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Literature & Linguistics

The Arabian nights fairy tales illustrated with jewel-like images by Edmund Dulac.

HOUSMAN, Laurence; Edmund DULAC (ills.). Stories from the Arabian nights.
London, Hodder and Stoughton, November 1907. 4to. With 50 full-page coloured illustrations after drawings by Edmund Dulac, with descriptions on the flyleaves. Original publishers orange cloth with gilt title in gold on decorated spine and front cover. xvi, 133 pp. Full description
€ 300
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Famous poem with moral lessons for unmarried women, married women and widows

HOUWAERT, Jean Baptista. Pegasides pleyn. Ofte den lust-hof der maechden.
Volume 1: Delft, Adriaen Gerritsen, 1615 (colophon: 1614); volume 2: Leiden, Jan Paets Jacobszoon, 1611. 8vo. Volume 1 with an engraved title-page by Jan Wiericx and 8 full-page engravings by Jan Wiericx; volume 2 with the main text set in civilité type. Uniform contemporary vellum. XLVI, [2], 867, [1]; 464, 1-471, [1 blank] pp. Full description
€ 3,950
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Four plays by Antwerp rhetoricians, erroneously attributed to Johan Baptiste Houwaert

HOUWAERT, Johan Baptista [recté: MOL, Jacob de, Colyn KEYART and “SMEECKEN” (Jan SMEKEN?)]. Den handel der amoureusheyt inhoudende vier poetische spelen, 1. Van Aeneas ende Dido. 2. Narcissus ende Echo. 3. Mars ende Venus. 4. Leander ende Hero. Poetelijck geinventeert ende rethorijckelijck ghecomponeert.
Rotterdam, Jan van Waesberghe III, 1621. 4 parts in one volume. 8vo. With an engraved ornamental title-page with the title in an oval cartouche and 4 roundels in the corners with scenes from the four plays; 4 full-page engraved plates with similar scenes, one in the preliminaries of each play. Contemporary calf, spine richly gold-tooled in compartments with red title label lettered in gold, gold-tooled board edges. 237 ll. Full description
€ 5,500
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Beautiful 19th-century illustrations for all of Victor Hugo's plays, printed on silk

[HUGO, Victor]. [Théatre. Gravures sur soie].
[Paris, J. Lemmonyer, G. Richard and Cie, E. Testard, between 1885-1895]. 4to (ca. 27 x 24.5 cm). With 30 full-page engravings on silk. Contemporary gold-tooled red morocco, with the title and author lettered in gold on the spine, gold-tooled board edges and turn ins, marbled end papers. Bound by the French bookbinder Louis Guétant (1848-1936), signed in the bottom turn in of the front board. [30] silk ll. Full description
€ 6,500
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Celebrating Gustav Adolf II, 'The Lion of the North' and champion of Protestantism,
magnificently illustrated by Crispijn vande Passe II

HULSIUS, Bartholomaeus. Den onderganck des Roomschen Arents, door den Noordschen Leeuw. Af-ghebeeldt in verscheyden konstige figuren, met sin-rijcke verklaringhen der selver, beydes in en buyten rijm, vertoonende, in 't kort, de gedenckwaerdighste saken, die van den beginne, tot noch toe, in dese oorlogen zyn omgegaen. Met een verhael van den doodt des Koninghs. Hier zyn noch by ghevoeght de victorien der Croon Sweden, sedert de doodt des auteurs vercreghen.
Amsterdam, Crispijn vande Passe, 1642. 4to. Engraved allegorical title-page with engraved title in a central panel below Fame sitting on a swan. Beautifully bound in 19thcentury light brown gold-tooled calf (1850s or 1860s?), each board with triple along the edges, decorated spine with red and green labels lettered in gold, gold-tooled board edges and turn-ins, marbled endpapers, signed "PETIT SUCCr DE SIMIER": Charles Petit operated a Paris bindery from 1848 to 1873 as successor to René Simier (1772-1843), relieur du roi from 1815, and his son. [12], 91, [1 blank] pp. plus engraved title-page. Full description
€ 15,000
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Catalogue of van Hulthem’s enormous library

HULTHEM, Charles van (A. VOISIN, cataloguer). Bibliotheca Hulthemiana ou Catalogue méthodique de la riche et précieuse collection de livres et des manuscrits.
Ghent, J. Poelman, 1836-1837. 6 volumes. 8vo. With lithographed portrait of Charles van Hulthem as frontispiece. Contemporary half goatskin. Full description
€ 2,500
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Antipapal dialogues (1520), with a lovely woodcut of Fortuna

HUTTEN, Ulrich von. Dialogi. Fortuna. Febris prima. Febris secunda. Trias Romana. Inspicientes.
Colophon: Mainz, Johann Schöffer, April 1520. Small 4to (19.5 x 14 cm). With a lovely woodcut of the blindfolded Fortuna on title-page (by Hans Weiditz?), a large woodcut initial Q (repeated twice) and several vine leaf ornaments. Printed in roman type. 19th-century half vellum. [72] ll. Full description
€ 3,750
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Third edition of the first poetry collection by one of the most famous poets of the Dutch Golden Age

HUYGENS, Constantijn. Ses boecken van de ledige uren, zijnde ghedichten van verscheyden talen, stijlen, ende stoffen. - Otiorum libri sex. Poëmata varij sermonis, styli, argumenti.
Haarlem, Hans Passchiers van Wesbusch, 1641. Oblong 16mo. Contemporary overlapping vellum, sewn on 2 supports laced through the joints, with the manuscript title on the spine. [2], 543, [1] pp. Full description
€ 7,500
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First and only edition of one of the earliest works on Persian grammar

IGNATIUS a Jesus (Carlo LEONELLI). Grammatica linguae Persicae. Auctore Patre Fratre Ignatio à Jesu Carmelita Discalceato missionario, & vicario residentiae Tripolis, & Montis Libani.
Rome, Propaganda Fide, 1661. 4to. With a device on the title-page, 1 woodcut decorated initial, decorations built up from arabesque typographic ornaments and a 4-page letterpress table showing the Persian alphabet with the initial, medial, final and stand-alone forms of the letters. Modern ivory vellum in the style of the time, manuscript title on spine. [2], 60 pp. Full description
€ 8,500
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The first illustrated edition in any language, in the tradition of Arabian Nights

[INCUNABLE - GOUDA]. Historia septem sapientiu[m] Rom[a]e.
[Gouda, Gheraert Leeu, before 3 June 1480]. 4to (20.5 x 14 cm). With 4 full-page woodcuts plus 14 repeats. The first initial is supplied in manuscript, in a rich ornamental uncial style in red and blue with brown penwork. All other initials are supplied by hand in simple red uncials. The text is rubricated throughout. Most of the plates are lightly highlighted in yellow and red, by a contemporary hand. Contemporary limp sheepskin parchment without a spine, so that the sewing is completely visible. Kept in a modern brown half morocco clamshell box. [79], [1 blank] ll. Full description
€ 250,000
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