Religion & Devotion / Books of hours, Missals & Prayerbooks

[FLORIS VAN HAARLEM]. Den wech des levens. Een gheestelijc boecxken leerende hoe dat ee[n] goet kerste[n] mensch moet beginne[n] en[de] voortgaen in duechden, met veel devote ghebede[n] en[de] gheestelike corte vermaninghe[n] om tot een warachtich gheestelijc leven te comen.
[Antwerp, Heyndrick Peetersen van Middelburg, 1547?]. 8vo. With title printed in black and red, within woodcut borders. Contemporary slightly overlapping parchment, remnants of ties. [200] ll. Full description

GARCIA, Diego S.J. Sermon funebre en las exequias de la serenissima Señora D. Mariana de Austria Reyna Madre del Rey N. Señor Carlos II. Rey de las Españas. Que celebrò la nobilissima, y fidelissima ciudad de Mallorca en su Iglesia Catadral á 28. de Noviembre de 1696.
Palma de Mallorca, Miguel Capo, 1697. 4to. With the title in an ornamental frame built up from typographic ornaments (a fleur-de-lis and Vervliet vine leaf 207), three woodcut initials and a woodcut tailpiece. Modern marbled boards. [12], 26 pp. Full description

HABERMANN, Johan (Hendrik van DIEST, transl. and ed.). Christelijcke gebeden ende danck-seggingen, op 't nieuw tegen 't Hoogh-Duytsche oversien ende ten dienste der gereformeerde kercke verbetert.
Leeuwarden, Lodewijck Cres, 1661. Small 16mo in 8s (10 x 7.5 x 2 cm). Contemporary gold-tooled green parchment with an (impressed?) pebble grain (giving a sort of reptile skin pattern), sewn on 3 green parchment tapes, laced through the joints, bound for the Frisian noble families Van Harinxma thoe Slooten and Burmania, with 2 silver fastenings. 275, [8], [1 blank] pp. Full description

[HORTULUS ANIMAE - PRAYERBOOK]. [Hortulus anime cum aliis q[uam] plurimis orationibus pristine impressioni superadditis; ut tabulam in huius calce annexa[m] intue[n]ti pate[n]tissimu[m] erit.].
(colophon:) Lyon, Johannes Clein (for Johannes Koberger, Nürnberg), 15 March 1516. 8vo. With the a decorated woodcut on the title-page with a madonna and child above and a unicorn below a frame for the letterpress title printed in red, Cleins woodcut device on the final recto, further with 89 woodcut illustrations, printed from 86 blocks (in three sizes), including 52 (from 50 blocks) by Hans Springinklee (who also cut the title woodcut), 6 (from 5 blocks) by Erhard Schön and 23 other smaller woodcuts, and the text printed in red and black in gothic rotunda type, each page (except the title-page, Cleins device and a two-page table of moveable feasts), in 1 of 25 different woodcut borders (a few dated) composed of angels, putti, grotesques, vases, fountains and other emblematic and architectural details. Many of the woodcuts are partly coloured by a contemporary hand.
Contemporary blind-tooled calf over wooden boards, sewn on 3 double cords, each board with brass pieces covering the edges at the head and foot, a brass strip near the hinge on the front board (lacking on the back board) and 2 brass catch plates on the front board with traces on the back board of leather straps that would have had brass clasps. [20], CCX, [10] ll. Full description

[ILLUMINATED MANUSCRIPT - ALTAR CANON]. Accipiendo in manibus hostiam dicat[!].... Initium Sancti Evangelii secundum Joannem. ... Cibavit illum dominus pane vitæ et intellectus.
[Belgium?], [ca. 1790?]. Three illuminated manuscript wall panels in matching style, forming a three-part altar canon lettered in blue and red ink on parchment (one 47.5 x 57 cm & two 31 x 22 cm; image sizes 46 x 54.5 cm & 29.5 x 21 cm), the larger stretched over a wooden frame and each of the smaller two over a wooden panel. All three panels meticulously and finely lettered in the style of roman printing types with 1 line in italic capitals, all 12 initials and some of their decoration in gold. All three panels richly illuminated around and between the text blocks with a gold background and extensive gold highlights, the illumination including decorated cartouches. The principal scenes at the head (miniatures in a wide variety of colours) show the Last Supper, Saint John the Evangelist and Christ washing his apostles feet; the central scenes at the foot (ink and ink wash drawings, probably emblematic, that on the large panel in grey and those on the small panels in red) show a lamb and cross on an altar, 4 standing figures with long staffs around a table with a platter (of bread?: some of the figures are eating something) and herald angels before a kneeling figure (it doesnt look like a shepherd or the Virgin Mary). Full description

[LUYKEN, Jan]. Jezus en de ziel. Een geestelycke spiegel voor 't gemoed. Bestaande uyt veertig aangename en stichtelycke sinne-beelden.
Amsterdam, Pieter Arentsz., 1687. 8vo. With engraved frontispiece and 39 engraved emblems in text, all engraved by Jan Luyken. Contemporary vellum, sprinkled edges. 191, [5] pp. Full description

[MANUSCRIPT - SERVICE BOOK - DIVINE OFFICES]. Ordine da osservarsi nell'oratorio di Santa Maria di Passione, circa gli Essercicii Spirituali delle feste cavato dalla Regola maggiore.
[Milan], [18th-century]. Folio (27,5 x 18,5 cm). With 5 full-page and 2 half-page, hand-painted religious illustrations and 9 hand-painted initials on a blue background, heightened with gold and silver. 18th-century gold- and blind-tooled parchment, each board with a blind ornamental centre-piece ornament in a blind-tooled frame, in a larger frame of gold fillets, with a gold flower in each of the 6 spine compartments. [1 blank], [1], 66 pp. Full description

[MANUSCRIPT - PRAYERBOOK]. [1st rubric:] Form zu betten unser liebe[n] frawen mantel, Gebet. [incipit:] Cegrüest seiestu o süesse aller heiligste junckfraw maria ...
[Ravensburg?], [ca. 1670]. Small 16mo in 8s (10 x 8.5 x 4 cm; leaf: 9 x 7.5 cm). German manuscript in red and black ink on paper, written in an upright, semi-cursive gothic hand, with so-called lombardic initials in red, rubricated throughout. With 11 lines per page, text block 7 x 5.5 cm. Contemporary blind-tooled pigskin over bevelled wooden (beechwood?) boards, sewn on 3 double supports, In total more than 100 impressions of about 9 stamps. Further with 2 strap fastenings with brass clasps (each with an owners(?) stamp: 1.5 mm roman capital initials "LH" above a 3 mm head in profile, facing right), catchplates and anchor plates, plain headbands, blue edges. With 27 mm roman capital initials "BR" in brown ink on the foot edge. [423], [3 blank] pp. plus 3 endleaves at the front and 5 at the back. Full description

MCFARLAND, Samuel Gamble, ed. Siamese hymnal.
Phetchaburi (in Thailand), Samuel Gamble McFarland, 1876. 8vo. With Western round-head letterpress music notation. Set in Thai type with incidental roman. This copy with the letterpress presentation slip on blue paper tipped in (from McFarland and his wife), for people who contributed to the project. Contemporary half tanned sheepskin, probably bound for presentation. 148 pp. Full description

[MINIATURE - GERMAN]. [The Arrest of Christ].
[Flanders (Bruges?), or Nürnberg, ca. 1520]. Miniature painted on vellum (7.8 x 5.6 cm) in numerous colours, highlighted with gold and in a gold border, probably from a book of hours, but with no text. Full description