematum libri duo.
Lyon, Jean de Tournes et Guillaume Gazeau, 1547. 16mo. With a woodcut printer's device on the title page, a variant woodcut printer's device on the verso of the last leaf, and 113 half-page woodcut emblems by Bernard Salomon. 19th-century gold-tooled orange morocco by Marcellin II Lortic in Paris, with the author, title, and imprint lettered in gold on the spine, the gilt armorial supralibros of the Prince d'Essling in the centre on both sides, and his initials "VM" on the spine, gold-tooled board edges and turn-ins, gilt edges, marbled end papers. 143, [1] pp. Full description

AMPZING, Samuel [and Petrus SCRIVERIUS]. Beschryvinge ende lof der stad Haerlem in Holland: in rijm bearbeyd ...
Including: SCRIVERIUS, Petrus. Laure-Crans voor Laurens Coster van Haerlem, eerste vinder vande boeck-druckery.
Haarlem, Adriaen Rooman, 1628. 2 parts in 1 volume. 4to. Ad 1: With an allegorical frontispiece, 16 engraved plates, and a printer's device on the final page, the text is printed in roman, gothic and civilité type. Ad 2: With a woodcut printers device on the title page, a full-page engraved portrait, and a full-page engraved plate of the first printing office in Haarlem. Contemporary gold- and blind-tooled overlapping vellum, gold-tooled oval coat of arms of Haarlem in the centre of both boards, surrounded by a blind-tooled single fillet frame, green closing ties, red sprinkled edges. [88], 520, [8]; 1-5, [3], 9, 6-124 pp. Full description

[ARGUELLES, Diego and Antonio LOPEZ DE SANTA ANNA]. Aprobacion del plan de Republica popular federativa, proclamado por el ciudadano General Santana en San Luis Potosi el cinco de Junio del año pasado.
Mexico [= Mexico City], imprenta de Tomas W. Lorrain, 1824. Small 4to (ca. 21.5 x 16 cm). Disbound, the leaves are held together with glue. 16 pp. Full description

BAÏF, Lazare de and [Charles ESTIENNE (editor)]. De re vestiaria libellus, ex Bayfio decerptus: addita vulgaris linguae interpretatione, in adolescentulorum gratiam atq[ue] utilitatem.
Lyon, Sebastian Gryphius, 1539. 4 works in 1 volume. 8vo. With a woodcut printer's device on the title-page and final page of the first 3 works, each work with a decorated woodcut initial. With: (2) IDEM. De vasculis libellus.
Idem.
(3) ESTIENNE, Charles. De re hortensi libellus.
Idem.
(4) SENALUS [= CENEAU], Robert. De vera mensurarum ponderumque ratione.
Paris, Ioannes Roigny, 1535.

Later vellum, with a brown morocco label on the spine with the author and title lettered in gold, red sprinkled edges. 65, [11], [3 blank], [1]; 54, [7], [2 blank], [1]; 97, [15] pp.; [18], 119, [1 blank] ll. Full description

BECCARIA, Giambatista. Dell' elettricismo artificiale, e naturale libri due.
Torino, Filippo Antonio Campana, 1753. 4to. With a woodcut printer's device on the title-page, 6 decorated woodcut initials, 8 headpieces (3 woodcut, 5 made up of typographical ornaments), and 3 woodcut tailpieces. Contemporary gold-tooled mottled calf. [8], 245, [1] pp. Full description

[BEVIER, B.]. [Portfolio with vivid portraits of famous painters and illustrations based on famous works of art].
[France or Belgium?], 1809-1811. Portfolio: ca. 75.5 x 60 cm. With 15 large format portraits (all 65.5 x 48 cm. except the last portrait: 49 x 38 cm), executed in chalk and colour, all signed by the artist "B. Bevier" and dated between 1809 and 1811. All manuscript captions are written by the same hand in brown ink. All portraits are mounted on otherwise blank leaves in a large portfolio. Later half calf. [1 blank], [15] ll. Full description

[BRANDT, Gerard]. Historie der vermaerde zee- en koop-stadt Enkhuisen, vervaetende haere herkomste, en voortgangh. Mitsgaders verscheide gedenkwaerdige geschiedenissen, aldaer voorgevallen.
Enkhuizen, Egbert van den Hoof, 1666. 4to. With the woodcut coat of arms of Enkhuizen on the title page, an engraved allegorical frontispiece by H. Bary, 5 full-page engraved portraits by H. Bary, a large folding plan of Enkhuizen after design by O. Suermondt, and a large folding plate with 31 coats of arms of the members of the city council. Contemporary sheepskin parchment. [12], 207, [1], 167, [1 blank], [16] pp. Full description

[COLLAERT, Adriaen?]. [The five senses:] Visus ... Gustus ... Tactus ... Olfactus ... Auditus.
Antwerp, Jan Adriaensz. Collaert, [ca. 1618/28]. Large 24mo(?) album (14.5 x 10.5 cm). A complete series of 5 engraved prints on vellum (13 x 8.5 cm; oval image 10 x 7.5 cm) each illustrating one of the five senses with a female figure. Richly and very beautifully coloured by a contemporary hand, in colour gouaches (red, blue, purple and green), extensively highlighted with gold. Each print mounted on a paper leaf in a small album. Green silk (ca. 1820?) over flexible boards. [5] engraved ll. Full description

[DECREE - MEXICO]. [In upper left corner:] 1a. Secretaria de estado. Seccion de Gobierno.
Mexico, 21 December 1822. Ca. 31.5 x 21.5 cm. [2] ll. Full description