Literature & Linguistics / Dutch Literature

[TAFEREEL DER DWAASHEID]. [Collection of satirical plates and illustrated poems related to Het groote tafereel der dwaasheid].
Including:
-11 very rare broadsheets, each of the first 10 with a satirical poem and 1 or more woodcut illustrations, the last with a verse by Joost van den Vondel and an engraved illustration.
[Netherlands, ca. 1720] (items 1-10); Rotterdam, Pieter vander Veer, 1721 (item 11). 1mo. Modern green half cloth.
-8 engraved prints with letterpress text by Jan de Ridder.
[Netherlands, ca. 1720]. Folio. Modern green half cloth.
-45 engraved satirical plates (including 2 made up of 4 separate prints each, and with a duplicate plate).
[Netherlands, ca. 1721]. Various formats. Each in passepartout.
-12 separate prints (a few with letterpress text) and 2 copies of an engraved map in 2 parts, showing the coast of South America and the South Sea.
[Netherlands, ca. 1721]. Various formats.
The whole kept together in a large 20th-century green half cloth portfolio (50×70 cm). Full description

[TENGNAGEL, Mattheus Ganzneb]. Het leven van Konstance: waer af volgt het tooneelspel, de Spaensche heidin.
Amsterdam, Nicolaes van Ravesteyn, voor Johannes Jacott, 1643. Small 4to. With 6 full-page etchings by Pieter Nolpe after Simon de Vlieger, Pieter Quast, and Izak Izaksoon, musical scores by Gerret Bolhamer, a woodcut device on the title-page, 15 decorated woodcut initials of different sizes, and several woodcut head- and tailpieces. Contemporary vellum, 171, [1 blank] pp. Full description

URFÉ, Honoré d’. DAstrea ... daer in, door historien en onder herders en andere personen, veel erelijke leringe, schoone spreuken, en werkinge der liefde vertoont worden. Door D.V.R. vertaelt. Het eerste deel.
Amsterdam, for Johannes Troost, 1644. 8vo. With a woodcut vignette on the title page, 11 full-page engravings by A. Santfoort, and several decorated woodcut initials.
Contemporary overlapping vellum. [4], 664 pp. Full description

VEEN, Jan van der. Zinne-beelden, oft Adams appel. ... Mitsgaders syne oude ende nieuwe ongemeene bruydt-lofs ende zege-zangen.
Amsterdam, Everhard Cloppenburgh, 1642. 4to. With large emblematic engraving on the title page and 50 engraved emblems in text (10 x 13.5 cm), all by Salomon Savry, woodcut head- and tailpieces, numerous woodcut decorated initials (several series) and decorations built up from typographic ornaments. Set in roman and italic types. Gold- and blind-tooled red, grained sheepskin (1817/18) for George Spencer-Churchill, 5th Duke of Marlborough, gold-tooled turn-ins and board edges, gilt and gauffered edges, grey-brown endpapers, red satin ribbon marker. [23], [1 blank], 523, [1 blank] pp. Full description

VISSCHER, Roemer. Brabbelingh. By hem selven oversien, en meer als de helft vermeerdert.
Amsterdam, Willem Jansz. (Blaeu), 1614. 16mo. Woodcut emblem on title-page, 2 engraved emblems with jesters titled "Elck heeft de zijn" and ''Quaeso''. Contemporary vellum. 220, (2) pp. Full description

VISSCHER, Roemer. Zinne-poppen; alle verciert met rijmen, en sommighe met proze: door zijn dochter Anna Roemers.
Amsterdam, Johannes van Ravesteyn, 1669. 12mo. With engraved emblematic title page, an emblem on the back of A5, and 193 engraved emblems by Claes Jansz. Visscher, in text. With 2 engraved emblems pasted on first blanks (including a repeat of the emblem on A5). Contemporary vellum, green ties. [10], 196, [4] leaves. Full description

VISSCHER, Roemer. Zinne-poppen; alle verciert met rijmen, en sommighe met proze: door zijn dochter Anne Roemers.
Amsterdam, Sander Wybrantz. and Andries Vink, 1678. With engraved title-page, an engraved emblem on the back of A5, and 193 engraved emblems by Claes Jansz. Visscher.
With: (2) VISSCHER, Roemer. Brabbelingh... By hem selven oversien, en meer als de helft vermeerdert.Amsterdam, Johannes van Ravesteyn, 1669. 2 works in 1 volume. 12mo. Contemporary vellum. [10], 196, [4] ll.; 212, [4 blank] pp. Full description

WALDORP, Jan Gerard. [Design for the frontispiece of Betje Wolff's Proeve over de opvoeding].
[Amsterdam, 1779]. Drawing in black ink with grey watercolour washes (14 x 9 cm) on laid paper, tipped onto a larger leaf (30 x 21.5 cm). Full description

WELLEKENS, Jan Baptista & Pieter VLAMING. Dichtlievende uitspanningen. Bestaande in herders- hoef- en veldgezangen, tafereelen, brieven enz.
Amsterdam, sold by Andries van Damme (colophon: printed by Willem Goeree the younger), 1710. 8vo. With an engraved frontispiece, an engraved vignette on the title page, 7 full-page engraved part-titles, 7 engraved plates (1 folding, 6 full page), 16 engravings in the text, several woodcut endpieces and initials; all engravings by J. Goeree. Contemporary vellum with the manuscript authors on the spine, sewn on 4 supports laced through the joints, red and blue sprinkled edges. [16], 228, [2] pp. Full description

[WETSTEIN, George]. Het gelukkig ongeval. Bly-eindend treurspel.
Amsterdam, Heirs of J. Lescailje en Dirk Rank, 1721.
With:
(2) IDEM. Erik, Prins van Zweden. Treurspel.
Amsterdam, Heirs of J. Lescailje and Dirk Rank, 1722.
(3) IDEM. Gustavus Adolphus. Koning van Zweden, beschermer der Duitsche vryheit. Oorlogspel.
Amsterdam, Heirs of J. Lescailje and Dirk Rank, 1723. 3 works in 1 volume. 8vo. Each work with an engraved frontispiece, the original preliminary ink drawing for the frontispiece, protected by tissue paper guards, and an engraved device on the title page. Contemporary gold-tooled olive morocco, with a red morocco title label lettered in gold on the spine lettered, bound by the so-called Fleur-de-Lis Bindery (The Hague 1729-ca. 1756; Storm van Leeuwen, IIA, pp. 110-117). With the coat of arms of Aaron de Joseph de Pinto in the centre of both boards, tooled onto a red morocco inlay of the same shape, surrounded by richly ornamental borders with the crowned monogram of De Pinto (ADJP) in the corners, the same monogram repeated in 5 of the 6 compartments on the spine, gold-tooled board edges and turn-ins, gilt edges, marbled endpapers. 88; 83; 87 pp. Full description