History, Law & Philosophy / Archaeology

ULPIANUS of Emesa and Valerius HARPOCRATION. Commentarioli in olynthiacas, philippicasque Demosthenis orationes. Enarrationes saneque necessariae in tredecim orationes Demosthenis. ...Dictionarium decem Rhetorum. [preceded by the titles in Greek].
(Colophon: Venice, heirs of Aldus Manutius, and his father-in-law Andrea Torresano dAsola [& sons], June) 1527. Folio (31 x 21 cm). With Aldus's famous woodcut dolphin device on the title-page and an older but very similar version on the verso of the otherwise blank last leaf. Set in Greek type (the Upianus in 1 column; the Harpokation in 2 columns) with incidental roman. Recased in 18th-century vellum over flexible boards. 119, [1] ll. Full description

VALERIANI, Domenico and Girolamo SEGATO. Nuova illustrazione istorico-monumentale del basso e dell'alto Egitto.
Including: Atlante monumentale del basso e dell'alto Egitto.
Florence, Paolo Fumagalli, 1836-1837 (text) & 1837-1841 (plates). 2 text volumes (8vo) and 2 plates volumes (large folio). With an engraved portrait of Segato as frontispiece in the first text volume and the plate volumes with 160 engraved and aquatint plates (7 double-page), including 51 tinted and/or coloured by a contemporary hand; many plates contain multiple illustrations, making 309 illustrations in total. Contemporary green (text vols.) and brown (plates vols.) half morocco. [2], 491, [1 blank], [4]; 788, [6] pp. text. Full description

VALERIUS MAXIMUS. Dictorum factorumq[ue] memorabilium exempla. adjecto indice propriorum nominum rerumq[ue] memoria dignarum locupletissimo
Antwerp, Joannes Grapheus for Joannes Steelsius, 1535. 8vo (14.6 x 9.1 cm). With a woodcut title frame, and a woodcut illustration incorporating Steelsius' device at the end. Old half vellum. 237, [11] ll. Full description

VIRGILIUS MARO, Publius. Codex antiquissimus a Rufio Turcio Aproniano V.C. distinctus et emendatus qui nunc Florentiae in Bibliotheca Mediceo-Laurentiana adservatur bono publico typis descriptus anno MDCCXLI.
Florence, Typis Mannianis (the printer Joseph and his son Domenico Maria Manni), [1741]. 4to (25.5 x 18 cm). With an engraved dedication by the editor Pietro Francesco Fogginio to the members of the prestigious Académie Royale des inscriptions et beaux-arts as a frontispiece, an engraved vignette on the title page (a portrait of Virgil holding a mask) engraved by "Sarder ex Mus. Medic.". An engraved illustration of Virgil as a headpiece at the start of the text, engraved after the portrait in one of the two other late antique Virgil manuscripts: the Virgilius Romanus in the Vatican library (Cod. Vat. 3867). Further with a beautiful engraved historiated initial on the same page; engraved specimen of three lines of the manuscript (13 x 3 cm) on p. XV; and two tailpieces (on pp. XVI and 459). The text is printed in red and black (the title page, the first lines and corrections in the text). Contemporary gold-tooled red morocco. [4], XXXVI, 459 pp. Full description

VIRGILIUS MARO, Publius. Opera. Vol. I.
London, John Pine, 1755 [= actually some years later]. 8vo. With 2 different vignettes on the otherwise identical engraved title pages, an engraved frontispiece with a figure of the muse Euterpe, 2 engraved dedication leaves with vignettes, 1 folding and 49 full-page engraved plates on 39 leaves (11 of the leaves with a plate on each side), 31 engraved half-page plates and historiated head- and tailpieces, engraved historiated and decorated initials. Some of the images are derived from the illustrations in the Codex Vaticanus, a 5th-century codex containing the works of Virgil. Late-19th-century gold-tooled crushed red morocco, bound by the famous partnership of René Chambolle (1834-1898) and Hippolyte Duru (1803-1898) (with their names gold-stamped in the bottom front turn-in). The boards show a double fillet frame with detailed, ornate flowers and vines along the inside of the frame, with the author, title, and imprint lettered in gold on the gold-tooled spine, gold-tooled board edges and turn-ins, gilt top edge, marbled endpapers. The binding can be dated between 1861 and ca. 1870, the heyday of the Chambolle-Duru partnership representing the high level of the Golden Age of French bibliophile binding. [8], XV, [2], 144, [6] pp. Full description

VOGÜÉ, Melchior de. Syrie centrale. Inscriptions sémitiques publiées avec traduction et commentaire.
Paris, J. Baudry, 1868. Folio With 16 plates reproducing inscriptions, plates 1-4, 6, 7, 12, 14 and 15 are engravings and plates 5, 8-11, 13 and 16 are lithographs. All are after drawings by Melchior de Vogüé and all except no. 12 were engraved or lithographed by E. Roussaux and printed by J. Grandjean in Paris. Plate no. 12 was engraved by L. Dardel and printed by Lamoureux in Paris. With additional illustrations in the text and parts of the text in Hebrew, Arabic, and Greek type. Modern half calf, marbled boards, silver lettering on spine. [4], II, [2], 132 pp. Full description

WAD, Gregers. Fossilia Aegyptiaca Musei Borgiani Velitris.
Velletri, 1794. 4to. Contemporary boards. VIII, 32 pp. Full description