Religion & Devotion

[OLIVIER, Abbé Jean]. D'ongelukkige Napolitaan, of zeldzaam levensbedrijf van Rozelli. Behelzende een historisch verhaal van zijne geboorte, Turkze slaverny, klooster leven, zitten in de inquisitie, en wat figuren hy verder in Italien, Vrankrijk, en Holland gemaakt heeft. Uit het Frans vertaald.
Utrecht, Jakob van Poolsum, 1716. 3 parts in 1 volume. Small 8vo. With a full-page engraved frontispiece, a letterpress title in red and black, 16 full-page engraved plates, several woodcut head- and tailpieces, and woodcut initials. Contemporary gold-tooled calf, sewn on 5 supports with the corresponding raised bands on the spine, a red morocco title label on the spine with the text "Leven van Rozelli" lettered in gold, red sprinkled edges. VI, 484, 36 pp. Full description

OSIANDER, Andreas. Harmoniae Evangelicae libri quatuor, in quibus Evangelica historia ex quatuor Evangelistis ita in unu[m] est contexta, ut nullius verbum ullum omissum, nihil alienum immixtum, nullius ordo turbatus, nihil non suo loco positum. ... Elenchus harmoniae, ...
(Colophon: Antwerp, Matthias Crom, 1540). 8vo. With a woodcut vignette at the foot of the title-page and the head of the first page of the main text (illustrating Luke 11), 1 full-page and 97 half-page woodcut illustrations by Levinus de Witte (including a few repeats). 17th-century limp sheepskin parchment. [164] ll. Full description

OTHO, Georg. Palaestra linguarum orientalium, hoc est: quatuor primorum capitum Geneseos, I. Textus originalis tam ex Judaeorum quàm Samaritanorum traditionibus. II. Targumim seu paraphrases orientales praecipuae, nempe I. Chaldaicae, (Onkelosi, Jonathanis et Hierosolymitana) II. Syriaca, III. Samaritana, IV. Arabica, V. Aethiopica, VI. Persica. Omnia cum versione Latinâ ...
Including: OTHO, Andreas. Glossarium linguarum orientalium octuplex: Hebraicum, Chaldaicum, Syriacum, Samaritanum, Arabicum, Aethiopicum, Persicum et Rabbinicum ...
Frankfurt am Main, published by Friedrich Knoch, printed by Martin Jacquet, 1702. 4to. With one woodcut initial. Set in roman, Arabic, Hebrew, Samaritan and Ethiopic types. 2 parts in 1 volume. Nineteenth-century half calf with marbled sides. [18] 140, 147, [3] pp. Full description

[OTTOMAN EMPIRE]. [Drop-title:] Distinto ragguaglio della solenne udienza che alli 4. Settembre ebbe dall' Augustissimo Imperatore Carlo VI. re della Spagne, d'Ungheria &c. a Vienna nel Palazzo Cesareo della Favorita l'ecc[ellentissi]mo sig[nor]. grande ambasciatore Ottomano visire Mückerem Ibrahim Pascia, ...
Including:
Racconto della solenne visita, che alli 7. Di Settembre 1719. Il Sig[nor]. Grande Ambasciatore Ottomano Ibrahim Pascià diede al Seren[issimo]. Prencipe Eugenio di Savoja, ...
(Colophon: Rome, Giovanni Francesco Chracas, 1719). 4to. With a hatched roman capital used as an initial. Set in roman types with extensive italic. Modern boards covered with chemical-marbled paper, black morocco spine label. 8 pp. Full description

OTTONI, José Eloi. Parafraze dos proverbios de Salomão em verso portuguez, dedicada ao serenissimo principe da beira nosso senhor.
Bahia, Brazil, Manuel Antonio de Silva Serva, 1815. 8vo. With a woodcut vignette on title page and with head-pieces built-up from typographical ornaments throughout. Contemporary gold-tooled tanned sheepskin with a black morocco label on the spine, blue sprinkled edges. [2 blank], 357, [5 blank] pp. Full description

OTTO VAN PASSAU. Boeck des gulden throene of der xxiiij ouden.
Utrecht, [printer with monogram "tC"], [30 March] 1480. Folio. With 24 illustrations in text (ca. 9 x 6.2 cm), printed from 1 complete woodcut (plus 4 repeats) and 15 components assembled in different combinations, all rubricated and with architectural frames. The book has no printed initials, but spaces for manuscript initials, which have been filled with letters in the uncial style. Each of the 24 chapters begins with a large manuscript initial (the first 5-line with a penwork face in profile and further 4-line), 11 with two or more colours (mostly with penwork decoration extending into the margin), and others with interior white decoration. A smaller (2-line) initial with penwork extending into the margin opens the book's first page and there are numerous further 1-line and 2-line initials. Set in a textura type with capitals rubricated throughout. Woodcut printer's device at the end: a date palm tree with monogram "tC" (6.5 x 5.5 cm), the "t" perhaps also (or instead) representing a cross. Contemporary (Utrecht?) blind-tooled calf over wooden boards, each board in a panel design with the central part ruled in a lozenge pattern with about 200 impressions of 4 small separate stamps; re-backed, with modern morocco title label. [4], 197 ll. Full description

OTTO VON PASSAU. Boec des gulden throe[n]s of der xxiiij. ouden en[de] hoemen elke[n] vinden mach en[de] va[n] hoerre leringhen die si leren om te comen totten ewighen leven.
(colophon: Haarlem, [Jacob Bellaert], 25 October 1484). Folio (29 x 21.5 cm). With large woodcut printer's device (142 x 82 mm) on verso of last leaf (with the arms of the city of Haarlem above an eagle holding a larger blank shield, here filled in by a contemporary owner); 4 woodcut illustrations and 20 repeats, representing the 24 elders, each showing one of the male elders, standing, teaching a female novice kneeling before him. Further with spaces left for initials, all filled in with uncials by hand, about 25 with penwork decoration in 1 or 2 additional colours: 1 blue 6-line initial with decorations in red and violate extending far into the margin, about 24 red 3 to 9-line (mostly 7-line) initials with lavendar penwork (1 with 2 green dots), some extending into the margin, and more than 70 2-line red initials without penwork decoration; a few spaces left for ¶-marks, also filled in in red; capitals rubricated throughout. Set entirely in Baellart's textura (99 or 100 mm/20 lines or about 14.5 point). Lacking leaf 137 (the second to last text leaf) and the final blank. Modern sheepskin. [1 blank, 3], "136" [= 135 (of 136)], [1] ll. Full description

[PAMPHLET - REFORMATION] Supplicatie aen sijn hoocheyt ende heeren des Raets van State, overgegeven door de inwoonders deser Nederlanden welcke protesteren dat sy begeren te leven nae de Reformatie des Evangeliums. Den xxii dach junii, 1578.
[Antwerp, Christopher Plantin?, 1578]. 4to. With a vignette built up from typographical ornaments on the title page, and a decorated woodcut initial. 18th-century gold- and blind-tooled mottled and polished calf, sewn on 5 supports with the corresponding raised bands on the spine, a red morocco title label lettered in gold in the second compartment, the date of publication lettered in gold in the third compartment, fleurons in the other compartments, a blind-tooled border on both boards, gold-tooled board edges, red edges, marbled end papers. [2], XXII pp. Full description

PANTOJA, Diego de. Advis ... envoyé de Paquin cité de la Chine, au R.P. Loys de Gusman ... Sur le succes de la religion chrestienne au royaume de la Chine. De l'entree d'aucuns peres de ladire compagnie en la cour du roy, & de plusieurs choses memorables, qu'ils ont veu en ce païs.
Lyon, Pierre Rigaud, 1607. 12mo. Contemporary limp sheepskin parchment, remains of ties. [8], 145, [1 blank] pp. Full description

[PARADIN, Claude & Bernard SALOMON]. Quadrins Historiques de la bible. Reveus, & augmentés dun grand nombre de figures.
Lyon, Jean de Tournes, 1583.
With:
(2) [FONTAINE, Charles & Bernard SALOMON]. Figures du nouveau testament.
Lyon, Jean de Tournes, 1579. 2 works in 1 volume. 8vo. Ad 1: with the title in an ornamental woodcut border with the printers device including two vipers, 233 half-page woodcut illustrations, and 2 woodcut vignettes. Ad 2: with the title in a historiated woodcut border (Cartier "Nains") with the same woodcut printers device (Cartier, Vipères I,1) and 96 half-page woodcut illustrations, including one repetition, arabesque headpieces, and a large woodcut on the last page (Cartier, "Lac damour). 18th- or 19th-century elaborately gold-tooled pebble-grained dark greenish-blue sheepskin, with the titles and place and year of publication for both titles lettered in gold on the spine, gold-tooled board edges and turn ins, gilt edges, marbled endpapers. [131]; [52] ll. Full description