Highlights

[TILL EULENSPIEGEL]. Histoire de la vie de Tiel Wlespiegle, contenant ses faits & finesses, ses aventures, & les grandes fortunes qu'il a euës, ne s'étant jamais laissé tromper par aucune personne. Nouvelle traduction de l'Alemand en François; où l'on a ajoûté à cette edition, plusieurs pieces qui n'ont point encore paru en François jusques à present.
Amsterdam, Nicolas Chevalier, 1702. 12mo. With engraved title-page showing an owl looking at itself in a mirror with Ulenspiegel wearing a fool's cap watching. Black morocco by Hippolyte Duru, with his stamp ("DURU 1849") on flyleaf, blind-tooled fillets on spine and boards, richly gold-tooled turns ins, gilt edges. [8], 202, [6] pp. Full description

[TILL EULENSPIEGEL]. Histoire de la vie de Tiel Wlespiegle, contenant ses faits et finesses, ses aventures, et les grandes fortunes qu'il a euës, ne s'étant jamais laissé tromper par aucune personne. Nouvelle traduction de l'Alemand en François; où l'on a ajoûté à cette edition, plusieurs pieces qui n'ont point encore paru en François jusques à present.
Amsterdam, Pierre Marteau, 1703. 12mo. With an engraved frontispiece, and several head- and tailpieces built-up from typographical ornaments. 19th-century light brown morocco by Hardy. [8], 247, [7] pp. Full description

ULPIANUS of Emesa. Commentarioli olynthiacas; philippicaque; Demostenis orationes. Ennarrationes saneque necessariae in tredecim orationes Demosthenis.
Including: HARPOCRATION, Valerius. Dictionarium decem Rhetorum.
Venice, (heirs of) Aldus Manutius and Andrea Torresano, June 1527. 2 parts in 1 volume. Folio. With Aldus' woodcut printer's device on the title page and an older but very similar version on the verso of the otherwise blank last leaf. Set in Greek type (the Upianus in 1 column; the Harpokation in 2 columns) with incidental roman. Early 18th-century gold-tooled diced brown calf. 119, [1] ll. Full description

VALERIUS, Cornelius Physicae, seu de naturae philosophia institutio.
Antwerp, Christophe Plantin, 1574. 8vo (16.1 x 10 cm). With Plantin's woodcut device on the title page. Modern binding using older printer's waste, with the author, title, and year lettered in grey ink on the spine, red edges. 103, [1 blank] pp. Full description

VALERIUS MAXIMUS. Dictorum factorumq[ue] memorabilium exempla. adjecto indice propriorum nominum rerumq[ue] memoria dignarum locupletissimo
Antwerp, Joannes Grapheus for Joannes Steelsius, 1535. 8vo (14.6 x 9.1 cm). With a woodcut title frame, and a woodcut illustration incorporating Steelsius' device at the end. Old half vellum. 237, [11] ll. Full description

[VAN GELDER COLLECTION]. [Collection of medical and satirical drawings, prints and broadsides].
Western Europe, ca. 1550-1970. Full description

VERMEULEN, Gerrit Gedenkwaardige voyagie van Gerret Vermeulen naar Oost-Indien, in't jaar 1668, aangevangen, en in't jaar 1674. voltrokken...
Amsterdam, Jan Claesz ten Hoorn, 1676. 4to. With an engraved allegorical frontispiece, 6 almost half-page engravings in the text, and a decorated woodcut initial. Modern blind-tooled sprinkled half calf. [4], 91, [1 blank] pp. Full description

[VILLEDIEU, Marie-Catherine]. Novelle egiziane ed africane. Tradotte dal francese nellidioma italiano.
Venice, Giovanni Francesco Garbo, 1795. 12mo. With a small woodcut vignette on the general title page and on the extra/divisional title page for part 1, a woodcut headpiece, and a woodcut tailpiece. Contemporary blueish-grey paper wrappers. 143, [1] pp. Full description

VIRGILIUS MARO, Publius. Codex antiquissimus a Rufio Turcio Aproniano V.C. distinctus et emendatus qui nunc Florentiae in Bibliotheca Mediceo-Laurentiana adservatur bono publico typis descriptus anno MDCCXLI.
Florence, Typis Mannianis (the printer Joseph and his son Domenico Maria Manni), [1741]. 4to (25.5 x 18 cm). With an engraved dedication by the editor Pietro Francesco Fogginio to the members of the prestigious Académie Royale des inscriptions et beaux-arts as a frontispiece, an engraved vignette on the title page (a portrait of Virgil holding a mask) engraved by "Sarder ex Mus. Medic.". An engraved illustration of Virgil as a headpiece at the start of the text, engraved after the portrait in one of the two other late antique Virgil manuscripts: the Virgilius Romanus in the Vatican library (Cod. Vat. 3867). Further with a beautiful engraved historiated initial on the same page; engraved specimen of three lines of the manuscript (13 x 3 cm) on p. XV; and two tailpieces (on pp. XVI and 459). The text is printed in red and black (the title page, the first lines and corrections in the text). Contemporary gold-tooled red morocco. [4], XXXVI, 459 pp. Full description

VIRGILIUS MARO, Publius. Opera. Vol. I.
London, John Pine, 1755 [= actually some years later]. 8vo. With 2 different vignettes on the otherwise identical engraved title pages, an engraved frontispiece with a figure of the muse Euterpe, 2 engraved dedication leaves with vignettes, 1 folding and 49 full-page engraved plates on 39 leaves (11 of the leaves with a plate on each side), 31 engraved half-page plates and historiated head- and tailpieces, engraved historiated and decorated initials. Some of the images are derived from the illustrations in the Codex Vaticanus, a 5th-century codex containing the works of Virgil. Late-19th-century gold-tooled crushed red morocco, bound by the famous partnership of René Chambolle (1834-1898) and Hippolyte Duru (1803-1898) (with their names gold-stamped in the bottom front turn-in). The boards show a double fillet frame with detailed, ornate flowers and vines along the inside of the frame, with the author, title, and imprint lettered in gold on the gold-tooled spine, gold-tooled board edges and turn-ins, gilt top edge, marbled endpapers. The binding can be dated between 1861 and ca. 1870, the heyday of the Chambolle-Duru partnership representing the high level of the Golden Age of French bibliophile binding. [8], XV, [2], 144, [6] pp. Full description