Religion & Devotion

HOSPINIANUS, Rodolphus. Van de tempelen: dat is vijf boecken van den oorspronck, voortganck, ghebruyck en de misbruyck der tempelen ende gheheelijck aller dinghen, die tot de tempelen behooren.
Amsterdam, Jan Evertsz. Cloppenburch, 1606. 4to. With Cloppenburch's printer's device on title-page and one page (O1) rubricated in red. Contemporary vellum. [12], 400, 99, [6] ll. Full description

HÜBNER, Johann. Drey hundert und drey und dreyßig Genealogische Tabellen, nebst denen darzu gehörigen Genealogischen Fragen, zur Erläuterung der Politischen Historie...
Leipzig, Johann Friedrich Gleditsch & Sohn, 1712. Oblong folio. With the title-page printed in red and black, 1 large woodcut gothic decorated initial. Set primarily in fraktur type. Contemporary half sheepskin, marbled sides. [8] pp., [333] ll. with tables, [7] pp. Full description

HULSIUS, Bartholomaeus. Den onderganck des Roomschen Arents, door den Noordschen Leeuw. Af-ghebeeldt in verscheyden konstige figuren, met sin-rijcke verklaringhen der selver, beydes in en buyten rijm, vertoonende, in 't kort, de gedenckwaerdighste saken, die van den beginne, tot noch toe, in dese oorlogen zyn omgegaen. Met een verhael van den doodt des Koninghs. Hier zyn noch by ghevoeght de victorien der Croon Sweden, sedert de doodt des auteurs vercreghen.
Amsterdam, Crispijn vande Passe, 1642. 4to. Engraved allegorical title-page with engraved title in a central panel below Fame sitting on a swan. Beautifully bound in 19thcentury light brown gold-tooled calf (1850s or 1860s?), each board with triple along the edges, decorated spine with red and green labels lettered in gold, gold-tooled board edges and turn-ins, marbled endpapers, signed "PETIT SUCCr DE SIMIER": Charles Petit operated a Paris bindery from 1848 to 1873 as successor to René Simier (1772-1843), relieur du roi from 1815, and his son. [12], 91, [1 blank] pp. plus engraved title-page. Full description

HUTTEN, Ulrich von. Dialogi. Fortuna. Febris prima. Febris secunda. Trias Romana. Inspicientes.
Colophon: Mainz, Johann Schöffer, April 1520. Small 4to (19.5 x 14 cm). With a lovely woodcut of the blindfolded Fortuna on title-page (by Hans Weiditz?), a large woodcut initial Q (repeated twice) and several vine leaf ornaments. Printed in roman type. 19th-century half vellum. [72] ll. Full description

HUTTON, Thomas. The chronology of creation; or, geology and scripture reconciled.
Calcutta, W. Thacker and Co. (back of title-page and colophon: printed by J.C. Sherriff, Bengal Military Orphan Press), 1850. Large 8vo. With a coloured lithographic frontispiece of a camel, lithographed by T. Black at the Asiatic Lithographic Press in Calcutta, and 3 coloured lithographic plates illustrating Huttons theories about the creation of the earth (2 orthographic azimuthal projections and 1 cross-section). Contemporary green cloth. [2], XVI, [2], 503, [1 blank] pp. Full description

IGNATIUS of ANTIOCH. [In Greek:] Toi en agiois ieromartiros ignatioi archiepiskopioi antiocheias, epistolai. (In Greek).- Antiochiae, & martyris epistolae, prosus apostolicae. (In Latin).
Antwerp, Christoffel Plantin (ad 1 colophon: 8 August), 1566. Small 8vo. With Plantins woodcut compasses device on each title-page and a couple decorated woodcut initials. Set in italic and Greek type.
With: IDEM. Antiochiae, & martyris epistolae, prorsus apostolicae.
Antwerp, Christoffel Plantin, 1566. Contemporary calf. 69, [1 blank]; 78 pp. Full description

[ILLUMINATED MANUSCRIPT - ALTAR CANON]. Accipiendo in manibus hostiam dicat[!].... Initium Sancti Evangelii secundum Joannem. ... Cibavit illum dominus pane vitæ et intellectus.
[Belgium?], [ca. 1790?]. Three illuminated manuscript wall panels in matching style, forming a three-part altar canon lettered in blue and red ink on parchment (one 47.5 x 57 cm & two 31 x 22 cm; image sizes 46 x 54.5 cm & 29.5 x 21 cm), the larger stretched over a wooden frame and each of the smaller two over a wooden panel. All three panels meticulously and finely lettered in the style of roman printing types with 1 line in italic capitals, all 12 initials and some of their decoration in gold. All three panels richly illuminated around and between the text blocks with a gold background and extensive gold highlights, the illumination including decorated cartouches. The principal scenes at the head (miniatures in a wide variety of colours) show the Last Supper, Saint John the Evangelist and Christ washing his apostles feet; the central scenes at the foot (ink and ink wash drawings, probably emblematic, that on the large panel in grey and those on the small panels in red) show a lamb and cross on an altar, 4 standing figures with long staffs around a table with a platter (of bread?: some of the figures are eating something) and herald angels before a kneeling figure (it doesnt look like a shepherd or the Virgin Mary). Full description

[ILLUMINATED MANUSCRIPT - BOOK OF HOURS (DIOCESE OF UTRECHT)]. [Incipit, A2r:] Alst my gaet niet nae mij[n] syn / Soe wil ic my liden en[de] swyghe stil ...
[Diocese of Utrecht, the County of Holland], 1488. Large 8vo (19 x 13.5 x 4 cm). Written in Dutch on vellum by 2 gothic textura hands in 1 column (20 lines/page for the first hand for the main text and calendar; 22 lines/page for the additions written by the second hand). All leaves are numbered in pencil in the upper margin of the rectos by a 19th- or 20th-century hand. Richly iluminated by the Master of the Brussels Hours of the Bezborodko Group, being one of the stylistic groups of the Masters of the Dark Eyes, with 6 full-page miniatures, 2 historiated initials and 4 larger decorated initials, several smaller decorated initials, and many 1-line lombardic initials in blue and red. Also with a 6-line blue penwork initial on a red penwork ground, being a contemporary addition. Also with three- and four-marginal border decoration (an uncoloured background filled in with small dots or short tendrils in black, show acanthus leaves in different colours, various flowers and several brightly coloured birds and fabulous beings, with gold and black/white dots among them). Contemporary blind-tooled calf over rounded ("cushioned") wooden boards. With the original brass catch- and anchor-plates, the latter with remnants of the leather fastenings, and the later silk red ribbon markers loosely preserved. 144 ll. including 6 inserted leaves with miniatures and 2 blank endpapers used as paste-downs. Full description

[INCUNABLE - COLOGNE EDITION OF THE ARS MORIENDI]. Speculu[m] artis bene morie[n]di [= Ars moriendi].
[Cologne, Heinrich Quentell, ca. 1493/97]. Small (Chancery) 4to (20.5 x 14.5 cm). With a large woodcut on the title-page. Set in a single column, with 36 lines to the page, in a rotunda gothic type, with a larger textura gothic for the first line of the title. With spaces left for manuscript initials with manuscript guide letters in black ink. Most pages with a few words underscored in black ink. Recent marbled paper over boards by the Geneva bookbinder Jean-Luc Honegger (signed with his "honegger" stamp in blue ink at the foot of the back paste-down), the marbled paper in an antique spot pattern, black morocco spine label with the title in gold roman capitals, reading up the spine. [31], [1 blank] pp. Full description

[INDIA - MISSIONARY WORK]. Vorstellung der Evangelisch-Ostindischen Kirche.
[Augsburg], ca. 1730. 86 x 59 cm. Copperplate engraving. Full description