Early Printing & Manuscripts

CARACCIOLUS, Robertus. Sermones per adventu[m] domini cu[m] multis aliis inclusis. sermocionanti per utiles. famosissimi predicatoris Maiistri Ruberti de Licio Italici ordinis minoru[m]. [= Sermones de adventu, Sermo de S. Joseph, Sermo de Beatitudine, Sermones de divina caritate, Sermones de immortalitate animae].
Including: BOLLANI, Dominico (Dominicus BOLLANUS). De co[n]ceptione gloriosissime Virginis Marie [= De conceptione Beatae Virginis Mariae].
[Strasbourg, Martin Schott, 1484]. Small (Chancery) folio mostly in 8s (28.5 x 20.5 cm). Printed in 2 columns, set in 2 sizes of rotunda gothic type that Schott used for the first time in the present publication. With spaces left (without guide letters) for perhaps a hundred 3-line and dozens of larger manuscript initials, not filled in in the present copy.
Near contemporary (ca. 1500?), richly blind-tooled pigskin over square-edge boards (Eindbanddatenbank workshop w002296, active in Bavaria ca. 1473(?)-1502). With the remains of one strap-fastening (brass anchor-plate, remnants of the alum-tawed leather strap, but catchplate and clasp lost), blue-green edges. Vellum manuscript waste used for reinforcement, showing bits of Isaias 5:8-26 from a Vulgate Bible in a large textura hand. [100], [17], [1 blank] ll. Full description

CARTARI, Vincenzo [& Antoine du VERDIER]. Imagines deorum, qui ab antiquis colebantur: in quibus simulacra, ritus, caerimoniae, magnaque, ex parte veterum religio explicatur: olim a Vincentio Chartario Rhegiensi ex variis auctoribus in unum collectae, atque in Italica lingua expositae: nunc vero ad communem omnium utilitatem Latino sermone ab Ant. Verderio domino Vallisprivatae, &c. expressae, atque in meliorem ordinem digestae. Quibus acc. duo indices: prior, imaginum: posterior, rerum atque verborum, quae toto libro continentur.
Lyons, Etienne Michel (colophon: printed by Guichard Julliéron), 1581 (colophon: August). 4to. With Michel's woodcut publishers device on the title-page (an Ottoman man and a fruit tree with motto "virtutes sibi invicem adhaerent"), a full-page woodcut portrait of Antoine du Verdier, a small woodcut illustration and 89 beautiful large woodcuts (13 x 9.5 cm) of classical mythological gods and heroes in the text. Modern sheepskin parchmen. [8], 359, [57] pp. Full description

CASTIGLIONE, Baltasar. Il Cortegiano.
Venice, Gabriel Iolito de Ferrarii, 1541. 8vo. With woodcut printer's device on two title-pages, and on the last leaf, woodcut initials in text. Contemporary vellum, with remnants of ties. [6], [2 blank], 5, CXCV ll. Full description

CATULLUS, Gaius Valerius and Marc-Antoine MURET. [Carmina]. Catullus, et in eum commentarius M. Antonii Mureti.
Venice, Paulus Manutius, 1554. 8vo. With Aldus's woodcut device on the title-page, repeated on the verso of the otherwise blank final leaf, and spaces with guide letters left for 2 5-line and about 60 3-line manuscript initials (not filled in). Set in an Aldine italic (with upright capitals) with occasional words (mostly names) in roman and frequent passages in Greek. Gold-tooled mottled calf (ca. 1700). [4], "134" [= 136], [2] ll. Full description

CATULLUS, Gaius Valerius; Albius TIBULLUS; Sextus PROPERTIUS (Hieronymus AVANTIUS, ed.). [Opera]. Catullus. Tibullus. Propertius.
[colophon:] Venice, Aldo I Manuzio, January 1502. 8vo. With more than 100 spaces (2 8-line, 6 6-line and the rest 2-line) with guide letters left for manuscript initials, none filled in. Set in Alduss italic type (with upright capitals) throughout, the first italic printing type, first used in 1501, with titles, headings, running heads, etc. set in the capitals of the same type, with an occasional word of Greek in the text. Gold-tooled, green long-grained sheepskin (vertical grain) (ca. 1800). [152] ll. Full description

CATULLUS, Gaius Valerius; Albius TIBULLUS; Sextus PROPERTIUS (Hieronymus AVANTIUS, ed.). [Opera]. Catullus. Tibullus. Propertius.
[colophon:] Venice, the heirs of Aldo I Manuzio & Andrea I Torresano, March 1515. 8vo. With Aldos woodcut anker and dolphin device on the title-page and on the verso of the last leaf, each flanked by "AL ... DVS" in letterpress capitals. Set in Aldos italic type (with upright capitals), the first italic printing type. Blind-tooled brown goatskin morocco (early 20th-century) by the Paris bookbinder G. Vignal (active ca. 1890-ca. 1930), signed with a blind stamp in the foot of the front turn-in ("G. VIGNAL REL. DOR.". 148, [2] ll. Full description

CELLINI, Benvenuto. Due trattati, uno intorno alle otto principali arti dell' oreficeria. L'altro in materia dell'arte della scultura; dove si veggono infiniti segreti nel lavorar le figure di marmo, & nel gettarle di bronzo.
Florence, Valente Panizzi, Marco Peri, 1568. 4to. With the woodcut coat of arms of the Medici on the title-page, a woodcut printer's device at the end, 1 small and 36 large architectural historiated initials. 19th-century marbled-paper boards. [5], 61, [7] ll. Full description

CENTENO, Amaro. Historia de cosas del oriente primera y segunda parte...
Cordoba, Diego Galván, 1595. 2 parts in 1 volume. 4to. With a woodcut coat of arms on the title-page and the divisional title-page for part 2, an elaborate Jesuit woodcut IHS vignette on the verso of the last leaf above the colophon and woodcut initials throughout, with a few typographical or woodcut tail-pieces, al text is set within a simple woodcut frame. Later tree marbled sheepskin. [8], 138, [4] ll. Full description

CHAMPIER, Symphorien. Castigationes seu emendationes pharmacopolarum, sive apothecariorum, ac Arabum medicorum Mesue, Serapionis, Rafis, Alpharabii, & aliorum iuniorum medicorum...
(Colophon: Lyon, Johannes Crespin, 1532). 2 parts in 1 volume (bound in reverse order). 8vo. With armorial woodcut on title-page to the second part (bound as opening title-page), repeated several times in text, and numerous woodcut initials. Contemporary vellum, richly blind-tooled in a panel design. LVI, CXII ll. Full description

[CHARLES V, Emperor]. Les ordonnances[,] statutes, & edictz, que lEmpereur Charles cinquies. de ce nom, tousjours auguste, a faict publier en la ville de Bruxelles ...
Brussels, Marck Martens; Antwerp, "en l[]escu dArtoys, sur le Pont de Chambre" [= the printing office of Jacob van Liesvelt], [privilege dated from Brussels, 7 October 1540]. 4° (20.5 × 15 cm). Title-page with an elaborate large woodcut showing the Imperial coat-of-arms. 20th-century half sheepskin parchment, boards covered with 2 leaves from Froben & Petris 2° Latin Bible, Basel, 1498, red edges. [20] pp. Full description