Literature & Linguistics

HEINE, Maurice. L'Islam sous la cendre.
Paris, [Jules Meynial] (colophon: Frazier-Soye), (19 February) 1918. Square 4to (25 x 26 cm). With three different versions of the frontispiece: a lithographed plate, a hand-coloured miniature painting on vellum, highlighted with gold, and an engraved plate; and with the half-title printed in blue and several words in the text printed in green and blue. Original green cloth. 26 ll. Full description

HEINSIUS, Daniel. Lof-sanck van Jesus Christus den eenigen ende eeuwigen sone Godes: ende zyne andere Nederduytse poemata. Nieuwelijcks oversien, vermeerdert, ende verbetert. Met de uytlegginghen.
Amsterdam, Jan Jacobsz. Schipper, 1650. 8vo. With a woodcut interlaced decoration on the title-page, a small engraved nativity scene (for the Lof-sanck), a full-page engraving of the memorial monument for Jacob van Heemskerk (for the Neder-Duytsche poemata) and 72 emblematic engravings (4.5×6.5 cm), mostly by Crispijn de Passe. 17th-century vellum. 301, [1] pp. Full description

HENNEBO, Robert. Verzamelde dicht-werken.
The Hague, Pieter van Os; Leiden, Pieter van der Eyk and Johannes Le Mair, etc., [1767]. 8vo. With 2 half-page engravings in the text. Contemporary half calf. [26], 120, [3], [1 blank] pp. Full description

[HINDUSTANI - GRAMMAR]. Gramatica indostana a mais vulgar que se practica no imperio do gram Mogol, para uso dos muitos reverendos padres missionarios do dito imperio.
Lisbon, Impressão Regia, 1805. Small 8vo (17.5 x 11.5 cm). With a woodcut vignette on the title page. Mid-19th-century half gold-tooled tanned sheepskin, marbled paper sides. With the title in gold on the spine, marbled endpapers. [2], 150 [2] pp. Full description

[HOLBERG, Ludvig von]. Nicolai Klimii iter subterraneum novam telluris theoriam ac historiam quintae monarchiae adhuc nobis incognitae, exhibens e bibliotheca B. Abelini.
Copenhagen and Leipzig, Friedrich Christian Pelt, 1754. 8vo. With engraved frontispiece, engraved title-page, folding map and 6 full-page plates, engraved by Brühl. 19th-century boards, covered with marbled paper. [12], 366 pp. Full description

HOLBERG, Ludvig. Leevensbeschryving van den heere Baron Lodewyk Holberg.
Amsterdam, Steven van Esveldt, 1765. 8vo. With engraved frontispiece portrait of Holberg. Brown calf (ca. 1900?), richly gold-tooled spine. [1], [1 blank], IX, [1], 386, [2] pp. plus engraved portrait. Full description

[HOLDERMANN, Jean-Baptiste Daniel]. Grammaire Turque ou méthode courte et facile pour apprendre la langue Turque ...
Istanbul, [Ibrahim Müteferrika & Zaïd Aga Effendi], 1730. 4to. With a double-page engraved table of Arabic letters in 7 different styles. Set in roman type with frequent Turkish words and phrases in naskh Arabic type. Contemporary blind-tooled calf. [16], 194, [6] pp. Full description

HOMER. Iliade di Omero. Traduzione del Cav. Vincenzo Monti.
Milano, Dalla Stamperia Reale, 1812. 2 vols. Large 8vo (23.5 x 16 cm). Contemporary elaborately gold-tooled green calf (or sheepskin), with a light brown title-label on the spine lettered in gold. All boards show the large gold-tooled crowned coat of arms (of the French Barons Pavée de Vendeuvre - see to Rietstap 5, Pl. XXIII) within a gold-tooled frame, brown marbled endpapers, gilt edges. [1], [1 blank], [1], [1 blank], [4], 366; 386 pp. Full description

HÖNN, Georg Paul. Betrugslexicon, worinnen die meisten Betrügereyen in allen Ständen, nebst denen darwider guten Theils dienenden Mitteln, ...
Coburg, Johann Carl Findeisen, 1761. 8vo. With a woodcut title-vignette and woodcut headpieces. Contemporary brown sprinkled paper over boards, red edges. [16], 524, [4] pp. Full description

[HOOFT, Pieter Cornelisz.]. Emblemata amatoria. Afbeeldinghen van minne. Emblemes d'amour.
Amsterdam, Willem Jansz. Blaeu, 1611. Oblong 4to (15 x 19 cm). With an engraved title-page, with the title in Latin, Dutch and French. With 30 engraved emblems (ca. 10.5 x 13.5 cm), each with tri-lingual mottos in the engraving and distichs in Dutch with Latin and French translations on the opposite page. The Dutch text is mainly set in gothic letters, while the Latin and French texts are set in roman and italic letters respectively. The Dutch songs and sonnets in the second half of the work are set in roman and gothic letters, sometimes in two columns. 19th-century gold-tooled red sheepskin, with two triple-fillet frames and 4 ornamental corner pieces between the two frames. With an elaborately gold-tooled spine, including the French title and the year of publication, gold-tooled board edges and turn-ins, gilt edges, marbled endpapers and a yellow, red and green reading ribbon. 144 pp. Full description