Literature & Linguistics

[THOUSAND AND ONE DAYS - ITALIAN]. Novelle persiane divise in mille ed una giornata, e in cinque libri distribuite. Tradotte in francese e dal francese nel volgare Italiano. Vol. primo [-quinto].
Venice [= Naples?], Giacomo Antonio Vinaccia, 1783. 5 volumes. 12mo. With vignettes built up from typographical ornaments on each title page and some ornamental headpieces. Contemporary grey paper wrappers with manuscript volume numbers on the spines. Stored in a brown decorated paper slipcase. 203; 202; 216; 216; 239, [1] pp Full description

[THOUSAND AND ONE DAYS - ITALIAN]. Novelle persiane divise in mille ed una giornata, tradotte dal francese e dal francese in volgare italiano. Vol. primo [-quinto].
Venice, Santini, 1810. 5 volumes bound as 2. 12mo. Contemporary gold-stamped half brown cloth, marbled paper sides, with the title and volume number stamped in black on the spine. 172, 168, 176; 179, [1], 200 pp. Full description

[THOUSAND AND ONE DAYS - ITALIAN]. Novelle persiane divise in mille, ed una giornata, tradotte in francese e dal francese nel volgare italiano. Tomo primo [-quinto].
Milan, Pietro Agnelli, 1815. 5 volumes bound as 2. 12mo. With a small woodcut vignette on each title page. Contemporary half beige cloth, marbled paper sides, with the title lettered in gold on the spine. 160; 156; 168; 168; 186, [2] pp. Full description

[THOUSAND AND ONE DAYS - ITALIAN]. I mille e un giorni. Novelle orientali già tratte dal turco, dal persiano e dallarabo e pubblicate da Petis-de-la-Croix, Galland, Cardonne, Chawis e Cazotte etc. Nuova traduzione eseguita sullultima edizione di Parigi da A. F. Falconetti. Vol. I [-XV].
Venice, Giuseppe Antonelli, 1833-1834. 15 volumes bound as 5. 16mo. With an engraved frontispiece in each of the 15 volumes. Contemporary boards with a red title label and a black volume number label, both lettered in gold, on each spine. Full description

TIRON, Antoine (translator). Recueil de plusieurs plaisantes nouvelles, apophtegmes, et recreations diverses ...
Antwerp, Hendrick Henricsz, 1578. 8vo. With 18 half-page woodcuts in the text, including the one on the title page. 19th-century brown morocco, with the title, year of publication, and name of the bookbinder (Bauzonnet) lettered in gold on the spine. [6], 165, [8], [1 blank] pp. Full description

TORRENTINUS, Hermannus (Herman van der BEKE). Elucidarius poeticus co[n]tinens historias poeticas, fabulas, insulas regiones, urbes, fluvios, mo[n]tesq[ue] insigniores, atq[ue] huiusmodi alia, ...
Antwerp, Michiel Hillen van Hoogstraten, 1527. With the title in an elaborate woodcut border.
With: (2) [FIOCCHI, Andrea Dominico (Andras Dominicus FLOCCUS)] under the name of Lucius FENESTELLA. De magistratibus, sacerdotiisq[ue] Romanorum libellus, iamprimum nitori restitutus.
[Cologne, Hero Fuchs, 1527]. With the title in a finely cut 4-piece woodcut border. 2 editions in 1 volume. 8vo. 16th-century(?) limp vellum (formerly used for a slightly thinner book). The binding is an interesting example of a spine reinforced with a horizontal metal rod at the central sewing support to give more support and prevent the bookblock from becoming concaved or developing sharp kinks; probably bound in Flanders. [88]; [88] ll. Full description

TOUSSAINT, Franz. Le jardin des caresses.
May and June 1936. 11.5 x 12 cm. Manuscript in French written by the author in blank ink a neat 20th-century hand in one column. Chapter divisions are made in the form of a calligraphic leaf, drawn in the same black ink as the text. Bound in contemporary richly gold-tooled arabesque beige morocco with a flap at the front-edge, covered with gold-tooled green morocco on the inside, purple and white head and end bands, gold and light blue endpapers. Stored in a professionally made beige morocco box (ca. 15 x 15 cm) with a gold-tooled three-line fillet frame on the boards, on the inside covered with light pink silk, title in gold on the spine. [3 blank], [141], [13 blank] pp. Full description

TRITHEMIUS, Johannes and Gabriel de COLLANGE (translator). Polygraphie et universelle escriture cabalistique.
Including:
(2) TRITHEMIUS, Johannes and Gabriel de COLLANGE (translator). Clavicule, et interpretation sur le contenués cinq livres de Polygraphie, & universelle escriture Cabalistique.
(3) COLLANGE, Gabriel de. Tables et figures planispheriques, extensives & dilatatives des recte & averse, servants à l'universelle intelligence de toutes escritures tant methathesiques, transpositives, mythologiques, numerales, anomales, que orchemales.
Paris, Benoît Prévost for Jacques Kerver, 1561. 3 parts in 1 volume. 4to. Printed in red and black, the main title and the titles of parts 2 and 3 set within a woodcut decorated border, 3 woodcut portraits of the translator, 13 large volvelles in part 3, numerous woodcut headpieces, and numerous woodcut decorated initials. 18th-century gold-tooled reddish-brown morocco, with the title and author lettered in gold on the spine, marbled endpapers, gold-tooled board edges, red edges. [18], 300 ll. Full description

TROTSKY, Leon. Tuda i Obratno: vmesto predislovija. I. Ot Peterburga do Berezzova. Sovet rabočich deputatov po etapam. II. Moj pobeg. - 800 verst na olenjach. [There and back again] [text in Russian in Cyrillic type].
St. Petersburg, Shipovnik, 1907. With a lithographed device on the front cover. Original publisher's printed wrappers. 123, [1 blank], IV pp. Full description

[PROPAGANDA FIDE - ALPHABETA]. [Alphabets of non-Latin scripts, including Hebrew, Samaritan and Syriac].
Rome, Propaganda Fide, [ca. 1700/60?]. Oblong 8vo (11 x 17 cm). A complete set of 12 leaves published without a title-page, printed on rectos only, each page with a frame of double rules and an additional single rule (built up from short rules) delineating a panel at the head that contains the title of the leaf, 10 of the 12 beginning "Alfabeto ..." and showing woodcut (3) or typographic (7) alphabets, the latter showing Hebrew (meruba & rabbinical), Samaritan (majuscule) and Syriac (estrangela & serto) types. The other 2 leaves show a woodcut illustration of an inscription in stone and an interpretation of it (including a smaller woodcut). Contemporary vellum, with the spine at the head of the leaves. [12] ll. Full description