Early Printing & Manuscripts

[BOOK OF HOURS]. [Book of Hours - use of Rouen].
Rouen, Normandy, France, ca. 1480. Small 4to (14.3 x 19.3 cm). Latin and French illuminated manuscript on vellum. Ruled in red ink for 14 lines per page (16 in the calendar). Gothic textura, major feasts in calendar in burnished gold, others alternately red or blue. Text pages illuminated with panel borders of flowers and plants on gold, and blue and gold stylised acanthus on a plain ground. Calendar has 24 small square miniatures set into panel borders; major text divisions marked by 12 large miniatures; 2 historiated initials; hundreds of smaller initials and line-fillers throughout. 18th-century French gold-tooled red calf over pasteboards, with the title lettered in gold on the spine, gilt edges, marbled endpapers. [160] ll. Full description

[BOOK OF HOURS]. Hore [= Horae beate Marie Virginis] secundum usum Romanum ad longum.
(colophon: Paris, Thomas Kees), [ca. 1511, with an almanac for the years 1511-1530]. 8vo (18 x 12 cm). Printed on vellum in red and black throughout, with illustrations printed from (mostly metal?) relief blocks: 17 nearly full-page plus 1 repeat, 27 small plus 2 repeats in the text, many additional small in the decorated border pieces that surround nearly every page. Dark brown gold- and blind-tooled goatskin morocco (ca. 1870?), signed "HARDY-MENNIL" in the foot of the front turn-in. [216] pp. Full description

[BOOK OF HOURS - DUTCH]. [15th-century manuscript book of hours, written in Middle Dutch]. [Incipit 1r:] Here du saltste op doen mine lippen en[de] mijn mo[n]t sal voert-kundige[n] dijn lof.
[Southern Netherlands, 15th century]. Small 4to (binding 15.5 x 12 cm; leaves ca. 14.5 x 11.5 cm). Manuscript in Middle-Dutch, written in one column (18 or 19 lines to a page) in a very neat gothic textura script, by one or maybe two hands. The vellum leaves are (lightly) ruled in red ink, the main body of the text is written in black ink. Leaf 1r shows a large 9-line painted initial (blue and white on a golden field) and elaborate green vines and blue, gold, and pink leaves in the margins, all tekst on 1r is written within a blue and gold frame. With 37 3- or 4-line painted initials (gold on a blue or pink field) with the same green, blue, gold, and pink vine-and-leaves decorations in the left margins of the leaves and 7 3-, 4-, or 5-line penwork initials (green, blue, and red) with simple red and green penwork decorations in the left margin of the leaves. Further with numerous 1- and 2-line red and blue initials throughout and occasional 6-line red or blue initials in the left margin of the leaves. 17th- or 18th-century gold- and blind-tooled half mottled calf and sprinkled paper sides, red sprinkled edges. [189] ll. Full description

BRANT, Sebastian. Ad divum Maximilianum Caesarem invictissimum conctosque Christiani nominis principes et populos, Nenia Sebastiani Brant, In Thurcarum nyciteria, cum arripiende in eosdem expeditionis exhortatione.
(Colophon:) Strasbourg, [Johann Knoblauch], 9 February 1518. 4to. With a small vignette built up from typographical ornaments on the title-page. 18th-century grey paper wrappers. [1], [1 blank], [5], [1 blank] pp. Full description

BRASAVOLA (BRASSAVOLA), Antonio Musa. Examen omnium electuariorum, pulverum, et confectionum.
Venice, Vincent Valgrisi, 1548. 8vo. With a woodcut device on title-page and a larger version on the last page. Later stiff paper wrappers. 140, [2] pp. Full description

BRISSON, Barnabé. De formulis et sollemnibus populi Romani verbis, Libri VIII...
Frankfurt, Joannes Wechel and Petrus Fischer and consorts, 1592. 4to. With title-page printed in red and black, woodcut printer's device, woodcut head- & tail pieces and initials. Contemporary gold-tooled calf. [8], 750 [= 760], [84] pp. Full description

BRUNFELS, Otto. Epitome ex gravissimis authoribus, totius rei medicae summam complectens, ... congesta: nuper verò emendata et locupletata.
Paris, Guillaume Julian, 1552. 16mo (11.5 x 7.5 cm). Old limp parchment. 104 ll. Full description

BÜNTING, Heinrich and Matthias HASAERT. Itinerarium Sacrae Scripturae, das ist Ein Reisebuch uber die gantze Heilige Schrifft ...
Including:
[BÜNTING, Heinrich]. Itinerarium Novi Testamenti. Das ist: Ein Reisebuch over das Newe Testament.
BÜNTING, Heinrich. De monetis et mensuris sacrae scripturae. Dass ist: Ein eigentliche ausrechnung und beschreibung aller Müntz und Masse in heiliger Schrift. ...
Magdeburg, Paul Donat for Ambrosius Kirchner, 1585. With 3 title-pages, 7 double-page and 2 full-page woodcut maps
With: (2) BÜNTING, Heinrich. Braunschweigische und Luneburgische Chronica.
Including:
Das ander Theil Braunschweigischen Chronica, gehet auff das Land Lüneburg
Das dritte Theil, der Braunschweigischen und Lüneburgischen Chronica, ...
Das vierte Theil dieses Buches, gehet insonderheit auff das Fürstenthumb Grubenhagen, füret ... den geburts Stam des fürstlichen Hauses Braunschweig und Lüneburg.
Magdeburg, Paul Donat for Ambrosius Kirchner, 1584-1585. General title-page in red and black with the woodcut coat of arms of Julius of Braunschweig-Wolfenbüttel, further with numerous finely detailed woodcut illustrations
2 works in 3 and 4 volumes, bound as 1. Folio. Contemporary, richly blind-tooled pigskin, possibly by Nikolaus Müller in Wittenberg. With a matching pair of panel stamps in the central fields: portraits of Martin Luther (front board, 83 x 44 mm) and Phillip Melanchthon (back board, 81 x 45 mm), each with the date 1556 and text below. Ad 1: [16], “141” [= 242], [18]; [6], 110, [9] [3 blank]; [6], “34” [= 33], [1 blank] pp.; ad 2: [14], “150” [= 151], [1 blank]; “46” [= 47]. [1 blank]; [1], 47-82, [1 blank]; [1], “82”-“113” [= 83-109] ll. Full description

[BURGASSI, Antonio Cesare and Jacopo MORELLI]. Serie dell'edizioni Aldine per ordine cronologico ed alphabetico. Seconda edizione con emendazioni e giunte.
Padua, Pietro Brandolese, 1790. 12mo. Contemporary wrappers. [8], 182, [1], [1 blank] pp. Full description

CAESAREA, Basil of (SAINT BASIL, attributed) and Desiderius ERASMUS (translator). Opus argutum ac pium, de spiritu sancto ad amphilochium.
Paris, Chréstien Wechel and Jean Roigny, 1532. Small 8vo (9.5 x 14.9 cm). With Wechels woodcut printers device on the title page and the verso of the otherwise blank last leaf, and 2 woodcut decorated initials. Modern limp overlapping vellum. 124, [3 blank],[1] pp. Full description