History, Law & Philosophy / Archaeology & Classical Antiquity

CARTARI, Vincenzo [& Antoine du VERDIER]. Imagines deorum, qui ab antiquis colebantur: in quibus simulacra, ritus, caerimoniae, magnaque, ex parte veterum religio explicatur: olim a Vincentio Chartario Rhegiensi ex variis auctoribus in unum collectae, atque in Italica lingua expositae: nunc vero ad communem omnium utilitatem Latino sermone ab Ant. Verderio domino Vallisprivatae, &c. expressae, atque in meliorem ordinem digestae. Quibus acc. duo indices: prior, imaginum: posterior, rerum atque verborum, quae toto libro continentur.
Lyons, Etienne Michel (colophon: printed by Guichard Julliéron), 1581 (colophon: August). 4to. With Michel's woodcut publishers device on the title-page (an Ottoman man and a fruit tree with motto "virtutes sibi invicem adhaerent"), a full-page woodcut portrait of Antoine du Verdier, a small woodcut illustration and 89 beautiful large woodcuts (13 x 9.5 cm) of classical mythological gods and heroes in the text. Modern sheepskin parchmen. [8], 359, [57] pp. Full description

[CASSAS, Louis Francois]. [View of the Taormina theatre ruins (Sicily) with Mount Etna in the distance].
[Sicily or Paris], [ca. 1781 or somewhat later?]. 46 x 81 cm (frame 85 x 128 cm). Watercolour with pencil outlines and highlighted with white, laid in on paper pasted on wood.With a later blue and gold passe-partout in a contemporary gilt frame. Full description

CATULLUS, Gaius Valerius and Marc-Antoine MURET. [Carmina]. Catullus, et in eum commentarius M. Antonii Mureti.
Venice, Paulus Manutius, 1554. 8vo. With Aldus's woodcut device on the title-page, repeated on the verso of the otherwise blank final leaf, and spaces with guide letters left for 2 5-line and about 60 3-line manuscript initials (not filled in). Set in an Aldine italic (with upright capitals) with occasional words (mostly names) in roman and frequent passages in Greek. Gold-tooled mottled calf (ca. 1700). [4], "134" [= 136], [2] ll. Full description

CATULLUS, Gaius Valerius; Albius TIBULLUS; Sextus PROPERTIUS (Hieronymus AVANTIUS, ed.). [Opera]. Catullus. Tibullus. Propertius.
[colophon:] Venice, Aldo I Manuzio, January 1502. 8vo. With more than 100 spaces (2 8-line, 6 6-line and the rest 2-line) with guide letters left for manuscript initials, none filled in. Set in Alduss italic type (with upright capitals) throughout, the first italic printing type, first used in 1501, with titles, headings, running heads, etc. set in the capitals of the same type, with an occasional word of Greek in the text. Gold-tooled, green long-grained sheepskin (vertical grain) (ca. 1800). [152] ll. Full description

CATULLUS, Gaius Valerius; Albius TIBULLUS; Sextus PROPERTIUS (Hieronymus AVANTIUS, ed.). [Opera]. Catullus. Tibullus. Propertius.
[colophon:] Venice, the heirs of Aldo I Manuzio & Andrea I Torresano, March 1515. 8vo. With Aldos woodcut anker and dolphin device on the title-page and on the verso of the last leaf, each flanked by "AL ... DVS" in letterpress capitals. Set in Aldos italic type (with upright capitals), the first italic printing type. Blind-tooled brown goatskin morocco (early 20th-century) by the Paris bookbinder G. Vignal (active ca. 1890-ca. 1930), signed with a blind stamp in the foot of the front turn-in ("G. VIGNAL REL. DOR.". 148, [2] ll. Full description

CATULLUS, TIBULLUS & PROPERTIUS. Catullus, Tibullus et Propertius, pristino nitori restituti, & ad optima exemplaria emendati, cum fragmentis C. Gallo inscriptis.
Paris, J. Barbou, 1754. 3 parts. 12mo. Each part with its own title-page and engraved frontispiece. 19th-century brown morocco, double fillets in gold on the board edges, richly gold-tooled turn-ins, gilt edges. XVI, 96, [2], 97-168, [2], 169-344 pp. Full description

CHOUL, Guillaume du. Discorso ... Sopra la castrametatione & bagni antiche i Greci & Romani. Nivamente revisto & ricorretto dallistesso Auttore. Con laggiunta della figura del campo Romano.
[Padua], Marc Antonio Olmo, 1558. 8vo. The word "Discorso" printed in woodcut border at the top of the title-page, with woodcut printers device: an elm with the words: "Ulmus amica viti" (the elm is friendly for vines). With 43 full-page woodcuts (ca. 11 x 7.5 cm), a large folding woodcut plate in two leaves (as issued, in total ca. 40.5 x 36 cm) of a plan of a Roman camp: "Figura del Campo de Romani", and 2 large historiated woodcut initials of 10 lines and 3 capital spaces with guide letters for initials of 5 lines. Modern vellum. 80, [4] ll. Full description

CLAUDIANUS, Claudius and Francisco TORRESANO (editor). Opera quam diligentissime castigata, quorum indicem in sequenti pagina reperies.
Venice, heirs of Aldus I Manutius, and Andrea I Torresano, 1523. 8vo. With the Aldus anchor woodcut vignette on the title page and the verso of the last leaf, both hand-coloured and highlighted in gold. 17th-century gold-tooled quarter calf, with the author lettered in gold on the spine, 18th-century gold-tooled polished and sprinkled calf sides, red sprinkled edges. 176 ll. Full description

CURTIUS RUFUS, Quintus. Quintus Curtius. [De rebus Alexandri Regis Macedonum libri III-X.]
Venice, heirs of Aldo I Manuzio & Andrea I Torresano, July 1520. 8vo. With Aldos woodcut anchor and dolphin device on the title-page, repeated on the verso of the otherwise blank last leaf (each with letterpress "AL ... DUS" flanking the device). Set in Aldos famous italic (with upright capitals), the worlds first italic printing type, first used in 1501. Richly blind-tooled brown goatskin morocco (early 20th-century with the older bookplate moved to the new paste-down?). [8], 170, [2] ll. Full description

DANCKAERT, Jan. Beschryvinge van Moscovien ofte Ruslant: gestelt in twee deelen.
Amsterdam, Broer Jansz., 1615. Small 4to (17.5 x 13.5 cm). With the title in a border built up from 4 woodcuts, 2 woodcut initials and a wood-cut head- and tailpiece. 19th-century half sheepskin. 75, [1 blank] pp. Full description