Religion & Devotion / Bibles, Liturgy & Devotional Works

[BINDO GUERRI of Siena] with a prologue by Antonius de RAMPIGOLLIS. Reportatorium Biblie aureum [= Biblia aurea].
[Augsburg], [printing office of the Abbey of Saints Ulrich and Afra], [in the period 1473 to early 1475]. Chancery (Foolscap) folio (28 x 22 cm). With the title in a note following the prologue, at the foot of the first page (and abbreviated at the end of the book), a 2-page alphabetical table of contents and the main text comprising 139 entries.
Burgundy goatskin morocco (ca. 1890?). With the armorial bookplate of Robert Proctor. [231], [1 blank] pp. Full description

BOETHIUS. De consolatione philosophie duplici commentario videlicet Sancti Thome & Jodoci Badii Ascensii cum utriusque tabula. Item eiusdem de disciplina scholarium cum explanatione et quintilianum de officio discipulorum diligenter annotata.
Rouen, [printed by Pierre Olivier] for Jean Macé in Rennes, 1519. 2 parts in 1 volume. 4to With Macés large woodcut devices on the 2 title-pages and on the verso of the last leaf, the first title-page printed in red and black. Several fine woodcut initials. Modern vellum, red morocco spine-label. [312]; [64] pp. Full description

BONAVENTURA (pseudo) [= Conradus de SAXONIA]. Speculum beate Marie virginis: compilatum ab humili fratre Bonauentura.
Augsburg, Anton Sorg, 1476. Folio (26.5 x 21.2 cm). Set in a Gothic letter in 40 lines to the page, printed in 1 column. Rubricated throughout. With a large Maiblumen woodcut-initial and 16 smaller initials (of which 11 hand-coloured in red). Modern vellum, with a manuscript title on the spine. [48] ll. Full description

[CALLOT, Jacques, Carel ALLARD & others]. [Collection of 120 engravings by French, Dutch, Italian and German artists].
Venice, Paris, [Amsterdam], etc., 1601-1725 (album ca. 1745?), with additions [1788] & [ca. 1790]. 8vo, 4to, etc. (19 x 13 cm). 120 engraved prints, namely 44 from 4 complete print series (1 with a title-print), 57 (including 3 title-prints) from 10 or 11 other series and 19 prints apparently not from any series, by Jacques Callot (1 complete series), Odoardo Fialetti, Herman Weyen, Balthasar Moncornet, Henri Bonnart, Carel Allard (3 complete series), P. Landry and others (see contents, below). Mottled sheepskin (ca. 1745?). 95 ll. Full description

CARACCIOLO, Roberto. Sermones de laudibus sanctorum.
[Reutlingen, Michael Greyff, not after 1492]. 4to. Contemporary half pigskin, blind-tooled initials on the front board, with white pigskin restorations on the upper and lower third of the spine, gold-tooled parchment label on the spine, remnants of a central clasp, manuscript waste pastedowns. [230] ll. Full description

CARACCIOLUS, Robertus. Sermones per adventu[m] domini cu[m] multis aliis inclusis. sermocionanti per utiles. famosissimi predicatoris Maiistri Ruberti de Licio Italici ordinis minoru[m]. [= Sermones de adventu, Sermo de S. Joseph, Sermo de Beatitudine, Sermones de divina caritate, Sermones de immortalitate animae].
Including: BOLLANI, Dominico (Dominicus BOLLANUS). De co[n]ceptione gloriosissime Virginis Marie [= De conceptione Beatae Virginis Mariae].
[Strasbourg, Martin Schott, 1484]. Small (Chancery) folio mostly in 8s (28.5 x 20.5 cm). Printed in 2 columns, set in 2 sizes of rotunda gothic type that Schott used for the first time in the present publication. With spaces left (without guide letters) for perhaps a hundred 3-line and dozens of larger manuscript initials, not filled in in the present copy.
Near contemporary (ca. 1500?), richly blind-tooled pigskin over square-edge boards (Eindbanddatenbank workshop w002296, active in Bavaria ca. 1473(?)-1502). With the remains of one strap-fastening (brass anchor-plate, remnants of the alum-tawed leather strap, but catchplate and clasp lost), blue-green edges. Vellum manuscript waste used for reinforcement, showing bits of Isaias 5:8-26 from a Vulgate Bible in a large textura hand. [100], [17], [1 blank] ll. Full description

CHRYSOSTOM, John. In sanctum Jesu Christi evangelium secundum Matthaeum commentarii, diligenter ab Arrianorum faecibus purgati, & in lucem in sacrae paginae tyronum gratiam modo recens sub minoriforma aediti.
Antwerp, Joannes Steelsius, 1542.
With: CHRYSOSTOM, John. Passio Domini Nostri Iesu Christi secundum Matthaeum in decem Homilias divisa.
Antwerp, Joannes Steelsius, 1542.
2 works in 1 volume. 8vo. Ad 1: with two woodcut initials at the beginning of the introduction and the prologue, of 2 different series, and a large woodcut printer's device on the last page, showing a staff, surrounded by doves and the text 'steelsius', stuck in a plaquette that says 'concordia, res parue crescunt'. Ad 2: with a woodcut initial on the first leaf. Contemporary Flemish blind-tooled, panel-stamped calf, with a tripartite panel on both sides and remnants of ties. [8],"313" [=314], [1]; 47, [1] ll. Full description

CHRYSOSTOMUS, Johannes (Antonius VAN HEMERT, translator). Van die beweechnisse des herten, tot berouwe der sonde[n]. ...
(Colophon:) Antwerp, Symon Cock, 18 August 1546. 8vo. With the title-page in red and black in a framework of thin rules, 6 woodcut decorated initials and 2 vine-leaf ornaments. Set in 3 sizes of textura gothic types. A very interesting Antwerp binding of contemporary panel-stamped calf, each board with the same panel, showing 2 medallion portraits in, the whole surrounded by a floral decorative border, interesting fastenings with cord loops that fasten to bone buttons on leather straps. [131], [1 blank] ll. Full description

DURAND, Guillaume (Guillelmus DURANDUS or DURANTI). Rationale divinorum officiorum.
Strasbourg, [Johann Prüss], 1486. Chancery folio (32.5 x 22 cm). Printed in 2 columns, with 48 lines to the column. Set in 2 sizes of rotunda gothic types, Prüss types 2 (180G) and 3 (90G), with spaces left (some with and some without printed guide letters) for manuscript initials (1 8-line, 2 7-line, 4 6-line, 3 5-line and numerous 3- and 4-line). From the beginning to h3r these spaced have been filled in with manuscript lombardic initials in red and the text has been rubricated (the first fifth of the book). Contemporary blind-tooled pigskin over wooden (beechwood?) boards by an Augsburg bindery (Eindbanddatenbank workshop w002998, active ca. 1488-1497). [3], 272 ll. Full description

FLAMINIUS, Marcus Antonius. M. Antonii Flaminii in Librum Psalmorum Brevis Explanatio, ad Alexandrum Farnesium Cardinalem amplissimum. Adiectae sunt in studiosorum usum eiusdem authoris in Psalmos aliquot, suo quaeque ordine & loco, Paraphrases. Item adiectae sunt in triginta Psalmos Paraphrases, carmine ab eodem conscriptae, & suo loco positae.
Antwerp, Christopher Plantin, 1558.
With: (2) FLAMINIUS, Marcus Antonius. M. Antonii Flaminii De Rebus Divinis Carmina ad Margaritam Henrici Gallorum Regis sororem.
Antwerp, Christopher Plantin, 1558.
2 works in 1 vol. 16mo (11.4 x 7.7 cm). With woodcut printer's device on both title-pages: "Labore et constantia" and a different one on the verso of the final blank page of the second work: "Christus vera vitis". Ruled in brown/red throughout, 2 decorated initials at the beginning of the first work and 3 in the second work. Contemporary brown leather, gold-stamped frame and ornamental centrepieces on both covers, gold-tooling on spine, gold edges with blind-tooled arabesques. 365, [3]; [24] ll. Full description