Religion & Devotion

VAN ESPEN, Zeger Bernard. Opera, quaecunque hactenus in lucem prodeunt, omnia. Tomus primus [-secundus] . Continens ... juris ecclesiastici universi.
Louvain, 1721. 2 volumes. Folio. With the title-pages printed in red and black. Contemporary mottled calf, richly gold-tooled spines. [30], 924, [39], [1 blank]; [4], 230, [14], [4], 400, [16], [8], 208, [22], [8], 90, [6], 28, [4], 57, [2], [1 blank], 18, [4], 30, [2 blank] pp. Full description

V.C.P. Exercice spirituel, ou est enseigné au Chrestien la maniere d'employer le jour au service de dieu.
Paris, Pierre Rocolet, 1649. 2 parts in 1 volume. 12mo. With an engraved title, 9 full-page engraved plates, all hand-coloured and heightened with gold, 5 woodcut headpieces, and 5 decorated woodcut initials. Every page has been outlined in red, and some of the chapter headings have been traced with gold. Contemporary elaborately gold-tooled red morocco fanfare binding, with a central quatrefoil inlay of brown morocco on both boards, surrounded by geometric and pointillé designs, gold-tooled board edges and turn-ins, gilt pointillé edges, marbled endpapers. [1], [1 blank], [42], 172; 288 pp. Full description

[VERVOORT, Frans]. Dat vyants net, der booser wercken raet, visioenen, ende met alder sijnder verholender stricken, leerende hoe wi de werelt, den vyant, ende ons selven sullen sterven, kennen, ende leerende hoe wi die werelt, den vyant, ende ons selven sullen sterven, kennen, ende overwinnen.
Antwerp, Jan van Ghelen, (colophon: 1561). 8vo. With the title in a four-piece woodcut border by Pieter van den Borcht (with his initials at the foot), Jan van Ghelen's woodcut device on verso of last leaf, a full-page armorial view (dated 1552) on the last leaf, and 20 mostly full-page woodcut illustrations by Pieter van der Borcht in text. Modern half vellum. [88] ll. Full description

VESDIN (VEZDIN), Filip (PAULINUS A SANCTO BARTHOLOMAEO). Viaggio alle Indie Orientali umiliato alla Santita di N. S. Papa Pio Sesto pontefice massimo ...
Rome, Antonio Fulgoni, 1796. 4to. With 12 engraved illustration plates (6 with 2 illustrations each to make 18 in total), engraved roundel portraits of Pope Pius VI (on the title-page) and the author (above the opening of the main text) and some small woodcut illustrations of "Indian hieroglyphs". Set in roman and italic types with occasional words in Greek, Arabic, East Syriac, Devanagari and more extensive texts in Malayalam, plus a Malabar song with a double staff made with built-up round-head music notes. 19th-century maroon half sheepskin. XX, 404 pp. Full description

VEYSSIÈRE DE LA CROZE, Mathurin. Histoire du christianisme des Indes.
The Hague, the Vaillant brothers (Isaac and Paul II?) & Nicolas Prevost, 1724. 8vo. With an engraved frontispiece, the title-page in red and black with an engraved vignette, 1 folding engraved map and 3 engraved illustration plates. Contemporary calf. [16], 570, [54] pp. Full description

VIGERIUS, Marcus. Decachordum Christianum Julio II. Pont. Max. dicatum. Controversia de excellentia instrumentorum Dominicae passionis, per eundem Dn. Marcum Vigerium discussa.
[Hagenau, printed by Th. Anselm & Joh. Albertus for Joh. Koberger, Nuremberg, 1517]. Folio. With title in woodcut border by Urs Graf and 10 beautiful full-page woodcuts (ca. 13.9-14.4 x 9.7-10.2 cm) by the "Master I S with the shovel", a pupil of Hans Schäufelein. Contemporary calf over wooden boards, blind-tooled side, two brass clasps. Leaves from a 14th-century liturgical manuscript pasted on the inner sides of the boards. From the "Koberger Werkstatt". [6], 204, [14] pp. Full description

[VIGNE, David de la] and Mr. De CHERTABLON. La maniere de se bien preparer a la mort, par des considerations sur la cene, la passion & la mort de Jesus-Christ, avec de très-belles estampes emblematiques, expliquées par Mr. De Chertablon.
Antwerp [= Amsterdam?], George Gallet, 1700. 4to. With an engraved allegorical frontispiece ("numbered" A), mainly showing Death knocking on a door, the title page is printed in red and black, 39 numbered full-page engraved plates, and two additional full-page engraved plates ("numbered" B-C). All plates are copies (the majority in reverse) of etchings by Romeyn de Hooghe. Contemporary gold-tooled tan calf, with the coat of arms of the Vignerot du Plessis family, dukes of Richelieu, as a centrepiece on both boards, a red morocco title label lettered in gold on the richly gold-tooled spine, gold-tooled board edges and turn-ins, marbled endpapers, red edges. 63, [1] pp. (Collation: A-H4). Full description

VISSCHER, Claes Jansz. [and Simon FRISIUS]. t' Arminiaens testament.
[Amsterdam, Claes Jansz. Visscher, 1618]. Large 1mo broadsheet (66.5 x 46.5 cm), with engraved illustration (53 x 45.5 cm) at the head (with Visscher's name in the plate at lower right) and a letterpress verse text below. Full description

VISSCHER, Claes Jansz. Cort verhael ende afbeeldinghe der justitie, geschiet den 5. mey 1623. in 'sGravenhaghe.
Amsterdam, Claes Jansz. Visscher, 1623. Engraved illustration (26.5 x 14.5 cm), giving four circular portraits and 10 separate scenes, flanked by a letterpress description in Dutch. Full description

VISSCHER, Claes Jansz. Hendrick Danielsz Slatius, gewesene predicant tot Bleijswyck, naert 'tleven afgebeelt den 12 maert 1623.
[Amsterdam, Claes Jansz. Visscher, 1623]. Engraved illustration (22 x 12.5 cm), with an engraved title in Dutch at the head and Visscher's name at the foot, and with two letterpress poems in French on the left signed "A. Lancel."(measuring 24.5 x 25 in tital). Mounted on a larger blank leaf (36 x 41 cm). Full description