Literature & Linguistics

VERNAY, Charles. Poésies nationales et religieuses Françaises, Italiennes, Turques et Persanes, 195 pièces orientales, leur traductions, et le texte Turc et Persan de 57 pièces ...
Paris, Albert Franck (on back of half-title: printed by Firmin Didot frères), 1860[-1861]. With a lithographed portrait of the author, 5 lithographed facsimiles of the author's autograph manuscripts and 4 of the letterpress pages printed in gold. Extra-illustrated with 3 lithographed and 4 engraved Royal folio illustration plates (including 2 portraits of the Ottoman Sultan Abdulmejid I).
With:
(2) VERNAY, Charles. Poésies Turques et Persanes (cent quarante et une pièces) ...
Paris, Albert Franck (below frame: lithographed by [Mathieu] Masson), "1858-1859" [= AH 1275]. With a letterpress wrapper-title in French, printed in gold, a lithographed Turkish and Persian wrapper-title (dated "1275" and "1858") and text in Turkish and Persian, lithographed from the autograph manuscript in Arabic script, all printed in gold, and a lithographed portrait of the author (the same as in ad 1).
(3) VERNAY, Charles. Nouvelles poésies Persanes et Turques ...
Paris, Albert Frank, July 1860 (colophon: lithographed by [Mathieu] Masson, r. de Valois 48, Paris). A large 4to bifolium, with a lithographic facsimile of a 4-page autograph manuscript in Arabic script, printed on blue paper.
(4-18) VERNAY, Charles. [Miscellaneous publications in various formats, some letterpress, others lithographed facsimiles of the author's autograph manuscripts in French, Turkish and Persian, and including a 1-leaf autograph manuscript in Persian].
Paris, Firmin Didot frères and others, 1851-1858.
18 publications in 1 volume. Royal folio (49.5 x 34.5 cm) with a few items in smaller formats. Contemporary diced, richly gold-tooled calf, each board with a double frame of rolls and stamps, a crescent moon and star inside each corner of the inner frame, blind-tooled turn-ins, green silk brocade endleaves. [2], 4, [1], [1 blank], 142, 4, 143-262, 263-266[bis], 263-266[ter], 263-476, [2], [1 blank], [1]; 112; [4] pp. plus the wrappers and numerous inserted items. Full description

[VERSTEGAN, Richard (pseudonym of Richard ROWLANDS)]. A restitution of decayed intelligence: in antiquities. Concerning the most noble and renowmed English nation. By the studie and travaile of Ri. V[erstegan].
Antwerp, printed by Robert Bruney, sold at London by John Norton & John Bill, 1605. 4to. With the title printed in red and black, an engraved vignette of the Tower of Babel on the title page, 10 engraved illustrations in the text, and a full-page coat of arms of the author at the end. Contemporary or slightly later gold- and blind-tooled "Cambridge panel" binding in sprinkled brown calf. [24], 338, [13], [1 blank] pp. Full description

VESDIN (VEZDIN), Filip (PAULINUS A SANCTO BARTHOLOMAEO). Viaggio alle Indie Orientali umiliato alla Santita di N. S. Papa Pio Sesto pontefice massimo ...
Rome, Antonio Fulgoni, 1796. 4to. With 12 engraved illustration plates (6 with 2 illustrations each to make 18 in total), engraved roundel portraits of Pope Pius VI (on the title-page) and the author (above the opening of the main text) and some small woodcut illustrations of "Indian hieroglyphs". Set in roman and italic types with occasional words in Greek, Arabic, East Syriac, Devanagari and more extensive texts in Malayalam, plus a Malabar song with a double staff made with built-up round-head music notes. 19th-century maroon half sheepskin. XX, 404 pp. Full description

[VILLEDIEU, Marie-Catherine]. Novelle egiziane ed africane. Tradotte dal francese nellidioma italiano.
Venice, Giovanni Francesco Garbo, 1795. 12mo. With a small woodcut vignette on the general title page and on the extra/divisional title page for part 1, a woodcut headpiece, and a woodcut tailpiece. Contemporary blueish-grey paper wrappers. 143, [1] pp. Full description

VIRGILIUS MARO, Publius. Codex antiquissimus a Rufio Turcio Aproniano V.C. distinctus et emendatus qui nunc Florentiae in Bibliotheca Mediceo-Laurentiana adservatur bono publico typis descriptus anno MDCCXLI.
Florence, Typis Mannianis (the printer Joseph and his son Domenico Maria Manni), [1741]. 4to (25.5 x 18 cm). With an engraved dedication by the editor Pietro Francesco Fogginio to the members of the prestigious Académie Royale des inscriptions et beaux-arts as a frontispiece, an engraved vignette on the title page (a portrait of Virgil holding a mask) engraved by "Sarder ex Mus. Medic.". An engraved illustration of Virgil as a headpiece at the start of the text, engraved after the portrait in one of the two other late antique Virgil manuscripts: the Virgilius Romanus in the Vatican library (Cod. Vat. 3867). Further with a beautiful engraved historiated initial on the same page; engraved specimen of three lines of the manuscript (13 x 3 cm) on p. XV; and two tailpieces (on pp. XVI and 459). The text is printed in red and black (the title page, the first lines and corrections in the text). Contemporary gold-tooled red morocco. [4], XXXVI, 459 pp. Full description

VIRGILIUS MARO, Publius. Opera. Vol. I.
London, John Pine, 1755 [= actually some years later]. 8vo. With 2 different vignettes on the otherwise identical engraved title pages, an engraved frontispiece with a figure of the muse Euterpe, 2 engraved dedication leaves with vignettes, 1 folding and 49 full-page engraved plates on 39 leaves (11 of the leaves with a plate on each side), 31 engraved half-page plates and historiated head- and tailpieces, engraved historiated and decorated initials. Some of the images are derived from the illustrations in the Codex Vaticanus, a 5th-century codex containing the works of Virgil. Late-19th-century gold-tooled crushed red morocco, bound by the famous partnership of René Chambolle (1834-1898) and Hippolyte Duru (1803-1898) (with their names gold-stamped in the bottom front turn-in). The boards show a double fillet frame with detailed, ornate flowers and vines along the inside of the frame, with the author, title, and imprint lettered in gold on the gold-tooled spine, gold-tooled board edges and turn-ins, gilt top edge, marbled endpapers. The binding can be dated between 1861 and ca. 1870, the heyday of the Chambolle-Duru partnership representing the high level of the Golden Age of French bibliophile binding. [8], XV, [2], 144, [6] pp. Full description

VISSCHER, Roemer. Brabbelingh. By hem selven oversien, en meer als de helft vermeerdert.
Amsterdam, Willem Jansz. (Blaeu), 1614. 16mo. Woodcut emblem on title-page, 2 engraved emblems with jesters titled "Elck heeft de zijn" and ''Quaeso''. Contemporary vellum. 220, (2) pp. Full description

VISSCHER, Roemer. Zinne-poppen; alle verciert met rijmen, en sommighe met proze: door zijn dochter Anna Roemers.
Amsterdam, Johannes van Ravesteyn, 1669. 12mo. With engraved emblematic title page, an emblem on the back of A5, and 193 engraved emblems by Claes Jansz. Visscher, in text. With 2 engraved emblems pasted on first blanks (including a repeat of the emblem on A5). Contemporary vellum, green ties. [10], 196, [4] leaves. Full description

VISSCHER, Roemer. Zinne-poppen; alle verciert met rijmen, en sommighe met proze: door zijn dochter Anne Roemers.
Amsterdam, Sander Wybrantz. and Andries Vink, 1678. With engraved title-page, an engraved emblem on the back of A5, and 193 engraved emblems by Claes Jansz. Visscher.
With: (2) VISSCHER, Roemer. Brabbelingh... By hem selven oversien, en meer als de helft vermeerdert.Amsterdam, Johannes van Ravesteyn, 1669. 2 works in 1 volume. 12mo. Contemporary vellum. [10], 196, [4] ll.; 212, [4 blank] pp. Full description

VOSSIUS, Gerardus Joannes. Latina grammatica ... in usum scholarum ...
Amsterdam, Johannes van Ravesteyn, 1666. 2 parts in 1 volume. 8vo. With a woodcut printer's device on the 2 title-pages, first title-page printed in red and black, with some woodcut decorated initials. Contemporary overlapping vellum with the manuscript title on the spine, red edges. [10], 176; 177, [3] pp. Full description