Early Printing & Manuscripts

CHAVES, Jérôme de. Chronographia o reportorio de tiempos, el mas copioso y precisso, que hasta ahora ha salido a luz.
Sevilla, Fernando Diaz, Faustino de Magarino (colophon: printed by Fernando Diaz), 1584. 4to. With title printed in red and black with woodcut portrait of the author, Diaz's woodcut printer's device below the colophon on the last page, 2 full- or nearly full-page woodcuts, 19 half-page woodcuts, 7 half-page round woodcuts, and 43 small round woodcuts of phases of the moon. Many letterpress tables of the positions of the sun and moon, calendars, movable feasts, etc. Sheepskin parchment by Domingo V. Folch of the national bindery in Valencia (2nd half of 19th century), gold-tooled spine. 192, 201-"163" [= 263] ll. Full description

CHRYSOSTOM, John. In sanctum Jesu Christi evangelium secundum Matthaeum commentarii, diligenter ab Arrianorum faecibus purgati, & in lucem in sacrae paginae tyronum gratiam modo recens sub minoriforma aediti.
Antwerp, Joannes Steelsius, 1542.
With: CHRYSOSTOM, John. Passio Domini Nostri Iesu Christi secundum Matthaeum in decem Homilias divisa.
Antwerp, Joannes Steelsius, 1542.
2 works in 1 volume. 8vo. Ad 1: with two woodcut initials at the beginning of the introduction and the prologue, of 2 different series, and a large woodcut printer's device on the last page, showing a staff, surrounded by doves and the text 'steelsius', stuck in a plaquette that says 'concordia, res parue crescunt'. Ad 2: with a woodcut initial on the first leaf. Contemporary Flemish blind-tooled, panel-stamped calf, with a tripartite panel on both sides and remnants of ties. [8],"313" [=314], [1]; 47, [1] ll. Full description

CHRYSOSTOMUS, Johannes (Antonius VAN HEMERT, translator). Van die beweechnisse des herten, tot berouwe der sonde[n]. ...
(Colophon:) Antwerp, Symon Cock, 18 August 1546. 8vo. With the title-page in red and black in a framework of thin rules, 6 woodcut decorated initials and 2 vine-leaf ornaments. Set in 3 sizes of textura gothic types. A very interesting Antwerp binding of contemporary panel-stamped calf, each board with the same panel, showing 2 medallion portraits in, the whole surrounded by a floral decorative border, interesting fastenings with cord loops that fasten to bone buttons on leather straps. [131], [1 blank] ll. Full description

[CICERO, Marcus Tullius]. In omnes de arte rhetorica M. Tullii Ciceronis libros, item in eos ad C. Herennium scriptos, doctissimorum virorum commentaria, in unum veluti corpus redacta, ac separatim a' Ciceronis contextu, quem a' diversis impressum nemo iam in sua bibliotheca non habet, ne quis inani sumptu gravaretur, edita. Accessit in omnes libros rerum ac verborum memorabilium plenissimus index.
Venice, sons of Aldus Manutius, 1546. 2 parts in 1 volume. Folio. With Aldus's woodcut device on title-page and repeated on the otherwise blank last leaf. 19th-century gold- and blind-tooled red morocco in Renaissance style: boards with a gold-tooled central ornament, gold-tooled board edges and turn-ins. [20] pp, 624 cols.; cols. 1-492, [8] pp., cols. 493-824[=826] Full description

CIGNANO, Ludovico. Quieta solitudine di varii ragionamenti, discorsi, et concetti, ove si narra quattro navigationi ...
Bologna, Alessandro Benacci, 1587. Small 4to. With the woodcut coat of arms of the dedicatee Giovanni Luigi Scappi, elaborately helmed, crested and mantled, on the title-page, a woodcut tailpiece (plus 1 repeat), woodcut decorated initials (at least 4 series), decorations built up from cast typographic ornaments.
Goatskin morocco (ca. 1870/80?), richly gold-tooled spine and turn-ins, signed in foot of front turn-in by the Paris bookbinders "DARLAUD FRÈRES", gold fillets on sides and board edges, combed curl-marbled endpapers, edges gilt over marbling, headbands worked in white and beige, and a yellow, red and green ribbon marker. 166 pp. Full description

CLENARDUS, Nicolaus. Nic. Clenardi Epistolarum libri duo. Quorum posterior iam primum in lucem prodit.
Antwerp, Christopher Plantin, 1566. 2 parts in 1 volume. 8to. Both title-pages with Plantin's woodcut printer's mark, Arabic type interspersed. Contemporary vellum with 4 raised bands and a manuscript title on the spine. 112, 258 [= 241], [4] pp. Full description

CLICHTOVE, Josse (Judocus CLICHTOVEUS). De vita et moribus sacerdotum, opusculum: singularem eoru[m] dignitatem oste[n]dens, & quibus ornati esse debea[n]t virtutibus: explanans.
Paris, Henri Estienne I, 1519 (colophon: 4 August). With woodcut title-page with the letterpress title and imprint in the central opening; further with about 21 woodcut initials (4 series, mostly criblé) plus about 4 repeats.
With: (2) MARRE, Jean. Enchiridio[n] sacerdotale concinnatu[m] ad salutarem eruditionem Christifideliu[m] ab lo[n]ge revere[n]do in Christo patre d[omi]no Ioanne Mare Co[n]domien[sis]. episcopo. In quo haec sunt capita. ...
[Paris], (colophon: Jodocus Badius Ascensius, 25 November 1519). With numerous woodcut decorated initials (4 series, the largest 45-47 mm. criblé initials). 2 works in 1 volume. 4to (20 x 14 cm). 16th-century blind- and gold-tooled calf, each board in a panel design, with the owner's name "D. Ioa[n]mes[!] Lassere" on the front and motto "memento mortis" on the back, the motto and fleurs-de-lis on the back in gold. 75, [1 blank]; “LXI” [= LXXI], [1 blank] ll. Full description

CORDUS, Valerius. De halosantho seu spermate ceti vulgo dicto, liber nunc primum in lucem abditus.
Zürich, [Jacob Gessner], 1566. 8vo. With woodcut printer's device on title-page and a woodcut initial. Modern paper boards, early marbled edges. [3], 37 ll. Full description

CORDUS, Valerius. Novum ... dispensatorium, hoc est, pharmacorum conficiendorum ratio: quam ab ipso olim auctam, nunc à quamplurimis mendis expurgatam in lucem edimus.
Venice, Vincenzo Valgrisi, 1563. 12mo. Contemporary blind-tooled calf, spine reinforced with white paper. [24], 444 pp. Full description

CURTIUS RUFUS, Quintus. Quintus Curtius. [De rebus Alexandri Regis Macedonum libri III-X.]
Venice, heirs of Aldo I Manuzio & Andrea I Torresano, July 1520. 8vo. With Aldos woodcut anchor and dolphin device on the title-page, repeated on the verso of the otherwise blank last leaf (each with letterpress "AL ... DUS" flanking the device). Set in Aldos famous italic (with upright capitals), the worlds first italic printing type, first used in 1501. Richly blind-tooled brown goatskin morocco (early 20th-century with the older bookplate moved to the new paste-down?). [8], 170, [2] ll. Full description