Quintessential eighteenth-century Virgil edition, bound in a magnificent binding
VIRGILIUS MARO, Publius.
Opera. Vol. I.
London, John Pine, 1755 [= actually some years later]. 8vo. With 2 different vignettes on the otherwise identical engraved title pages, an engraved frontispiece with a figure of the muse Euterpe, 2 engraved dedication leaves with vignettes, 1 folding and 49 full-page engraved plates on 39 leaves (11 of the leaves with a plate on each side), 31 engraved half-page plates and historiated head- and tailpieces, engraved historiated and decorated initials. Some of the images are derived from the illustrations in the Codex Vaticanus, a 5th-century codex containing the works of Virgil. Late-19th-century gold-tooled crushed red morocco, bound by the famous partnership of René Chambolle (1834-1898) and Hippolyte Duru (1803-1898) (with their names gold-stamped in the bottom front turn-in). The boards show a double fillet frame with detailed, ornate flowers and vines along the inside of the frame, with the author, title, and imprint lettered in gold on the gold-tooled spine, gold-tooled board edges and turn-ins, gilt top edge, marbled endpapers. The binding can be dated between 1861 and ca. 1870, the heyday of the Chambolle-Duru partnership representing the high level of the Golden Age of French bibliophile binding. [8], XV, [2], 144, [6] pp. Full description
€ 3,500
London, John Pine, 1755 [= actually some years later]. 8vo. With 2 different vignettes on the otherwise identical engraved title pages, an engraved frontispiece with a figure of the muse Euterpe, 2 engraved dedication leaves with vignettes, 1 folding and 49 full-page engraved plates on 39 leaves (11 of the leaves with a plate on each side), 31 engraved half-page plates and historiated head- and tailpieces, engraved historiated and decorated initials. Some of the images are derived from the illustrations in the Codex Vaticanus, a 5th-century codex containing the works of Virgil. Late-19th-century gold-tooled crushed red morocco, bound by the famous partnership of René Chambolle (1834-1898) and Hippolyte Duru (1803-1898) (with their names gold-stamped in the bottom front turn-in). The boards show a double fillet frame with detailed, ornate flowers and vines along the inside of the frame, with the author, title, and imprint lettered in gold on the gold-tooled spine, gold-tooled board edges and turn-ins, gilt top edge, marbled endpapers. The binding can be dated between 1861 and ca. 1870, the heyday of the Chambolle-Duru partnership representing the high level of the Golden Age of French bibliophile binding. [8], XV, [2], 144, [6] pp. Full description
